Dangos 28 canlyniad

One hundred and seven letters, 1937-1940 and 1944-1967, from Vernon Watkins, mainly at Pennard and Swansea, to his friend and occasional translator, Francis Dufau-Labeyrie, containing personal and family news, and discussing his poetry and other literary output, his and Francis's poetry translations and other poets and their work, notably their mutual friend Dylan Thomas and W. B. Yeats (ff. 1-9, 13-40, 43-121, 125-133, 137-148, 151-158, 161-164, 166-196, 199-211).
Also included are typescript transcripts, [?1970s], of eight of the letters (ff. 10-12, 41-42, 122-124, 134-136, 149-150, 159-160, 165, 197-198, inserted after the originals). The letters occasionally contain poetry by Watkins, including parts of 'After Sunset' (f. 15), an attempt at a poem about Francis (f. 32 verso, in French), the first two verses of 'the Wine Ballad' ['Ballad of the Two Tapsters'] (f. 38), a limerick [?by VW] (f. 40), a verse (f. 46), a verse from 'the Broken Net ballad' ['Ballad of Dundrum Bay'] (f. 50 verso), the end of 'Portrait of a Friend' (f. 75 verso) and the sonnet 'The Conception' (f. 147); there are also transcripts of poems by Yeats (ff. 68, 88 verso, 109 verso) and other miscellaneous poems in English (ff. 46, 76 verso, 119 verso, 190) and French (ff. 17, 82 verso, 86, 128). A few rough ink sketches are on ff. 2, 19, 46, 103, 109 verso, 117 verso. The letters contain annotations and markings in the hand of Francis Dufau-Labeyrie, including attempts at dating and ordering. The letters were mostly sent to Francis while he was living in Bristol, 1937-1938, Beckenham, 1938-1939, Paris, 1939-1947, and thereafter Montreal, Quebec, the later correspondence being mostly by air letter. For extracts from sixteen of the letters, 1937-1946, see 'Vernon Watkins: Selected quotations from his letters to Francis Dufau-Labeyrie', Temenos, 8 (1987), 146-155.

Poems, essays and other prose items written by Eliza Carmarthen (1825-1872), i.e. Eliza Phillipps Williams, Carmarthen, who married (1) the Rev. John Saunders Hughes and (2) the Rev. Thomas Johns.
The volume contains short essays and thoughts on Scriptural and other subjects, two short stories entitled 'I wish to be happy' and 'The Dying Student' and a large number of hymns and poems, mostly in English. Also included are two poems in English by Eliza's father John Williams, with a Welsh translation of one of them, and silhouettes by the late Miss Aldrit, Highbury Hall, Weston-super-Mare, and Mrs Johns.

Papers of Jean Earle (1909-2001), poet, of Abergwili, Carmarthenshire, comprising letters, 1977-2001, draft copies of her poems and short stories.

Papers of and relating to Thomas Harri Jones, [1956]-[2007], an Anglo-Welsh poet and to the publishing of his biography entitled T.H. Jones : poet of exile (Cardiff, 2001) by P. Bernard Jones and Don Dale-Jones, and a collection of his poems Lucky Jonah and other poems (Llanrwst, 2004) in The corgi series edited by Meic Stephens. The correspondence, 1992-2004, relating to the biography is between the two authors and Madeline Mitchell, widow of T. H. Jones and the papers include a typescript of his critical study on Dylan Thomas published in 1963, 'The birds of Rhiannon', a comedy in three acts, and three short stories by him, together with a BBC script 'Homage to a poet' written and read by Edward Richards, transmitted in 1965. Also two sketches of T. Harri Jones, one by M. Hew, [1960s].

The series comprises papers, [1930]-1995 (with gaps), including manuscript and typescript drafts of, and correspondence and notes relating to, various poems and prose works by Glyn Jones, together with books which he co-wrote or edited.

A holograph poem, [?1950s], entitled 'Birds in Winter' by B[erta] R[uck], written in red ink and accompanied by a pen, ink and watercolour drawing by Ruck, depicting an airman holding a bird.
The poem is written on the back of a sheet of Ruck's notepaper, headed 'From Berta Ruck Aberdovey Merioneth North Wales'; Ruck lived in Aberdyfi from 1939 until her death.

Autograph and typescript drafts by Dannie Abse of a lecture, 'Pegasus and the Rocking Horse', 1981, and autobiographical essays, 'Return Ticket to Cardiff', and 'A Voice of My Own', all published in A Strong Dose of Myself (1983); and a draft of a script for a BBC programme on Anglo-Welsh poetry.

Some ninety-nine letters and postcards, 1975-2013, from the poet and local historian Ruth Bidgood, Abergwesyn and later Beulah, Powys, addressed to the Rev. James Coutts, and frequently also to his wife Stevie, discussing her poetry, publications and public readings, her daily life and her family, containing frequent references to friends including Anne Cluysenaar, Angela Morton and A. M. (Donald) Allchin (ff. 1-188, 191-214).
Also included are typescript copies of eighteen of Bidgood's poems and sequences of poems, published and unpublished, [c. 1979]-2014, notably 'Hymn to Sant Ffraed' (ff. 215-225), most given by her to Coutts and a few re-typed by him, and cuttings and photocopies of a further fifteen poems from periodicals, 1983-2002 (ff. 25, 37-38, 52-53, 70, 116, 120, 215-265); typescript drafts, cuttings and photocopies of articles, interviews and reviews, [1978]-2006 (ff. 266-299), including two typescript articles by Donald Allchin (ff. 279-293); and a letter from Bidgood's friend Mary [MacGregor], of Myddfai, to James Coutts, 2 June 2009 (ff. 189-190). Many of the letters were written on the backs of sixty-three of Bidgood's own photographs, so as to resemble postcards; besides these a further twenty-nine of her photographs are also included amongst the letters.