Showing 533 results

Papers relating to Barn Centre administrative matters, including room rental at the Barn Centre and meetings of committees, sub-committees and Aberystwyth Community Association.

An 'Export Wales Allforio Cymru' programme of events at the Chapter Theatre, Cardiff.

A plan of some alterations to be carried out at Clifford McLucas' flat in Cardiff.

An application for funding for the three month 'Arts at Work' programme at the Barn Centre, which contains details of the activities and costings.

Notes that appear to be an appraisal of the 'CNDRLL' performance project.

Papers relating to the architectural aspects of Clifford McLucas' work, comprising papers relating to possible self-build and renovation projects, papers created for his college work, unidentified architectural drawings and an article relating to the theory of design.

Information and research papers relating mainly to art and the death penalty, including papers relating to Norman Mailer and his book 'The Executioner's Song'; also to the Project on Death in America and in connection with this, to the Waiting Room installation by Richard Kamler, which was built to the exact specifications of San Quentin Prison's death row visiting cell; together with papers relating to the debate whether to televise executions, and a photocopy of the title page of the first edition of 'The Life and Strange Surprising Adventures of Robinson Crusoe'.

A copy of 'Two and Two' magazine, which contains an article by Clifford McLucas regarding his artwork inspired by the Brith Gof productions Pax, EXX-1 and Gododdin, which he describes as a visual diary.

Draft copies of articles about the Bible Banners project by Dorian Llewelyn Smith for various publications.

Articles by Clifford McLucas with associated papers relating to cultural matters, including artistic freedom and artistic responsibilities and to Brith Gof's funding cuts by the Arts Council of Wales.

Two photocopied articles relating to changes to the Arts and Crafts exhibition at the 1992 National Eisteddfod at Aberystwyth, of which Clifford McLucas was one of the adjudicators.

Papers relating to Clifford McLucas' work as artist in residence, including project reports and documentation, together with photographs of the residency and the work created.

Material relating to Clifford McLucas' time as artist in residence, including preparatory photographs and photographs of the finished works, Clifford McLucas and pupils at work and other subjects; together with the artwork created during this period.

Information about various artist residencies and fellowships; which were possibilities for funding to enable him to start another project and stay in California after the Three Landscapes project had come to an end.

Papers relating to arts and disability activities at the Barn Centre, in particular to a series of workshops held there, including an application for funding, which includes a programme for the workshops, and correspondence; together with information about other arts and disability theatre companies, groups and events and other mental health groups and events.

Papers relating to Carmarthen 'Artscare' with a covering letter that discusses the possibility of establishing Artscare projects in Aberystwyth, together with draft notes of a [financial breakdown] and a later letter thanking Clifford McLucas for a report.

Examples of the joiner artwork that was shown in Clifford McLucas' exhibition at the Barn Centre.

Photographs and negatives of various subjects, presumably to be used in the artwork created during the residency and images of the finished works; together with preparatory and research material such as the lettering used in the artwork and a school handbook.

The original banners created for the Bible Banners project.