Showing 104 results

Includes letters from Betty Mulcahy (2); Mavis Carter (6); Robert Minhinnick; Gwyn Parry (11, including a poem); Shelagh Hourahane (2); Berlie Doherty (3); Christine Evans (2); Mary Oldham; Lesley Grant-Adamson (4); Candyce Clayton (2); Berenice Moore (3); Cary Archard; Irene E. Thomas; Angela Morton (6, including a poem); Howard Bowcott; Anna Jauncey (3); Julia Bell; Moelwyn Merchant (2); Cora Greenhill; Alison Leonard (including a poem); Michael Horovitz; Maggie Hannan (including poems); Myra Schneider (including a poem); Gerard Casey; Gwyn O. Jones (2); Bill Headdon; Tony Curtis (copy); T. A. Owen (2); Roland Mathias (2); Glyn Jones (2); Eric Alexander (enclosing poems); Maurice Rutherford (3); Michael Holroyd (2); Roger Garfitt; Enid Luff; Meic Stephens; Carys Bell; Kate Foley; and Jeremy Hooker.

Includes letters from Douglas Houston; Sylvia Kantaris (2); Angela Morton (5, including poems); Lesley Grant-Adamson (3); Irene E. Thomas (4); Michael Horovitz (4); Sue Stewart; Berenice Moore (4, including a poem); Meic Stephens; Ian M. Emberson; Anne Stevenson (6); Gwyn Parry (9); Sue Moules (6); Ann Vaughan-Williams (3); Christine Evans (4); Liz Cashdan; Chris Bendon; Jeremy Hooker (2); Bill Headdon; Robert Minhinnick; Maggie Holmes (2); Nigel Forde (3); Liz Ashurst (including poems); Berlie Doherty (5, enclosing poem); Enid Luff; Gloria Evans Davies (3); John Sewell; Harold Fawkner (2); Julia Bell (enclosing poem); Glenda Beagan; Caryl Davies (2); Maura Dooley (2); Arnt Lykke Jakobsen; Jane Esson; Terry Gifford (enclosing a poem); David Dabydeen; Sally Roberts Jones; Hugo Williams (2); Joseph Clancy; Kyffin Williams; Jean Earle (2); Sian James (2); and Candyce Clayton.

Includes letters from Sue Moules; Roland Mathias (5); Angela Morton (2, including poems); Mark Morris (4); Ian McMillan (2); Andrew Motion (7); and Judith Maro (2).

Includes letters from Mollie Rollings (3); Tom Rawling (13); Maurice Rutherford (8); and Peter Redgrove (2).

Includes letters from A. G. Prys-Jones (6, including poems); Harriet Zinnes (including poems); Roger Conover (3); Talat Halman; Michael J. Collins (3); Joseph Clancy (including a poem); Jean Earle (3); Sylvia Kantaris (4); Angela Morton (14, including poems); Greg Hill (2); Lesley Grant-Adamson (7); Roger Garfitt; Anne Stevenson (10, including a poem); Paul Hyland (7); Jane A. Wight; Tom Rawling (2); Irene E. Thomas (11); Meic Stephens (2); Jeremy Hooker (5); Huw Jones; Meredydd Evans; Michael Horovitz (11); Fay Godwin (4); Roland Mathias (3); Joyce Herbert; Berenice Moore (5); Thomas Owen Clancy (4, including a poem); R. S. Thomas (4); Donald Swann (3); Tony Curtis (2); Christine Evans (7, including poems); Glenda Beagan (5, including a poem); Sue Moules (12); John Tripp; John Latham (3); Carole Satyamurti (2); Gloria Evans Davies (2, enclosing poems); Gwyn Parry (5); and Chris Bendon (2).

