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A letter, 5 August [1939], from Dylan Thomas, at 'The Literary Village' [i.e. Laugharne], to Keidrych Rhys, editor of the literary periodical Wales. The writer is critical of the latest issue (Wales, 1.8/9 (August 1939)), and in particular of a story by S. G. Leonard, 'A labour of love' (pp. 235-238).
There are also references to Nigel Heseltine, Lynette Roberts and Glyn Jones. The letter is apparently unpublished.

Miscellaneous personal items belonging to Dylan Thomas, 1948-1953.
They include his used cheque book (item 1), three envelopes (items 5-7) and a betting memo (item 8), all with notes, mainly racing tips, by Thomas, [1953]; his final airline ticket, issued 29 September 1953 (item 2); his National Insurance cards for 1948-49 and 1949-50 (items 3-4); and photographs of a boy in a cub scout type uniform (item 10) and an unidentified woman (item 11). Also included is his red leather travel wallet (item 14), containing a brief note (item 12) and a bus ticket (item 13).

A first draft screenplay by the director Andrew Sinclair (Timon Films, London), [1971]-[1972], of the play by Dylan Thomas. A piece of paper has been pasted on the title page with the words: 'For Andrew, I have rarely admired or liked a man better! Affectionately Richard B.'.

A page from an autograph album containing an original poem of two stanzas signed by Dylan M[arlais] Thomas and written at Hendre Farm, St. Dogmaels, co. Pembroke, in 1930.

An autograph letter, 27 May 1951, from Dylan Thomas, the Boat House, Laugharne, to Ronald [Bottrall], poet and British Council representative in Rome, indicating his willingness to record a piece for the Italian radio station R.A.I. The letter is apparently unpublished.

Eleven letters, [1930]-[1934], from Dylan Thomas to Percy Eynon Smart, a schoolfriend with whom he had co-edited the Swansea Grammar School Magazine, 1929-1930. The letters refer to this magazine, which Thomas was editing, 1930-1931, and to a literary periodical entitled 'Prose and Verse', which they proposed to publish, and include a draft preface by Thomas for the latter (f. 5 verso); they also include personal news and a rough draft of a poem by Thomas (f. 15 verso).

The file comprises David Jones' typescript copy of the broadcast script of In Parenthesis written and produced by Douglas Cleverdon, transmitted on 19 November [1946] by the BBC Third Programme. It includes a script of the introduction by David Jones and some marginal notes by him, and a draft billing slip. The cast list includes Dylan Thomas as Pte. Dai Evans.

An autograph letter, 29 August 1949, from Dylan Thomas, The Boat House, Laugharne, to Colin Robinson of Isleworth, Middlesex, answering a series of questions mostly concerning the publication of his work (ff. 12-13).
The letter is apparently unpublished. The poet is replying to Robinson's typescript letter, dated 22 August 1949, a carbon copy of which is enclosed (f. 14).

A letter, 30 January 1940, from Dylan Thomas to E. F. Bozman at J.M. Dent & Sons, his publishers, sending corrected proofs of his Portrait of the Artist as a Young Dog (London, 1940), and discussing the listing of his previous works in the volume.
This letter is published in Dylan Thomas, The Collected Letters: New Edition, ed. by Paul Ferris (London, 2000), p. 497.

An apparently unpublished letter, [Autumn 1937], from Dylan Thomas, Blashford, Hampshire, to Hermann Peschmann, poet and editor. Thomas discusses giving a poetry reading and asks Peschmann to forward a letter to the poet Anna Wickham.
For a subsequent letter to Peschmann, 21 November 1937, thanking him for forwarding the letter, see Dylan Thomas, The Collected Letters: New Edition, ed. by Paul Ferris (London, 2000), pp. 306-307.

Nineteen letters, notes and postcards to Dylan Thomas, 1952-1953, mainly concerning work, publications and his last trip to America (ff. 1-19), and copies of contracts, 1951-1953 (ff. 20-28).
The correspondents include John [Brinnin], September-[October] [1953], J[ohn] D[avenport], 23 June 1953, Francis Dillon, 22 September 1953, John Griffiths, 21 September 1953, David [Higham], 9 October 1952, Fred [Janes], [13] August 1953, Donald A. Kershaw, 16 June 1953, Arabel J. Porter, 28 September 1953, Liz Reitell, 4 June [1953], Ceri Richards, [?April] 1953, Amos Vogel, June-August 1953, Boris [Watson], [early 1953], and Oscar [Williams], 31 July 1953. There is also a note, 19 October 1953, from 'Evelyn', suggesting he contact the film director Edgar G. Ulmer (f. 5), and a note from Pearn, Pollinger & Higham to Caitlin Thomas, 30 June 1953 (f. 13). There are miscellaneous notes by Dylan Thomas on ff. 1 verso, 4 verso, 8 and 11 verso. The contracts relate to the proposed publications 'American Journal', 19 December 1951 (ff. 20-21), 'Welsh Fairy Tales and Legends', 23 February 1953 (ff. 22-24), and 'Under Milk Wood', 24 July 1953 (ff. 27-28), and to a recording session for Caedmon Publishers, 17 May 1953 (ff. 25-26). Also included is a bank statement, 22 June 1953 (f. 29), and his Temporary Entry Permit into the USA, 20 October 1953 (f. 30).

Seven telegrams, 1942-1947, from Dylan Thomas to his friend, the writer and art critic, Thomas Wade Earp, regarding arrangements for meetings; together with a telegram, 1944, from Caitlin Thomas to TWE.