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Original ink scores with pencilled notes inside the cover and pencil annotations, containing two versions of Opus 17: ‘Variations for Clarinet and Piano’ (dated February-11 April 1963), and 'Variations for Viola (or Clarinet) and Piano’ (undated); and a draft score in pencil, titled ‘Opus 17: Variations for Clarinet & Piano’ (dated 11 April 1963). The manuscript also contains a typed programme for the 99th Weekly College Concert of the University College Wales Department of Music, session 1963-64, held on 11th November 1963. The programme includes David Harries’ 'Opus 17: Variations for Viola and Piano' (1963); and 'Opus 5: Sonatina for Piano' (1955).
Originally commissioned for the Guild for the Promotion of Welsh Music, 1963.

Facsimile copy of ink score, dated February-11th April 1963, titled Opus 17: 'Variations for Clarinet and Piano'. originally commissioned for the Guild for the Promotion of Welsh Music, 1963.

Facsimile copy of ink score, dated 10 May 1963 to 14 January 1964, and titled Opus 18: 'Violin Concerto'. including parts for flutes, clarinets, bassoon, horns, trumpets, trombone, timpani, percussion, violins 1 and 2, violas, cellos, and bassess. The work was a testpiece for the International Competition for Violinists, 1966.

Ink score, dated February-11th April 1963, titled Opus 17: 'Variations for Clarinet and Piano'. Originally commissioned for the Guild for the Promotion of Welsh Music, 1963.

Facsimile copy of ink score with some pencil annotations, dated 10 May 1963-14 January 1964 and titled 'Opus 18: Violin Concerto'. The score includes parts for 2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 2 trumpets, trombone, timpani, percussion, solo violin, violins 1 & 2, violas, cellos, and basses. The work was used as a testpiece for the International Competition for Violinists, 1966.

Ink score with pencil annotations, [1964], titled Opus 18: 'Violin Concerto'. The score contains separate parts for violins 1 and 2, viola, cello, double bass, flutes 1 and 2, oboe, clarinets 1 and 2, bassoon, horns 1 and 2, trumpets 1 and 2, trombone, timpani, and percussion. A handwritten note, (1968), to David Harries from the Assistant Orchestral Librarian, BBC Welsh Orchestra, is also included in the file.
The work was a testpiece for the International Competition for Violinists, 1966.

Original ink score, dated 5 April 1964 and titled 'Opus 24: Christ Child: Carol for Unaccompanied Chorus'. Dedicated to Catrin and Ceri.

Facsimile copy of ink score for all instrument parts with pencil annotations, dated 25 October 1964 and titled 'Opus 20: Quintet for Piano and Strings'. The file also includes the score written as separate parts for violins 1 and 2, viola, and cello, in ink with pencil annotations. Commissioned for the Aberystwyth Arts Festival, 1964.

Ink score, dated 25th October 1964, titled Opus 20: 'Quintet for Piano and Strings'. Commissioned for the Aberystwyth Arts Festival 1964, and including parts for violins 1 and 2, viola, cello, and piano.

Original pencil draft of score, dated 25 October 1964 and titled 'Opus 20: Quintet for Piano and Strings'. Includes parts for violins 1 & 2, viola, cello, and piano. Commissioned for the Aberystwyth Arts Festival, 1964.

Facsimile copy of ink score, dated September-October 1965, titled Opus 22: 'Clarinet Concertino'. The score was originally commissioned by the BBC, 1965, and includes parts for clarinets 1 and 2, flutes 1 and 2, oboe, bassoon, horns 1 and 2, trumpets 1 and 2, trombones 1 and 2, timpani, percussion, violins 1 and 2, viola, cello, and bass.

Ink score, [1965], titled Opus 22: 'Clarinet Concertino'. The score includes parts for violin 1, violin 2, viola, cello, double bass, flute 1, flute 2, oboe, horn 1, and trumpet 1, and was originally commissioned by the BBC, [1965].

Original ink score, including separate score for violin part, titled 'Opus 21: Divertimento for Violin and Piano'. The score consists of four parts: part 1, 'Intrada' (dated 28 March 1965); part 2, 'Toccata' (dated 14 April 1965); part 3, 'Cantilena' (dated 15 April 1965); and part 4, 'Burlesca' (dated 11 April 1965). Dedicated to Leonard James.

Facsimile copy of ink score for violin part, [1965], titled Opus 21: 'Divertimento for Violin and Piano.' Dedicated to Leonard James.

Original ink score, dated March 1965 and titled 'Opus 19: Piano Sonata'. Originally commissioned for Bangor Arts Festival, 1965.

Facsimile copy of ink score, dated March 1965, titled Opus 19: 'Piano Sonata'. Originally commissioned for Bangor Arts Festival, 1965.

Facsimile copy of ink score, dated 28th March 1965 (part 1, 'Intrada'); 14th April 1965 (part 2, 'Toccata'); 15th April 1965 (part 3, 'Cantilena'); and 11th April 1965 (part 4, 'Burlesca'). The score is titled Opus 21: 'Divertimento for Violin and Piano'. Dedicated to Leonard James.

Original ink score with some annotations in pencil and biro, titled 'Opus 22: Clarinet Concerto'. For solo clarinet.

Facsimile copy of ink score, dated 8 June 1966 and titled Opus 23: 'A Little Cantata: Ten Traditional Rhymes for Children’s Voices and Piano'. Including works based on the rhymes 'Blow, Wind, Blow'; 'Wine and Cakes'; 'Peter'; 'Terence McDiddler'; 'Tommy Trot'; 'Three a-bed'; 'Pipe, Cat'; 'Grey Goose'; 'Barber'; and 'Four Winds'. Dedicated to Catrin and Ceri.

Four copies of a score for Opus 24 No.2: 'O Come, Let Us Sing Unto the Lord (Psalm 95: Vemite, exultemus Domino) for Chorus and Organ', including one draft score in ink with pencil annotations, dated 14 July 1966; one ink score, dated July 1966; and two facsimile copies of the ink score, both also dated July 1966.