Includes letters from Lesley Grant-Adamson (2, including a poem); Irene E. Thomas (2); Mavis Carter (6); Dennis Carter; Gwyn Parry (4); Tony Bianchi; Peter Weevers; Sally Roberts Jones (2); Judith Thwaite (11, including a poem); David Harries; Michael Rosen; Candyce Clayton; Nigel Jenkins (2); Kate Foley (4); Anne Stevenson; Christine Evans (2); Chris Kinsey; Maura Dooley (4); Menna Elfyn; Roger Garfitt (3); Joseph Clancy (including poem); Beryl Hamilton (Berenice Moore); Linda Martin; Julia Griffiths Jones (3); Maurice Rutherford (3); Ruth Bidgood; Dannie Abse (3); Enid Luff; and Mary Oldham.

Letters, 1975-1997 (with gaps), from Susan Hill; R. S. Thomas (5); Ted Hughes (12, including verses by him); and Seamus Heaney (3). Also included is an offprint of 'Voice of the Tribe' and poems by Gillian Clarke.

Papers, [?1978], 1990-1991, mostly manuscript and typescript drafts of poems, relating to The King of Britain's daughter (Manchester, 1993), including the title work. The file also contains two letters, 1993-1994, from Tony Curtis inviting Gillian Clarke to contribute to the book How poets work (Bridgend, c.1996).

Manuscript drafts and typescript copies, including drafts, of poems by Gillian Clarke, 1978-1996 (with gaps), a number of which are included in Five fields (Manchester, 1998). The file also contains two notebooks, 1995-1998, namely manuscript drafts of poems for Five fields and those produced during workshops, and includes a list of poems selected for Collected poems.

Correspondence, 1995-1999, mostly between Mairwen Prys-Jones, Pont Books, and Gillian Clarke, mainly regarding The Animal Wall and other poems (Llandysul, 1999).

Papers, 1997-1999, relating to a series of poems by Gillian Clarke about Aberglasney entitled Nine green gardens (Llandysul, 2000); together with correspondence, 1998-1999, a typescript copy of 'Aberglasne: nine green gardens', typescript drafts of the poem 'The yew tunnel in winter', and research notes.

Typescript copies, including drafts, 1969-1971, of poems by Gillian Clarke, a number of which were subsequently published in The sundial (Llandysul, 1978).

Manuscript and typescript drafts, 1986-1995, of poems and stories mostly by Gillian Clarke, including a number of typescript drafts of the poem 'At L'Oursinado'.

The file compries notebooks, most of which contain manuscript drafts of both published and unpublished poems by Gillian Clarke, including part of 'Letter from a far country', 'Cofiant', 'Storm: Pwyll & Rhiannon', and pieces for The sundial, Five fields, The Animal Wall, and Nine green gardens. Some poems and notes appear to have been written during workshops. Also included are some drafts of prose works; plots and notes for stories; and notes pertaining to The Anglo-Welsh Review.

Typescript copies, [1985x1999], of English translations of Tegwch y bore by Kate Roberts. One version by Rhydwen Williams, entitled 'One bright morning', contains manuscript notes by Gillian Clarke. The file also includes another translation by Gillian Clarke entitled 'The glory of the beauty of the morning'.

Manuscript drafts, 1968x[1985], of a script for a play, stories and a poem 'Nightride'.

Papers, 1975-1999 (with gaps), relating to radio and television programmes, most of which were written and read by Gillian Clarke. They comprise scripts, including drafts, together with related correspondence and notes.

Papers, 1975-1983, mostly correspondence, relating to courses held at the Arvon Foundation Centres at Totleigh Barton and Lumb Bank during which Gillian Clarke was a tutor or guest reader. The file includes letters from Wes Magee; Maurice Rutherford (2); Pete Morgan; and Liz Cashdan (2).

Samples of poems, together with related letters, produced by pupils at various primary and secondary schools between 1972 and 1999, having attended workshops tutored by Gillian Clarke. The file also includes papers, 1979-1980, pertaining to her work as poet-in-residence at Radyr Comprehensive School.