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The file comprises David Jones' typescript copy of the broadcast script of In Parenthesis written and produced by Douglas Cleverdon, transmitted on 19 November [1946] by the BBC Third Programme. It includes a script of the introduction by David Jones and some marginal notes by him, and a draft billing slip. The cast list includes Dylan Thomas as Pte. Dai Evans.

Symphax copy of vocal score, ink and pencil sketches for orchestral version, together with correspondence relating to performances commissioned by the BBC in 1976.

Three letters, 1951-1953, from Dylan Thomas and his parents to Dylan's cousin, Mai Griffiths of Cross Hands.
They consist of: a letter from Dylan, 16 December 1952, informing Mai of the death of his father that day (ff. 3-4; apparently unpublished); a letter from his father David John (Jack), 28 June 1951, sympathising with Mai on the recent loss of her husband and giving family news (ff. 1-2); and a letter from his mother Florence (Florrie), 4 May [1953], on the recent death of Florence's daughter Nancy (ff. 5-6).

A holograph letter, dated 16 June 1953, from Dylan Thomas, Boat House, Laugharne, to his lover Elizabeth (Liz) Reitell, New York, concerning various personal and work matters. It was written soon after Thomas's return to Wales from his American tour and he describes his flight to London and his stay there in the days after the Coronation.
The letter is published in Dylan Thomas, The Collected Letters New Edition, ed. by Paul Ferris (London, 2000), pp. 994-5. The original envelope is included (f. 2a).

A collection of six letters, [1936]-1950, from Dylan Thomas, comprising one letter to Caitlin Thomas, [6 September 1945], mainly concerning money, work and their living arrangements (f. 3), and three letters to his parents, D.J. and Florence Thomas, sent from Oxford, 12 January 1947 (ff. 4-9), from Florence, Italy (but giving as his address that of the family's next destination on Elba), 19 July 1947 (ff. 10-12), and from New York, 26 February 1950 (f. 13); together with typescript copies, possibly by Thomas, of two letters from him, dated 9 March 1936 and 13 July 1938, to Wyn Henderson (the presumed original letters are in the University of Texas at Austin, Harry Ransom Humanities Research Center Library) (ff. 1-2).
All the letters appear in Dylan Thomas, The Collected Letters: New Edition, ed. by Paul Ferris (London, 2000).

Thirty-three autograph and typescript letters, 1935-40, from Dylan Thomas to the novelist, critic and broadcaster Desmond Hawkins, containing personal news and comments on his literary work, including a detailed response (ff. 25-9) to Hawkins's questions about poems included in The Map of Love (London, 1939). Two sketches pasted on to ff. 18 and 19 do not appear to be Thomas's work. The letters were published in Ferris, Paul (ed.): The Collected Letters of Dylan Thomas (London, 1985).

Eleven letters, [1930]-[1934], from Dylan Thomas to Percy Eynon Smart, a schoolfriend with whom he had co-edited the Swansea Grammar School Magazine, 1929-1930. The letters refer to this magazine, which Thomas was editing, 1930-1931, and to a literary periodical entitled 'Prose and Verse', which they proposed to publish, and include a draft preface by Thomas for the latter (f. 5 verso); they also include personal news and a rough draft of a poem by Thomas (f. 15 verso).

A sample copy, [1929], of part of a projected printed book by Ezra Pound, to be called 'The Complete Works of Guido Cavalcanti', containing also four autograph poems and a prose fragment by Dylan Thomas, [1936]-[early 1940s], and two typescript poems by Vernon Watkins, [c. 1939]. Pound's book was intended for publication in 1929 but was abandoned, with only the first 56 pages printed, when the Aquila Press went bankrupt. The present volume appears to be a sample copy, of which two similar ones are recorded (see Donald Gallup, Ezra Pound: A Bibliography (Charlottesville, 1983), p. 153), consisting of the first two gatherings only (ff. 2-9) and filled out with blank leaves (ff. 10-74). The original Aquila Press fragments were later incorporated into the composite work Guido Cavalcanti Rime, ed. by Ezra Pound (Genoa, [1932]).
The Dylan Thomas poems are 'Then was my neophyte', [1936] (f. 11) (published in Twenty-five Poems (London, 1936), pp. 40-41), 'We lying by seasand', [1937x1939] (f. 74 verso) (first published in Poetry (Chicago), 49.4 (January 1937), 183, and collected in The Map of Love (London, 1939), p. 8), 'Paper and sticks', [early 1940s] (tipped in on f. 12) (first published in Seven, 6 (Autumn 1939), 6, and collected in Deaths and Entrances (London, 1946), p. 23), and 'Once below a time', [early 1940s] (tipped in on ff. 13-14) (first published in Life and Letters Today, 24.31 (March 1940), 274-275; see Collected Poems 1934-1952 (London, [1952]), pp. 132-133); the prose fragment (tipped in on f. 15) is the end of 'One Warm Saturday', [1938], the last story in Portrait of the Artist as a Young Dog (London, 1940), pp. 253-254. The two Vernon Watkins poems, 'The windows', 1939, and 'A bronze head', [c. 1939], are apparently unpublished (tipped in on ff. 16-17). A dried leaf found loose within the volume has been placed in an archival sleeve.

A holograph draft of a section of Dylan Thomas’s story 'The Outing'.

Over a hundred letters, 1901-1991, of miscellaneous provenance from twentieth-century Anglo-Welsh writers to various recipients; the correspondents include Gillian Clarke (10, and three poems) 1986-1988, Rhys Davies (10) 1928-1929, 1975-1978, W. H. Davies (13, together with press cuttings, 1905-1950s, and four printed poems) [1909x1913]-1925, David Jones (8) 1960-1973, John Cowper Powys (7) 1927-1953, Dylan Thomas (10) 1938-1952, Edward Thomas (7) 1901-1912, Gwyn Thomas (2) 1952-1953, R. S. Thomas (6) 1956-1960 and Vernon Watkins (5) 1962-1966.

Nineteen letters, notes and postcards to Dylan Thomas, 1952-1953, mainly concerning work, publications and his last trip to America (ff. 1-19), and copies of contracts, 1951-1953 (ff. 20-28).
The correspondents include John [Brinnin], September-[October] [1953], J[ohn] D[avenport], 23 June 1953, Francis Dillon, 22 September 1953, John Griffiths, 21 September 1953, David [Higham], 9 October 1952, Fred [Janes], [13] August 1953, Donald A. Kershaw, 16 June 1953, Arabel J. Porter, 28 September 1953, Liz Reitell, 4 June [1953], Ceri Richards, [?April] 1953, Amos Vogel, June-August 1953, Boris [Watson], [early 1953], and Oscar [Williams], 31 July 1953. There is also a note, 19 October 1953, from 'Evelyn', suggesting he contact the film director Edgar G. Ulmer (f. 5), and a note from Pearn, Pollinger & