Dangos 24 canlyniad

Four foolscap pages, [1939], containing typescript copies of the poems 'It is the sinners' dust-tongued bell', 'How shall my animal', 'The tombstone told when she died' and 'A saint about to fall' by Dylan Thomas; his signature is inscribed in ink beneath each poem, and the typed titles, 'Three', 'Nine', 'Ten' and 'Twelve' respectively, have been crossed out and replaced with the heading 'Poem'. These copies may have been produced in preparation for The map of love (London, 1939), and appear to have been sent by Dylan Thomas to Thomas Taig for a proposed 'dramatic presentation' of Anglo-Welsh poetry at a London theatre in September 1939. Also included is a photocopy and photograph, [1953x1990], of the first page of a letter from Dylan Thomas to Thomas Taig, 23 August 1939; together with photocopies of poems in his hand, typescript copies, and printed copies of poems, [1939x1990], intended for the production, by various authors, including Glyn Jones and Keidrych Rhys (one containing amendments by the author).

Llythyrau, [1962]-[1970]. Ymhlith y gohebwyr mae Selwyn [Jones] (15), A. O. H. Jarman, Dafydd Glyn Jones, Thomas Jones, Gildas [Jaffrennou] (2), [T.] Llew [Jones], David Jenkins (4), Gwenallt (2), J. R. Jones, Glyn [Jones] (2), Dafydd Iwan (2), Bedwyr [Lewis Jones] (3), Bobi Jones (4), Gwilym R. [Jones], R. Tudur Jones, Saunders Lewis (4), Alun Llywelyn-Williams, Roland Mathias (3), T. J. [Morgan] (4), Dyfnallt [Morgan], Derec Llwyd Morgan (7), Proinsias Mac Cana, W. Rhys Nicholas (2), a Dyddgu [Owen].

Correspondents include Nicholas Jackson (18), [1982?]-1988; Gordon Jacob (8), 1962-1967; Daniel Jones (10), 1951-1974 (including a letter from his wife, Irene); Glyn Jones (3), 1959, 1970, 1973; Glynne Jones (11, with one reply from AH), 1975-1994; Gwyneth Jones (4).

Miscellaneous papers, 1944-1995, of John Elwyn, in English and Welsh.
They include testimonials, 1947, from his tutors at the Royal College of Art, including Percy Horton and Gilbert Spencer (ff. 1-4); notes for teaching painting, 1944-[?1970s] (ff. 5-63); prize certificates, 1982, 1984 (ff. 66-67); tributes to Glyn Jones by John Elwyn, 1995 (ff. 76-91), M. Wynn Thomas, 1995 (ff. 92-93), and Harri Pritchard Jones, 1991 (ff. 94-95); a curriculum vitae, [1993] (ff. 96-100); and designs, proofs and photocopies of illustrations by the artist for various publications (ff. 101-168), including Leslie Harries, Chwe Drama Fer (Llandysul, 1944) (ff. 107-121), Tywysydd y Plant, 90 (1946) (ff. 122-128) and Dafydd ap Gwilym, Houses of Leaves (Llandogo, 1993) (ff. 129-163).