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Notebook of Berta Ruck, July-December 1935, containing journal entries, including an account of visits to Zurich, Switzerland, August 1935 (ff. 15 verso-17), and Vienna and Klagenfurt, Austria, August-September 1935 (ff. 18-38), and notes for fiction. Some thirty-nine letters, postcards and telegrams, 1933-1935, photographs, cuttings, theatre programmes (in German) and other ephemera have been pasted in.
The correspondents include Oliver Onions, July 1935 (ff. 6, 9), her father, A. A. Ruck, July-August 1935 (ff. 8 verso, 25 verso), Ferdinand Deutelmoser, July-August 1935 (ff. 9 verso, 37), Ivan Phillipowsky, 27 November 1935 (f. 55), and Marda Vanne, [24] October 1935 (ff. 59). The volume also contains ink sketches and drawings by Ruck (ff. 42, 57, 66, 70 recto-verso, 72 verso, 73 verso, 75, 79) and photographs of her, [1904?] (inside front cover), [1935] (f. 79 verso). A number of the press cuttings (ff. 60a, 64 verso-65, 66 verso, 68 verso, 70 verso) relate to her autobiography, A Story-teller Tells the Truth (London, 1935); there are also references to the death of her friend Arthur Watts in an aeroplane accident on 20 July 1935 (ff. 4 verso-5, 6, 8 verso, 9 verso, 10, 11 verso).

Manuscript draft, 1972, by Berta Ruck of a short story, 'The Reckless Elopement' (correct order of text ff. 1-21, 26-29, 25, 30-32, 22-24), with pasted in ink sketches by the author (ff. 2, 25 verso, 33, 34).

Notebook, July-August 1939, compiled by Berta Ruck in memory of her late father, Colonel Arthur Ashley Ruck (d. 12 July 1939), including reminiscences; twenty-three letters, telegrams and postcards from family and friends, 1935-1939, being mainly letters of condolence; and other items, [1920s]-1939.
The correspondents include Alys Meirion, [17 July 1939] (f. 5), A. Bodvel Roberts, 13 July 1939 (f. 104 verso), Paul Bland, 18 July 1939 (f. 112a verso), Ménie Muriel FitzGerald, 17 July 1939 (f. 113 verso), and Bernard Darwin, 13 July 1939 (f. 114); there are also two letters from A. A. Ruck to Berta Ruck, 25 February 1935, 26 March 1939 (ff. 3 verso, 37). Also included are newspaper obituaries of A. A. Ruck, [July 1939] (f. 1 verso), and of his brother, Col. Oliver Edwal Ruck, [July 1934] (ff. 16 verso-17), and two group photographs, one a family group, [1920s], both including A. A. Ruck (ff. 4, 44 verso).

Notebook of Berta Ruck, 1906, containing jottings in English and German, and pencil, ink and charcoal sketches, many made during a visit to Holland.
Notes, May 1906, relating to Holland are on ff. 34 verso-36 verso (inverted text).

Notebook of Berta Ruck, December 1934-July 1935, containing journal entries and notes for fiction and for her autobiography. Some thirty-seven letters and cards, November 1934-July 1935, as well as press cuttings, photographs, theatre programmes and other ephemera, have been pasted into the volume.
The correspondents include Gwen [Ffrangcon-Davies], [November 1934] (f. 1a verso), Marda Vanne, 24 November 1934 (f. 1g verso), Hermon Ould, [22] December 1934 (f. 13 verso), Alec Waugh, December 1934-[1935] (ff. 16 verso, 28 verso), Vita [Sackville West], 6 January 1935 (f. 20 verso), and A. A. Ruck, 6-16 June 1935 (f. 34 verso, 37). The volume includes accounts of a visit to the 'Flower Medium' (ff. 6 verso, 12-13 verso), a description of Gwen Ffrangcon-Davies and Marda Vanne's cottage in Essex (f. 21), and a brief description of meeting Amy [Johnson] and her husband (f. 44). Ink sketches by Ruck are on ff. 9, 22 verso-23; photographs of her and of family members are on ff. 16 and 34. Cuttings pasted into the volume include her short story 'Selling Rodney' (f. 26) and the obituary for her uncle, Major-General Sir R. M. Ruck, from The Times, 19 March 1935 (f. 27 verso). A call sheet, 28 March 1935, for the film Car of Dreams (1935) is on f. 31.

