Showing 142 results

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

Facsimile copy of ink score, dated 24th July 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.

Bound facsimile copy of score, 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.

Bound facsimile copy of score, 1957, titled Opus 10b: 'Three Ricerari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score contains parts for violins 1 and 2, viola, and violoncello.

Ink score, dated January-July 1957, titled Opus 10: 'Three Ricercari for String Quartet', including 'Ricercare 1' with parts for violins 1 and 2, viola, and cello.

Ink score with pencil annotations, dated December 1958 to 3rd September 1959, and titled Opus 11: 'Prolegomena: Variations for String Orchestra'. Including parts for violins 1 and 2, viola, violoncello, cello, and bass.

Facsimiles and ink scores, and parts, 1958-1985, composed for orchestra.

Original ink score, dated December 1958-3 September 1959’ and titled 'Opus 11: Prolegomena: Variations for String Orchestra'. The score includes parts for violin 1, violin 2, viola, cello, and bass; and separate scores for the parts of violin 1, violin 2, and viola.
Dedicated to Eileen.

Ink score with pencil annotations, dated 3 September 1959, and titled Opus 11: 'Movements From "Prolegomena: Variations for Strings" '. The work consists of a rough score, with separate instrument parts for the epilogue, including parts for violins 1 and 2, viola, violoncello, cello, and double bass.

Ink score, dated February 1959, titled Opus 8 No.2: 'Three Stanzas for Violin and Violoncello'. First composed May-June 1956, with this copy transcribed in February 1959.

Ink score with pencil annotations, of a 1959 revision of the work titled Opus 1: ‘Nocturne and Scherzo for Orchestra’, including parts for clarinet, violins 1 and 2, viola, violoncello, oboe, bassoon, timpani, flute, trumpet, and horns 1 and 2. The piece was first written in 1952 as 'Introduction (Quasi Notturno) and Allegro Scherzoso' for string quintet, based on the Welsh folk-melodies 'Hun Gwenllian' and 'Hela'r 'Sgyfarnog'. The original piece was awarded a prize in the composition section at the National Eisteddfod of Wales, Aberystwyth (1952), and was first performed at University College Wales, Aberystwyth, in 1953.

Bound facsimile copy of ink score, dated 11 January 1961, and titled Opus 12: 'Epithalamium For Two Violins'. Dedicated to Edward Bor and Edith O'Hanrahan.

Ink score, [1961], consisting of the first part of the work titled Opus 14: 'Noctuary: Five Sonnets of Gerard Manley Hopkins for Chorus and String Orchestra'. Originally commissioned for the BBC in Wales, the work includes parts for violins 1 and 2, viola, cello, and bass.

Ink score, dated 11th January 1961, of the work titled Opus 12: 'Epithalamium for Two Violins'. The first page is wanting.

Facsimile copy of ink score with some annotations in blue biro ink, dated December 1961 and titled 'Toccata alla Danza for Piano'. Composed by William Mathias and originally commissioned by the Welsh Committee of the Arts Council.

Ink and pencil draft of partial score for Opus 16: 'Petitions and Interludes for Male Voice Chorus and Piano', [1962]. Commissioned by the BBC.

Draft score in ink and pencil, dated 3rd January-19th May 1962, titled Opus 15: 'Clarinet Quintet' and for performance at the Cheltenham Festival, 1962. The score also includes a typed programme note for the Cheltenham Festival brochure, 1962, signed by David Harries.

Ink, facsimile, and published scores, 1966-1992, composed for choir and organ.

Ink score, dated 3rd January-19th May 1962, titled Opus 15: 'Clarinet Quintet'. Commissioned by the Guild for the Promotion of Welsh Music for the Cheltenham Festival, 1962.

Draft score in pencil, dated 27th August 1963, and titled Opus 18: 'Violin Concerto No. 1'. For violin solo and orchestra. The work was used as a testpiece for the International Competiton for Violinists, 1966.