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Papers accumulated by Gwyneth Lewis at an opera writing workshop that she attended at the Aldeburgh Festival, including a photocopy of the text of the Japanese play 'Sumidagawa', manuscript notes on it by Gwyneth Lewis, correspondence and an information pack.

Booklets, leaflets, cards, information sheets and notes accumulated by Gwyneth Lewis relating to a wide range of subjects and activities including history, archaeology, religion, self-help, boxing, farming, birdwatching, learning disabilities, travel, geology and domestic purchases.

Letters to Gwyneth Lewis from publishers, writers, academics, friends, journals (including The Poetry Society, Planet, Parnassus: Poetry in Review, The Kenyon Review, The New Republic, and Poetry Wales), agents and the Arts Council of Wales concerning the publication of her volume of poetry entitled Parables and Faxes, and in particular publicity and reviews, as well as the publication of other poems by Gwyneth Lewis, and also literary prizes other literary business, as well as personal and social matters; together with typescript, photocopied and published press reviews of Parables and Faxes, related publicity material including lists of contacts for reviews and the launch, copies of other published work by Gwyneth Lewis and interviews with her, material from Bloodaxe Books (including guidance on house style, invoices for books ordered, and catalogues), lists of poems published by Gwyneth Lewis, and related notes and press cuttings.

Typescript drafts of poems, with manuscript emendations, prepared by Gwyneth Lewis, some for publication in Parables and Faxes and others that had previously appeared in a number of journals and other publications or had been composed at festivals (such as Hay-on-Wye) or submitted as entries for competitions (such as the TLS/Cheltenham Poetry Competition and the Eric Gregory Awards), comprising 'Dalton's Geranium', 'Looking for the Celts', 'Spring at the Leper House Allotments', 'Leaving America', 'First Haunting', 'Parable of the Awkward Woman', 'In the Dead of Winter', 'The Bad Shepherd', 'The West', 'In the Snow Queen's Palace', 'A Love Alphabet', 'Meat', 'A Welcome to East Oxford', 'On the Estate', 'On Mayon Volcano', 'The Cut of Women's Clothes', 'Welsh Espionage', 'The Hermit's Progress', 'The Kingdom of Lightness', 'The Hedge', 'Jig-Saw Sovereign', 'The Good Place', 'Maenclochog', 'The Voledom of Skomer', 'A Soviet Waiter', 'Going Primitive', 'The Building Site', 'A Fanciful Marriage', 'The Bachelors of Balephuil', 'The Illinois Idylls', 'Pentecost', 'Squaring the Circle', 'Paradiso Voluptatis', 'Elegy' and 'The Death of Mrs Dylan', together with a printed pamphlet and sheets produced by the Oxford Poetry Society containing some of the same poems but predominantly the work of other student poets.

Ephemera accumulated by Gwyneth Lewis relating to her personal and family life, including orders of service for weddings and funerals (notably her own wedding), an inventory of her flat at [Girton], identity cards (for universities, libraries, transport, swimming baths and the BBC), membership cards for Oxbridge societies, examination literature, records of medical appointments and an eye prescription, an international driving permit and papers relating to speed awareness, tickets for transport and events, event programmes, domestic receipts, a letter from a utility provider, gym records, a diary kept by her sister Marian as a child, and a personalised calendar featuring family members, together with related notes, photographs, press cuttings, booklets, leaflets, badges, and drawings by adults and children.

Papers comprising Gwyneth Lewis's work at school and with the Urdd, most of it of a literary nature, together with papers relating to the financial aspects of her literary work as a professional writer.

Papers relating to Gwyneth Lewis's personal life, and in particular its relationship with her work.

Photographs featuring and taken by Gwyneth Lewis reflecting her personal and professional activities, notably in the United States, Wales and Spain, including literary events, award ceremonies, tourism, and social and family events.

Manuscript and typescript drafts with emendations by Gwyneth Lewis of published and unpublished poems by her, including 'Melangell Variations', 'Cân y Gofotwr', 'Er Cof am Hugh Williams', 'The Reference Library', 'Coconut Postcards', 'Midwinter Marriage', 'Annunciation', 'A Calm', 'A Golf Course Resurrection', 'Opening the Tomb', 'Dark Ages', 'Bayeux Tapestry', 'Herod's Palace', 'Siege', 'Walking with the God', 'Tara's Visit', 'The Bonfire', 'The Telegraph Baby', 'The No Madonnas', 'Resurgence Pool', 'Sunday Park', 'Old Statues' Park in Budapest', 'Chernobyl Icon', 'Epilogue', 'Rhyfel a Heddwch', 'The Correctional Centre', 'Hive to the Vine', 'Death and the Maiden', 'Abbey Cwmhir', 'Emyn y Canmlwyddiant', 'In Central Park', 'Leaving Nantucket', 'Cân y Gwneuthurwr Mapiau', 'First Haunting', 'On the Air', 'Dalton's Geranium', 'In the Dead of Winter', 'Parable of the Awkward Woman', 'Leaving America', 'At the Airport', 'Purloined and Pursued', 'Full Fathom Five', 'Part the Third' (including a draft annotated by Derek Walcott), 'The Death of Mrs Davies', 'To a Hermit Crab', 'Thanks for a Conger Dinner', 'In the Snow Queen's Palace', 'Meat', 'The West', 'After the Snow Queen', 'The Death of Mrs Dylan', 'The Voledom of Skomer', 'Going Primitive', 'Welsh Espionage', 'The Bad Shepherd', 'A Welcome to East Oxford', 'On Mayon Volcano', 'A Love Alphabet', 'On the Estate', 'Spring at the Leper House Allotments', 'The Cut of Women's Clothes' and 'Looking for the Celts', as well as many poems not bearing names, together with notes on poetry by Gwyneth Lewis, a poster for a poetry event organised by the Oxford University Poetry Society, a printout from Poetry Review featuring Gwyneth Lewis, a printout of an article about Irina Ratushinskaya, and draft copies of pages from Parables and Faxes including the contents, acknowledgements and biographical note.