Papers of Berta Ruck, [20 cent., third ¼], comprising volumes of notebooks, 1951-1973, and a photocopy, [20 cent., third ¼], of a 1907 children's story 'The edge of the world'.

Notebook of Berta Ruck, May 1960-April 1961, including letters from Emyr Humphreys, February 1961, Hesketh Pearson, October 1960, and Vita Sackville-West, March 1961.

Notebook of Berta Ruck, April 1962-July 1964, including letters from Lord Toby Aldington, August 1962, Ursula Bloom, October 1963, Barbara Cartland, [n.d.], Harold B. Hewitt, October 1963, Heather Jenner, November 1963, Dyfnallt Morgan, October 1963, and Harold Nicolson, December 1962; and a memorial service card of her brother Oliver Laurence Ruck, Llanidloes Parish Church.

Notebook of Berta Ruck, April-October 1971, including a letter from Anthony Swerling, June 1971.

Notebook of Berta Ruck, August 1932-May 1933, containing journal entries, impressions of her stay in Vienna, October-November 1932 (ff. 12-54) and notes for fiction, short stories and articles. Some forty-four personal and family letters, cards and telegrams; press cuttings referring to her and to contemporary events; photographs; theatre, concert and film programmes (mostly German); and other ephemera, 1929-1930, 1932-1933, have been pasted in or are loose in the volume.
The correspondents include her husband Oliver Onions, November 1932 (ff. 42 verso, 84), Alec Waugh, [September] 1932 (f. 10 verso), Ivan Phillipowsky, [December 1932] (f. 64), Ménie Muriel FitzGerald (née Dowie), [1933] (ff. 72-73), and John van Druten, 27 October 1932 (ff. 85-86); a letter from Amy Mollison [i.e. Amy Johnson] to the Secretary of the London Airplane Club, 21 November 1932, is also included (f. 91). There are references to Maurice Bowra, whom she befriended in Vienna (ff. 22 verso, 24, 32, 37-38 verso) and Eric Maschwitz (ff. 52, 56, 66 verso, 75 verso, 84 verso), and references throughout to aviation and the exploits of famous aviators of her acquaintance. There are pen and ink drawings by Ruck on ff. 37 verso and 57.

Typescript, 1969, by Beryl Gonzales of her apparently unpublished work, 'Berta Ruck. A Study of Literary Romance', containing publishing details and plot summaries of Berta Ruck's novels and autobiographical works, 1914-1967, together with extracts from reviews of them.

Notebook of Berta Ruck, June 1918-September 1919, containing impressions of wartime life in North Wales and London and of her visit to the USA in 1919, later reworked and incorporated into chapters 16-25 of her autobiographical volume A Story-teller tells the Truth (London, 1935); also included are commonplace entries and extracts from letters received.

Notebook of Berta Ruck, September 1919-March 1920, containing impressions of her visit to the USA and comparing British and American life; a press cutting of a review of her novel The Immortal Girl (London, 1925) has been inserted on f. 57 verso.

Notebook of Berta Ruck, February-September 1939, containing diary entries, ideas for fiction, comments on the progress of her writing and on the threat of war, and pasted-in letters and cards to her, including one from J. B. Priestley (f. 23 verso). Also pasted in are press cuttings relating to contemporary events including the death of W. B. Yeats and the European political crisis.

Notebook of Berta Ruck, May 1942-February 1943, containing notes for fiction, notably for the novels Bread and Grease Paint (London, 1943) (ff. 34-35 verso, 36 verso, 37 verso, 48 verso) and Shining Chance (London, 1944) (ff. 20-25, 28 recto-verso, 33 recto-verso, 37, 38, 39 verso, 40 verso-41 verso, 43-45), and journal entries and comments on the progress of the war (ff. 4-5, 6, 12-19 verso, 38 verso-39). Press cuttings relating to contemporary events and thirty-four letters, cards and telegrams to the author, April 1942-February 1943, have been pasted in.
The correspondents include William Lyon Phelps, 15 September 1942 (f. 5 verso), Osbert Sitwell, [December 1942?] (f. 9), Gwen Ffrangcon-Davies, [December 1942] (f. 9 verso), Edith Heal, [December 1942] (f. 11), Anthony Thorne, January-February [1943] (ff. 20a, 27, 51 verso), and Marie Stopes, [December] 1942 (f. 42 verso). There are numerous references to Oliver Onions' illness and hospitalization, January-February 1943 (ff. 12-19 verso). The volume includes a number of pen drawings by the author (ff. 19, 33, 36, 39 verso, 40 verso, 41 verso, 51). Some folios are stubs, containing fragments of text (ff. 26, 27, 29-32, 49-50, 52-53).

