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A note to performers in ink.

Loose ink scores:. (A52/1). Humoresque no. XII in F major 'Chimbarazo', op. 132. Transposition for orchestra from claviermusich von D. J. Jones', op. 141'. Ink score. 26 February 1929. (A52/2). Tarantelle in D Major for orchestra, op. 143. 9 March 1929. (A52/3). Plaintive melody in D minor for orchestra, op. 146. 28 March 1929. (A52/4). Second tarantelle in D major for orchestra, op. 147. 29 March 1929. (A52/5). Plaintive melody in D major for orchestra, op. 148. 30 April 1929. (A52/6). Rhapsody 'Pan and Syrinx' in E for orchestra (omitting brass, bassoon, but including a harp), op. 161. 15 May 1929. 'Dedicated to Dylan Marlais'. (A52/7). Second orchestral rhapsody in B major (same combination as first rhapsody), op. 162. 25 May 1929. 'Dedicated to P. A. Stevens'. (A52/8). Third orchestral rhapsody in B major, for full orchestra, op. 164. 4 June 1929. Dedicated, with all the other Rhapsodies, to the Spring of 1929'. (A52/9). Fourth orchestral rhapsody in C major, for full orchestra, op. 165. 9 June 1929. (A52/10). Fifth orchestral rhapsody in G major, for full orchestra and bass voice, op. 169. 1 August 1929. (A52/11). Serenade in E for full orchestra (with timpani and harp), op. 174. 16 August 1929. (A52/12). Suite no. 1 in E minor for full orchestra, (with timpani, harp, piccolo and castanets), op. 175. 28 October 1929.

Photocopy of a poem on which was based 'A Refusal to Mourn the Death, by Fire, of a Child in London'.

Two typescript pages of a collaboration between Dylan Thomas and Daniel Jones.

Rome, 4 November 1936. Ink. It may originally have been enclosed in a letter.

Handwritten draft of a poem, 'A Visitor' (2 pages).

Copy of ADAM International Review (238), a literary monthly in English and French edited by Miron Grindea - Our Dylan Thomas Memorial Number.

Typescript. Together with a few reports and reviews.

A file containing lectures/essays relating mainly to aesthetics. (CC5/1). 'Extract from "Structure and convention"'. Typescript. See also CC1. (CC5/2). Music and musicians in Czechoslovakia'. Radio script, 11 September 1955. See also GG80. (CC5/3). Music in Hegel's philosophy of the Arts'. Three typescripts, two with corrections; together with an ink draft. (CC5/4). 'An attempt to formulate general aesthetic principles through music-aesthetics'. [Article for The Score, number 10]: (1) Typescripts (6); (2) Rough ink draft (fragments). (CC5/5). 'Music and aesthetics: a metaphysical theory'. Paper read to the Composers' Congress, London, n.d. Typescripts (2), one with corrections. (CC5/6). Notes on 'Music and aesthetics'. Ink. (CC5/7). A group of notes dealing specifically with aesthetics.

Exercise books (46), representing material collected by Daniel Jones for his book on aesthetics; together with three related files (including a bibliography), a card index and miscellaneous related material. 3 boxes.

General correspondence between Daniel Jones and others. Subjects include his music, career, personal matters, and Dylan Thomas's estate. Arnold - Lewis. A detailed list of the 40 items has been placed in the folder.

Contains pencil scores of twenty-three pieces for piano. Signed 'Lybyg John'. 'Paper cover edition'. (I). 'In the Woods', op. 4, no. 2. 12 September 1923. (Ii). 'Death Dance', op. 21, no. 2. 12 September 1923. (Iii). 'Grande Funebre Marche', op. 27, no. 1. 12 September 1923. (Iv). Alexas et Polonaise in D minor, op. 28. 13 September 1923. (V). Berceuse, op. 29, no. 1. 13 September 1923. (Vi). 'Cossack Tanza (i)', op. 22, no. 2. 14 September 1923. (Vii). 'Egyptian Tanza (ii)', op. 22, no. 3. 15 September 1923. (Viii). 'Français Tanza (iii)', op. 22, no. 4. 16 September 1923. (Ix). 'Petite Rouge-gorge', op. 4, no. 3. 16 September 1923. (X). 'Lament', op. 29, no. 2. 16 September 1923. (Xi). Finale in A minor, op. 30. 16 September 1923. (Xii). Tarentelle (Tanza IV), op. 24, no. 1. 17 September 1923. (Xiii). 'Marche Romaine', op. 27, no 2. 17 September 1923. (Xiv). 'Hungarian Rhapsodie III', op. 69. 20 September 1923. (Xv). Joyeux du Jardin', op. 4, no. 4. 21 September 1923. (Xvi). 'Nymph Tanza', op. 21, no. 3. 23 September 1923. (Xvii). Marche in F minor (Walksleben aus Dem), op. 27, no. 3. 5 October 1923. (Xviii). Ballade no. I in F minor, op. 23.6 October 1923. (Xix). 'Moments Musicale I' in A minor, op. 25, no. 1. 10 October 1923. (Xx). Folk Dance (Hungarian tanza VI), op. 24, no. 2. 10 October 1923. (Xxi). 'Um Bach Tanza (VII)', op. 24, no. 3. 10 October 1923. (Xxii). 'Moments Musicale II' in E flat major, op. 25, no. 2. 12 October 1923. (Xxiii). Die kinder Bielle', Impromptu, op. 4, no. 5. 12 October 1923.

Contains pencil piano scores of the following:. Symphony I, op. 6. 6 September 1923. Signed 'John'. Symphony II, op. 7. 5 December 1923. Signed 'Lybyg John'. 'Braecher Fantasia' in B flat major, op. 8. 6 December 1923. 'Dedeé a M. Braecher'. Signed 'Lybyg John'. 'Valse Brilliante', op. 10, no. 1. 7 December 1923. Signed 'Lybyg John'. Nocturne, op. 11. 7 December 1923. 'Dedée Mme. Favener et Josef Lohr'. From 'Morceux, Klavier: Norwigiesh', op. 9, no. 3. 'Dedee Vernon Hasting[s]'. 'Gypsy Tanza' (Second of '7 valses'), op. 10, no. 2. 15 December 1923. 'Dedée James Jhon'. Signed Lybyg John'. 'Hungarian Tanza' (Third of 7 valses), op. 10, no, 3. 'Dedée James Jones'. 'Valse Unique' (fourth of 7 valses). 'Dedee James Jones'. Marshe, duet. Dedée Josef Lohr'.

Pencil scores. All signed 'Lybyg John'. 'Paper cover edition'. 'Flodden', op. 3. 2 August 1923. 'Gigu', op. 9, no. 1. 5 August 1923. 'Storm', op. 4, no. l. 6 August 1923. Rhapsodie II in B minor, op. 2. 29 August 1923. 'Dedié to Mme Jones'. Whimmen ('Whims'), op. 9, no. 2. 'Dedie Monsieur Beaumain'.

Pencil scores:. 'Grande Sonate, op. 14. Dedée Jos Lohr'. Arabeske, op. 15. 'Dedée Falkoner Bonnymann'. 'Slumber Song', for strings and piano, op. 1, no. 3. Dedée Joseph Lohr'. Melodé (fugue) from op. 1, The Red Seal', for voices. Dedee Falkoner John'. Agitato und Arabeske, no. II, op. 17. Dedée Majora Pipé Pipé'. 'Spinnilied Impromptu', no. II, op. 18. 'Dedee M. Robstein, magister a Jos Lohr'. Sonate (Impromptu), Russian Sonata, op. 19. Dedée Hopes Bonnymonn'.