Unpublished and published poetry by Gwyneth Lewis, with correspondence and other papers relating to her poetry.

Papers relating to Gwyneth Lewis's poetry, including compositions, notes and associated material.

Cuttings collected by Gwyneth Lewis from the British, American and Welsh press relating to a wide range of artistic, intellectual, scientific, political and cultural matters, including her own career and the activities of family members.

Papers relating to literary projects undertaken by Gwyneth Lewis other than her major published work, including festivals and workshops, research, translation, media work, posts and honours.

Papers relating to Gwyneth Lewis's prose writing and academic studies.

Drafts of prose, drama and operatic librettos by Gwyneth Lewis, together with materials relating to research, publication and performances.

Papers relating to publications by Gwyneth Lewis and her reviews of the published work of other poets, including: a copy of a publication agreement between her and Harvard Review concerning her poem ‘Sunken Garden’; a letter to her from literary agents concerning the agreement between her and Poetry Wales Press relating to The Meat Tree; correspondence between Gwyneth Lewis, agents and the editor concerning the publication of an Italian anthology of her work; a copy of her poem ‘Pluck’, commissioned by the Prince of Wales; copies of a typescript draft foreword by Gwyneth Lewis, with manuscript annotations and related notes, for Doctor Marigold's prescriptions, an edition of the work of Charles Dickens; a photocopy of PN Review proofs of ‘Links: A knot of poems’ by Gwyneth Lewis; a copy of PN Review with poems from Sparrow Tree; offprints of review articles from Taliesin by Gwyneth Lewis and T. James Jones relating to the poetry of Menna Elfyn; and a review copy of Sound Archive by Nerys Williams with manuscript notes by Gwyneth Lewis.

Papers relating to BBC radio and television talks, performances and interviews featuring Gwyneth Lewis, including ‘Voyage to Lundy’, ‘Sailing without a boat’, 'Cerddi Cilycwm', ‘The stone that moved’, ‘Poetry Please’ and ‘Great lives - Emily Dickinson’, comprising typescript and manuscript scripts with annotations by Gwyneth Lewis and BBC staff; together with correspondence between Gwyneth Lewis and BBC staff concerning 'Cerddi Cilycwm', ‘The Verb’ and a proposed semi-dramatisation of ‘A Hospital Odyssey’; as well as an award certificate for Gwyneth Lewis’s ‘In search of the Gododdin’ (BBC Wales) from Fèis nam Meadhanan Ceilteach (Celtic Media Festival) in the Hebrides; and notes and press cuttings relating to scripts, recording, broadcasts, accommodation and expenses.

Papers relating to Gwyneth Lewis’s composition of the librettos ‘Redflight Barcud’ and ‘Dolffin’ as part of an operatic trilogy entitled ‘Land, Sea, Sky’ that was performed by Welsh National Opera and primary school children with the intention of engaging children with environmental issues, comprising: a publisher’s proof of Gwyneth Lewis’s score for ‘Barcud’ (later re-named ‘Redflight Barcud’), with related material including a project prospectus, design notes, event programmes and promotional literature; and material relating to ‘Dolffin’, including event programmes, a leaflet and press cuttings.

Materials collected by Gwyneth Lewis in the course of her research for 'A Hospital Odyssey' and other work, especially workshops and projects, including press cuttings, copies of academic articles and presentations, papers relating to a Royal Society of Medicine symposium and research visits to the University Hospital of Wales, leaflets, booklets, NHS forms, and notes relating to a variety of subjects including cancer, mental illness, cell biology, genes, germs and diseases, medicine, hygiene, the human brain, hearing, asthma, health and wellbeing, hospitals and healthcare, the NHS, Homer’s Odyssey, personal relationships, social outcasts, gangs, murder, deception, virtual reality, relationships between humans and nature, dogs and other animals, space, the First World War, writers and writing, art, circus and fashion.

Notes by Gwyneth Lewis relating to her work on health, illness, medicine and space science, together with a printout of email correspondence between her and Gillie Bolton concerning the metaphysics of healing, and related leaflets, internet printouts, newsletters, press cuttings and postcards.