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Papers, 1993-1994, relating to the Welsh Academy’s ‘Poets on Poets: Taliesin and Aneirin’ event at Coleg Harlech, 1994, featuring Greg Hill, Gillian Clarke, Chris Meredith, and Tony Conran. The file includes letters (1993-1994), from Greg Hill (unsigned) (1), Kevin Thomas (1), Gillian Clarke (1), and Tony Conran (1); a poster advertising the event (1994); typescript copies of poems intended to be featured ([1994]), including a verse from Aneirin’s 'Gododdin', and the poems ‘Aneirin Speaks’ and ‘Heroes’, by Raymond Garlick, and ‘Over the Top’, ‘Elegy for the Welsh Dead in the Falkland Islands, 1982’, and ‘Becca at the Gate’ by Greg Hill; and a copy of the booklet ‘Ancestors: Translations from Early Welsh Verse & Variations on a Theme’ by Greg Hill ([?1994]).

Correspondence, 1981-2000, mainly relating to reviews and articles intended for publication in the Anglo-Welsh Review, and to the Welsh Arts Council’s withdrawal of funding in 1987 and subsequent closure of the publication in 1988. The file includes letters to Greg Hill and others from Arthur Giardelli (3); Bim Giardelli (1); Glyn Jones (1); Anne Stevenson (3); Tony Conran (2); Jeremy Hooker (9); Desmond Slay (1); Meic Stephens (4); Freda Walters (3); Tony Curtis (1); John Davies (1); Raymond Garlick (2); Peter Dale (1); David Annwn (1); Ann Hallam (1); Tony Bianchi (1); Gillian Clarke (1); and Steve Griffiths (1). Also enclosed are cuttings of obituaries for the writer and historian Gwyn Jones, written by Desmond Slay and Meic Stephens respectively (1999); and a copy of a cutting from the Western Mail, reporting on the closure of the Anglo-Welsh Review and the launch of the New Welsh Review (1987).

Letters, cards and email correspondence between Gwyneth Lewis, friends, publishers, agents, colleagues, academics, family, universities, government agencies, funding bodies, event organisers, artists and readers of her work concerning literary, social, personal and broadcasting matters, including the creation, publication, performance, translation, sales and impact of her literary work, her research, her literary collaborations and appearances, depression and illness, her inscription for the Wales Millennium Centre, her tributes to other writers, family news, fellowships at Girton College, Cambridge, and the Radcliffe Institute for Advanced Study at Harvard, and the potential purchase of her archival papers, together with draft letters from Gwyneth Lewis, a typescript draft of the introduction to her verbal presentation on ‘The Health of Poetry’ and manuscript notes and memoranda relating to her work, and manuscript notes by her on typescript poems by George Szirtes, as well as related press cuttings, forms, booklets and event schedules, and also email printouts of family photographs, a short typescript essay by an unidentified author on Welsh attitudes to Ireland, a funeral address relating to her uncle in the United States, and a draft letter from Leighton Denver Davies to the Mountain Ash Golf Club. The paper on which some of the emails are printed comprises: letters and documents concerning listing agreements, insurance and radio licensing, 2001-2007, relating to Gwyneth Lewis’s yacht ‘Jameeleh’; a copy of parts of her CV; printouts of parts of 'A Hospital Odyssey'; copies of work sent to her by Tom Bullough and C. K. Williams; a proof copy of part of Byron Rogers, The man who went into the West: the life of R.S. Thomas (Aurum : London, 2007); a completed form relating to a submission for the Arts and Business Cymru Awards on behalf of a youth arts project; and other literary miscellanea, as well as part of a typescript report on the use of the Welsh language, reports and statistics concerning the media in Wales, and an equipment list relating to a trip to Lundy.

Correspondence comprising letters, emails and cards sent between Gwyneth Lewis, friends, publishers, agents, literary associates, members of the public, academics, colleges, archival institutions, family, neighbours, commercial companies, local councils and road safety enforcement bodies concerning literary, professional, social, personal and domestic matters including the publication and performance of her work in a variety of formats, reaction to her work (notably Two in a Boat, Sunbathing in the Rain and A Hospital Odyssey), a job reference for a fellowship at Stanford written for her by the editor of Poetry Review, her relations with agents, her research, the problems of translation, a letter composed by her to John Milton (1608-1674), the registration of four of her published works under public lending right, the transfer of her papers to an archive, the sale of an antique by her to Girton College, Cambridge, literary prizes, and the work of other poets, as well as a letter to Gwyneth Lewis’s parents concerning a family friend, together with related offprints, photocopies and forms. The paper on which some of the emails are printed comprises documents relating to insurance for Gwyneth Lewis’s yacht ‘Jameeleh’.

Letters and cards to Gwyneth Lewis from friends, family, writers and universities concerning personal, social, family, literary, artistic, medical and academic matters, including her published work and her fellowships at Harvard and Girton College, Cambridge, as well as projects in which she took part, together with a proof copy; also included are cards from Gwyneth Lewis to Leighton Denver Davies and a letter to her parents from friends concerning her ordination into Gorsedd y Beirdd, with related photographs.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and colleagues concerning personal, social, family and literary matters, including a typescript copy of a poem ('Flood') by Gillian Clarke, and also cards from Gwyneth Lewis to Leighton Denver Davies and cards to him from relatives, with related press cuttings..

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and other literary associates concerning personal, social, family, literary and artistic matters, including a manuscript poem ('A birthday') by Gillian Clarke and an invitation to attend a reception for the arts at Windsor Castle, with related photographs, press cuttings and ephemera.

Letters to Gwyneth Lewis from publishers, writers, academics, friends, journals (including The Poetry Society, Planet, Parnassus: Poetry in Review, The Kenyon Review, The New Republic, and Poetry Wales), agents and the Arts Council of Wales concerning the publication of her volume of poetry entitled Parables and Faxes, and in particular publicity and reviews, as well as the publication of other poems by Gwyneth Lewis, and also literary prizes other literary business, as well as personal and social matters; together with typescript, photocopied and published press reviews of Parables and Faxes, related publicity material including lists of contacts for reviews and the launch, copies of other published work by Gwyneth Lewis and interviews with her, material from Bloodaxe Books (including guidance on house style, invoices for books ordered, and catalogues), lists of poems published by Gwyneth Lewis, and related notes and press cuttings.