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Notebook of Berta Ruck, July-August 1931, containing journal entries and notes on her visit to Vienna and Carinthia, Austria. Four letters, March 1931-September 1932 (ff. 10 verso, 18, 28, inside back cover), photographs and postcards, playbills and other ephemera have been pasted in.
The volume contains a photograph of Ruck (f. 15) and verse by her (ff. 1 verso, 4 verso). There are fragments of text on the stubs of ff. 13-14, 16-17, 21-28 and on the unfoliated stubs between ff. 17 and 18.

Notebook of Berta Ruck, July-December 1935, containing journal entries, including an account of visits to Zurich, Switzerland, August 1935 (ff. 15 verso-17), and Vienna and Klagenfurt, Austria, August-September 1935 (ff. 18-38), and notes for fiction. Some thirty-nine letters, postcards and telegrams, 1933-1935, photographs, cuttings, theatre programmes (in German) and other ephemera have been pasted in.
The correspondents include Oliver Onions, July 1935 (ff. 6, 9), her father, A. A. Ruck, July-August 1935 (ff. 8 verso, 25 verso), Ferdinand Deutelmoser, July-August 1935 (ff. 9 verso, 37), Ivan Phillipowsky, 27 November 1935 (f. 55), and Marda Vanne, [24] October 1935 (ff. 59). The volume also contains ink sketches and drawings by Ruck (ff. 42, 57, 66, 70 recto-verso, 72 verso, 73 verso, 75, 79) and photographs of her, [1904?] (inside front cover), [1935] (f. 79 verso). A number of the press cuttings (ff. 60a, 64 verso-65, 66 verso, 68 verso, 70 verso) relate to her autobiography, A Story-teller Tells the Truth (London, 1935); there are also references to the death of her friend Arthur Watts in an aeroplane accident on 20 July 1935 (ff. 4 verso-5, 6, 8 verso, 9 verso, 10, 11 verso).

Notebook of Berta Ruck, May 1942-February 1943, containing notes for fiction, notably for the novels Bread and Grease Paint (London, 1943) (ff. 34-35 verso, 36 verso, 37 verso, 48 verso) and Shining Chance (London, 1944) (ff. 20-25, 28 recto-verso, 33 recto-verso, 37, 38, 39 verso, 40 verso-41 verso, 43-45), and journal entries and comments on the progress of the war (ff. 4-5, 6, 12-19 verso, 38 verso-39). Press cuttings relating to contemporary events and thirty-four letters, cards and telegrams to the author, April 1942-February 1943, have been pasted in.
The correspondents include William Lyon Phelps, 15 September 1942 (f. 5 verso), Osbert Sitwell, [December 1942?] (f. 9), Gwen Ffrangcon-Davies, [December 1942] (f. 9 verso), Edith Heal, [December 1942] (f. 11), Anthony Thorne, January-February [1943] (ff. 20a, 27, 51 verso), and Marie Stopes, [December] 1942 (f. 42 verso). There are numerous references to Oliver Onions' illness and hospitalization, January-February 1943 (ff. 12-19 verso). The volume includes a number of pen drawings by the author (ff. 19, 33, 36, 39 verso, 40 verso, 41 verso, 51). Some folios are stubs, containing fragments of text (ff. 26, 27, 29-32, 49-50, 52-53).

An incomplete manuscript and typescript draft of Berta Ruck's family history Ancestral Voices (London, 1972), based on the correspondence of her D'Arcy and De La Warr ancestors and conversations with her sister, Maud.
The volume contains drafts of the Foreword (ff. 1-10) and Chapters 2-3, 5-6, 8-10, 12-14, 16-20, 28-30, 33-34, 37-40, 43, 45-48, 51-53 and 55 (ff. 11-321, 332-382). 'Interval' (ff. 328-331) is an early draft of Chapter 51; 'Interval (for Argument)' (ff. 322-327) became part of Chapter 11. The volume consists of manuscript and typescript sections with annotations, often with fragments cut and pasted together to form single leaves.

