Second in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
Third in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
Fourth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Ninth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Fifth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Sixth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Seventh in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Eighth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Tenth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Eleventh in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Twelfth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Thirteenth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
A Sergeant in the Pembroke Yeomanry astride his horse, a military encampment in the background. He is wearing a plumed slouch hat and holding a rifle (possibly a long Lee-Enfield) the butt of which rests in a holder attached to the horse's saddle. On his left upper arm he has a Farrier's trade badge.,
A narrative beginning 'Gwedi goresgyn o'r Gwyddelod wlad Fon ac Arfon a'r Cantref ag eraill wladoedd yng Ngwynedd yspaid trichant a naw a'r hugain mlwydd ...'.
A note from ... to ..., asking him to beg of Mr Edward Williams to give the writer some account of the Welsh mercenary soldiers to transmit to Col. Fitz Clarence. On the other side is an 'englyn' beginning 'Hir-fydd Castell Caernarfon - ai hanes', with some variations by Iolo Morganwg.
