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Capel Bryn Crwn and environs. See 4689/62 for a better view.

Chapel buildings at Bryn Crwn

A view of the front of Capel Glan Alaw. See also slides 4689/65 & 4689/67.

Capel Glan Alaw photographed from the road with the entrance gate in the foreground. See also slides 4689/66 & 4689/67.

Capel Glan Alaw in the middle distance as seen from the road. See also slides 4689/65 & 4689/66.

A butte of light coloured rock in a desert landscape

Study of a shrub with long rigid thorns, small leaves and black, curved seed pods. Hen Gastell can be seen in the background.

A red brick chapel with a corrugated iron roof, in partial shade.

Gable end and main entrance of Bethel chapel, Tir Halen - a small brick built chapel set in scrubland. Slide 4689/182 is a variant of this.

Gable end and main entrance of Bethel chapel, Tir Halen - a small brick built chapel set in scrubland. Slide 4689/181 is a variant of this.

Taken from a gently sloping hillside the view is of snow covered mountain peaks glimpsed through a gap in the trees.

A bird flies over a desolate looking barn. This is the barn mentioned on page 194 of 'A Wider Sky' (Gomer, 1991) " ...one day I drew onto a canvas an old wooden barn that stood beside the Avenida John D Evans. I started to paint and as I did so the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

Landscape with poplars.

A bay horse in the middle distance standing next to a fence. In the foreground is a tall plant with small white flowers, in the background poplars.

This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia." See also slides 4689/210-211.

The photograph is dominated by a dilapidated barn in the centre of the frame viewed from across a field. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

A barn in the centre of the frame in the middle distance. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

A closer view of a dilapidated barn near Trevelin.This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' (Gomer, 1991) on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

A bird of prey in the far distance photographed against a blue sky. See also slide 4689/225.