Fragments of notebooks of Berta Ruck, 1914-1926, containing impressions of travels in England and Merioneth, Wales, 1914-1916 (ff. 1-11), New York, [22]-23 September 1919 (ff. 12-16), Vienna, Austria, 1926 (ff. 17-30 verso), and France, 1926 (ff. 31-36), together with a few notes for fiction. Ephemera (in German) and nine letters, postcards and telegrams, mainly from family, July-August 1926, have been pasted in.
There are references to the First World War, [1914] (f. 2 recto-verso), 1916 (ff. 5 verso, 7 recto-verso), including a description of a Red Cross auction in Corris, Merioneth, 3 June 1916 (f. 7 recto-verso). Ink drawings by Ruck are on ff. 2 verso, 12. A photograph, [1926], of Ruck with her son, Arthur, is on f. 36 verso.

Notebook of Berta Ruck, September-November 1927, containing a journal mainly of her visits to Le Portel, near Boulogne (ff. 1 verso-14 verso), the Côte d'Azur (ff. 31 verso-58 verso), and Paris (ff. 59-68 verso), France, and notes for fiction. Some twelve letters from family and friends, playbills and other ephemera have been pasted in.
The correspondents include Ivor Nicholson, 28 September 1927 (f. 23 verso), and S[alomon] Reinach, 1 October 1927 (f. 24). There are references to Norman Haire (f. 15 verso), the death of Isadora Duncan (f. 9), and Sir Ray Lankester's ill health (ff. 25 verso-26 verso, 31, 34 verso, 47 verso). Also included are ink, pencil and watercolour sketches by Ruck (inside the front cover and on ff. i recto-verso, 3, 4 verso, 7, 8, 10 verso, 28, 40, 57, 65) and photographs of her (ff. 13 recto-verso, 14 verso), and her family (f. 22 verso). The photograph on f. 13 was published in A Story-Teller Tells the Truth (London, 1935), facing p. 276.

Notebook of Berta Ruck, September 1937-June 1938, containing journal entries including comments on contemporary events, notes for fiction and articles. Some forty-eight letters, cards and telegrams, mostly from family and friends, cuttings, photographs and other ephemera have been pasted in.
The correspondents include A. A. Ruck, September 1937-April 1938 (inside front cover, ff. 73, 91), Alec Waugh, October-[December] 1937 (ff. 13, 44), Norman Haire, 29 October 1937 (f. 18), Oliver Onions, 1937 (f. 19 verso), Nathaniel Gubbins, 19 November 1937 (f. 27), Alys Meirion, [1937] (f. 29 verso), Naomi Jacob, 19 December 1937 (f. 36), and Peter Wykeham Barnes, [December 1937] (f. 36 verso). The volume also contains ink sketches and drawings by Ruck (ff. 54, 57, 59 verso-60, 63, 69 recto-verso) and a photograph of her, [1938] (f. 51). The press cuttings include articles by Ruck (ff. 59, 79, 80 verso) and an article from the Daily Express, 12 November 1937, about her son, Arthur Oliver (ff. 26 verso-27). Various press cuttings and letters from Austrian friends (ff. 49 verso-58 verso passim, 80a) discuss the Anschluss in March 1938.

Notebook of Berta Ruck, March 1920-January 1921, recording visits to Oxford and London and holidays in Brittany and Scotland; a few extracts were later incorporated in her autobiographical volume A Story-teller tells the Truth (London, 1935).

Notebook, July 1924-July 1926, of Berta Ruck containing diary entries and impressions of her visits to Switzerland, Paris, Germany and Austria; theatre programmes, letters to her and press cuttings relating to her work and to contemporary events have been pasted in.

Notebook of Berta Ruck, March 1921-June 1924, containing diary entries, ideas for fiction, comments on the progress of her work and impressions of holidays in Vichy, Brittany and Haute Savoie, France; a few extracts were later incorporated in her autobiographical volume A Story-teller tells the Truth (London, 1935).
Letters and papers, 1921-1933, found loose inside have been filed separately (NLW MS 23569iiC).

