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Head and shoulders portrait of a soldier in the Royal Signals wearing a beret. On his left shoulder he has a Pegasus Formation sign and airborne cloth patches. Inscription on the negative possibly reads "Davies, Clunderwen."

Half-length portrait of a smiling Royal Navy rating. Negative appears to be inscribed 'Jones, Oreacher, Crescent Road'

Studio portrait of a bespectacled man in the uniform of the Royal Observer Corps. The negative is inscribed 'Davies, Talley' along the bottom edge.

Half-length portrait of a Lieutenant in the RAMC, inscribed at the base of the negative 'Lieut. Murray, Dynevor.'

Full-length studio portrait of a pilot, presumably RAF, in flying kit.

Head and shoulders portrait of a young Lance corporal in the Royal Army Service Corps. Negative inscribed as per title.

Half-length portrait of a man in a Royal Navy cap wearing shoulder epaulettes with two chevrons, possibly a petty officer. Negative inscribed "Chapman", place name following illegible.

Head and shoulders portrait of a man in the uniform of the Royal Observer Corps. Negative inscribed 'Thomas, Taliaris.'

Half-length studio portrait of a corporal in the Auxiliary Territorial Service attached to the Royal Artillery (note collar badge worn on left breast of tunic) and wearing the divisional patch of the 38th Welsh (Infantry) Division and inscribed "Evans, Queens Club [?], Carmarthen"

Head and shoulders studio portrait of a soldier in the Royal Welch Fusiliers wearing two medal ribbons which appear to be 1939-45 Star and the Italy Star. Negative is inscribed "Hall, Crickhowell"

A proof copy of Clifford Dyment, The Axe in the Wood (London, 1944) containing numerous autograph emendations in ink in the hand of the author, all of which are incorporated in the published version (see iv).
Among the most substantial alterations are the following: line 8 of the title poem (p. 12), 'For glory seems to crowd upon the axe', is replaced with 'A swaying axe has always drawn a crowd'; lines 12-13 of 'Absolute Power absolutely Corrupts' (p. 32) are replaced by the version as published, as are the final three lines of the poem 'Carrion' (p. 34); and the poem 'The Marriage in Cana' (p. 27) is directed to be omitted altogether and replaced by 'Green Love' (from p. 38). The title page has the title as published, however the front cover gives the title as 'A Song to Saint Francis'.

A copy of Clifford Dyment, The Axe in the Wood (London, 1944). Many of the poems contain pencil emendations in the hand of the author; most are also accompanied by autograph printing histories.

Studio portrait of an American soldier smiling and holding a pipe.

Studio portrait, full-length of a seated private in the US Army Quartermaster Corps.