An incomplete manuscript and typescript draft of Berta Ruck's family history Ancestral Voices (London, 1972), based on the correspondence of her D'Arcy and De La Warr ancestors and conversations with her sister, Maud.
The volume contains drafts of the Foreword (ff. 1-10) and Chapters 2-3, 5-6, 8-10, 12-14, 16-20, 28-30, 33-34, 37-40, 43, 45-48, 51-53 and 55 (ff. 11-321, 332-382). 'Interval' (ff. 328-331) is an early draft of Chapter 51; 'Interval (for Argument)' (ff. 322-327) became part of Chapter 11. The volume consists of manuscript and typescript sections with annotations, often with fragments cut and pasted together to form single leaves.

Fragments of notebooks of Berta Ruck, 1914-1926, containing impressions of travels in England and Merioneth, Wales, 1914-1916 (ff. 1-11), New York, [22]-23 September 1919 (ff. 12-16), Vienna, Austria, 1926 (ff. 17-30 verso), and France, 1926 (ff. 31-36), together with a few notes for fiction. Ephemera (in German) and nine letters, postcards and telegrams, mainly from family, July-August 1926, have been pasted in.
There are references to the First World War, [1914] (f. 2 recto-verso), 1916 (ff. 5 verso, 7 recto-verso), including a description of a Red Cross auction in Corris, Merioneth, 3 June 1916 (f. 7 recto-verso). Ink drawings by Ruck are on ff. 2 verso, 12. A photograph, [1926], of Ruck with her son, Arthur, is on f. 36 verso.

Notebook of Berta Ruck, September-November 1927, containing a journal mainly of her visits to Le Portel, near Boulogne (ff. 1 verso-14 verso), the Côte d'Azur (ff. 31 verso-58 verso), and Paris (ff. 59-68 verso), France, and notes for fiction. Some twelve letters from family and friends, playbills and other ephemera have been pasted in.
The correspondents include Ivor Nicholson, 28 September 1927 (f. 23 verso), and S[alomon] Reinach, 1 October 1927 (f. 24). There are references to Norman Haire (f. 15 verso), the death of Isadora Duncan (f. 9), and Sir Ray Lankester's ill health (ff. 25 verso-26 verso, 31, 34 verso, 47 verso). Also included are ink, pencil and watercolour sketches by Ruck (inside the front cover and on ff. i recto-verso, 3, 4 verso, 7, 8, 10 verso, 28, 40, 57, 65) and photographs of her (ff. 13 recto-verso, 14 verso), and her family (f. 22 verso). The photograph on f. 13 was published in A Story-Teller Tells the Truth (London, 1935), facing p. 276.

Notebook of Berta Ruck, September 1937-June 1938, containing journal entries including comments on contemporary events, notes for fiction and articles. Some forty-eight letters, cards and telegrams, mostly from family and friends, cuttings, photographs and other ephemera have been pasted in.
The correspondents include A. A. Ruck, September 1937-April 1938 (inside front cover, ff. 73, 91), Alec Waugh, October-[December] 1937 (ff. 13, 44), Norman Haire, 29 October 1937 (f. 18), Oliver Onions, 1937 (f. 19 verso), Nathaniel Gubbins, 19 November 1937 (f. 27), Alys Meirion, [1937] (f. 29 verso), Naomi Jacob, 19 December 1937 (f. 36), and Peter Wykeham Barnes, [December 1937] (f. 36 verso). The volume also contains ink sketches and drawings by Ruck (ff. 54, 57, 59 verso-60, 63, 69 recto-verso) and a photograph of her, [1938] (f. 51). The press cuttings include articles by Ruck (ff. 59, 79, 80 verso) and an article from the Daily Express, 12 November 1937, about her son, Arthur Oliver (ff. 26 verso-27). Various press cuttings and letters from Austrian friends (ff. 49 verso-58 verso passim, 80a) discuss the Anschluss in March 1938.