Notebook of Berta Ruck, Aberdyfi, September-December 1939, containing journal entries and comments on the progress of the war. Press cuttings relating to contemporary events, photographs and some forty-six letters and postcards, mostly personal, to the author have been pasted in.
The correspondents include her son Arthur Oliver, October-[November] 1939 (ff. 13-14, 16, 33 recto-verso, 42-44), Ménie Muriel FitzGerald, 2 October 1939 (f. 12 verso), Michael Joseph, October-November 1939 (ff. 12 verso, 40, 59 verso), Anthony Thorne, [1939] (f. 34), Horace Horsnell, 28 November 1939 (f. 59), Harold Nicolson, 21 November 1939 (f. 59a), and Osbert Sitwell, 28 November 1939 (f. 60 verso). There are numerous references in journal and letters to the marriages of both her sons, Arthur and Bill, in October 1939. Among the photographs are one of Ruck (inside front cover) and two of Bill Oliver (inside front cover, f. 36 verso).

The printer's copy, [1969x1970], in typescript, of Berta Ruck, An Asset to Wales (London, 1970), with manuscript additions and emendations by the author.
In addition to minor deletions throughout, there is an entire deleted section (4 ff.) from Chapter 2, most of f. 26 having been crossed through and ff. 27-29 having been omitted entirely. Some folios consist of two or more partial leaves pasted together.

Notebook, December 1935-January 1936, of Berta Ruck containing diary entries, ideas for fiction, and pasted-in letters to her, including one, 1935, from Rudyard Kipling (f. ii). Also pasted in are press cuttings relating to contemporary events, including the death of Kipling and of King George V.

Notebook of Berta Ruck, January-June 1937, containing diary entries, ideas for fiction, comments on the progress of her writing, and pasted-in letters and cards to her, together with her typescript account of attending the trial at the Old Bailey of Saunders Lewis, Lewis Valentine and D. J. Williams, sketches of the defendants and related press cuttings and correspondence. Also pasted in are press cuttings relating to other contemporary events, including the coronation of George VI and the marriage of Edward, duke of Windsor.

Notebook of Berta Ruck, September 1943-January 1945, containing a few diary entries, mainly commenting on the war and on the progress of her writing, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra and Emlyn Williams (f. 38 verso). Also pasted in are press cuttings relating to contemporary events, especially the progress of the war, and a few programmes for concerts and plays performed at Aberdyfi, 1942-1944.

Notebook of Berta Ruck, September 1939, recording her move from London to Aberdyfi, Merionethshire, at the outbreak of war and commenting on contemporary events. Press cuttings relating to the war and thirty-five letters and postcards to the author, August-September 1939, mainly from family and friends, have been pasted in.
The correspondents include Oliver Onions, discussing his own move to Aberdyfi, September 1939 (ff. 16 verso, 45, 47, 53 verso, 59, 60, 64), and Tony Thorne, 17 September 1939 (f. 67 verso). She records the engagements of both her sons (ff. 51, 65).

Three volumes containing a draft, mainly autograph with typescript insertions bearing autograph revision, of Berta Ruck's autobiographical volume, A Smile for the Past (London, 1959).

Letters and papers of Berta Ruck, 1921-1933, found loose inside her 1921-1924 notebook (NLW MS 23569iB).
The correspondents include her father, A. A. Ruck, [1933] (f. 7), and Gerald Gould, 1933 (f. 8).

Notebook of Berta Ruck, January-May 1936, containing diary entries, ideas for fiction, comments on the progress of her writing and on contemporary events, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra (f. 37) and Rebecca West (f. 15). Also pasted in are press cuttings, mainly relating to the European political crisis but also including articles on the death of Rudyard Kipling, George V and A. E. Housman.

Notebook of Berta Ruck, 1914-[1922], containing draft passages of fiction, including passages from The Wrong Mr Right (London, 1922) (ff. 8-26 verso, 35 verso, 62 verso), together with notes and journal entries giving impressions of life in wartime in both Britain and France, March 1914-November 1915.
There are extensive notes concerning a journey to Paris and Bordeaux, apparently in the company of Menié Muriel Dowie, October-November 1915 (ff. 43 verso-48, 50-55, 56 verso-62, 63-64, 66 verso-67); as well as visits to aircraft works, 1914 (ff. 29 verso-32, 64 verso-66); and to Aberystwyth and the family home at Esgair, 1914-1915 (ff. 2, 3, 35, 41 verso-42). There are a number of pen and ink drawings by Ruck (notably ff. 24-25, 59 verso, 61).