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Gwyn Thomas Papers,
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1R. The Night Rock [continued from E256]. The Teacher or Punch; 3v. A Passing Darkness [or] The Lantern's Eye. The ....

1R. The Night Rock [continued from E256]. The Teacher or Punch; 3v. A Passing Darkness [or] The Lantern's Eye. The Teacher or Punch; 12r. Aberfan 1967. The Teacher or Punch; 15r. Helmsman, Who Are You? [or] The Growing Helmsman. The Teacher or Punch; 21r. Cover My Flank [or] A Shaking Fist. The Teacher or Punch. 29R. A Purgative Impulse. The Teacher or Punch; 35v. A Shaking Fist [continuation of above and continued again in E258]. The Teacher or Punch.

1R. The Renascent Guffaw. [Subject: Changing social fabric in south Wales] [1960s]; 7v. The Words of Spain. [Subject: Spanish literature] ...,

1R. The Renascent Guffaw. [Subject: Changing social fabric in south Wales] [1960s]; 7v. The Words of Spain. [Subject: Spanish literature] [a lengthy essay]; 37v. The Westward Fancy. [Subject: Gwyn Thomas's first visit to the USA] [Punch, 1965]; 44v. The Virgin Bands. [Subject: Russian socialism] [published in The Lust Lobby]; Odd notes on the back cover.

1R. The Romano-British (series on British Museum. cf. G126); 16r. Television reviews, 19 Dec. 1970 and 2 Jan. 1971; 25r ...,

1R. The Romano-British (series on British Museum. cf. G126); 16r. Television reviews, 19 Dec. 1970 and 2 Jan. 1971; 25r. New Year's Eve 1970; 27v. Book review: Norman F Cantor, The Age of Protest; 33v. The Postal Strike; 37r. Roman Britain; 38v. Discs for radio programme on the Rhondda; 39v. two draft letters; 40r. inserts for the Romano-British piece.

1R. The Shape of Violence; 7r. Note to accompany ideas for programmes outlined in preceding pages; 8r. Continuation of ideas ....

1R. The Shape of Violence; 7r. Note to accompany ideas for programmes outlined in preceding pages; 8r. Continuation of ideas on the theme of violence - reminiscences of the Second World War e.g. 11r Gwyn Thomas at Cardigan; 17r. Incapacity for Work in the Rhondda; 21r. A note about censorship; Roundabout; 24r. Miscellaneous notes back further notes on violence cover.

1R. Title: Donald Duck in middle age. Subject: The significance of Donald Duck; 5v. Title: 'Interpolated sermon for Poet'. Subject ....

1R. Title: Donald Duck in middle age. Subject: The significance of Donald Duck; 5v. Title: 'Interpolated sermon for Poet'. Subject: Pieces of dialogue involving a poet and two sappers.; 11v. Title: Beauty Games. Subject: Female beauty contests; 14r. Title: Defences. Subject: A retired teacher; 20(a)r. Book review: David Illingworth, Aneurin Bevan: Struggles Against the Iron Heel.

1R. Title: Jack Jones. Subject: Jack Jones; 5r. A draft letter: 'Dear John, Here is the piece about Jack ...' ...,

1R. Title: Jack Jones. Subject: Jack Jones; 5r. A draft letter: 'Dear John, Here is the piece about Jack ...'; 5v. Title: Bringing Beauty Back. Subject: The industrial valleys of South Wales; 8v. Title: [?The Keep]. Subject: Additions; 10v. A letter: 'Dear Geoffrey, Here are the little additional bits ... seeing you all at Guildford ...'; 11r. Title: June 1970. Subject: Reminiscences of summer; 15r. Title: [The Keep]. Subject: Additions; 16r. A letter to Geoffrey [--] sending on a suggested addition to the play: '... you are free to tear out anything that obstructs the flow'; and another to John [--]: 'Just back from a long journalistic ramble. I'm immensely grateful for the thought you've given to the play. I'd like you to read the original 2nd Act of Return and End ...'; 17r. Subject: 'The Wales of my growing up years was full to the brim with singing ...'; 19r. Title: Eisteddfod 1970. Subject: The National Eisteddfod; 22v. Title: Bank Holiday 1970. Subject: The Bank Holiday; 25v. Book review: Len Deighton, Bomber; 29r. Letter: 'Dear Tony, Here is the review of the Len Deighton novel ...'; 29v. Title: Night Schools. Subject: Adult education; 33r. Title: 1970 Retrospect. Subject: Annual review; 35v. Television review, 12 Dec. 1970; 40v. Letter: 'Dear Tony, Enclosed my second bite at December's TV cherry. A poor time to fruit ...'; and another 'Dear John, ... I enclose a copy of The Walk Out ...'; Back cover. Title: [The Keep]. Subject: An insert for the play involving Ben and Wallace.

1R. Title: Mr Barrie and Mr Shaw. Subject: J. M. Barrie, G. B. Shaw, and the year 1911; 8v. Title ....

1R. Title: Mr Barrie and Mr Shaw. Subject: J. M. Barrie, G. B. Shaw, and the year 1911; 8v. Title: The Abstainers. Subject: Sunday opening of public houses in Wales; 13r. Title: Sweet Wilderness. Subject: Welsh sheep; 16r. Title: The Ultimate Discourtesy. Subject: Rape: sexual violence; 26r. Title: Money; 28r. Title: The Unslurred Word. Subject: Clear speech; 34r. Book review: T. Fishlock, Talking of Wales; 36v. Title: Excited mouths. Subject: Juvenile delinquency; 41v. Title: Perfect pitch. Subject: Music at school; 47v. Title: Elastic Frontiers. Subject: Awareness of the outside world; 52r. Title: Arnold Undiminished. Subject: Schools; 57r. Title: Merthyr Sketches. Subject: A play involving characters called Iolo Lewis, Theo Morgan, and Dilwyn Pugh. [Compare D26].

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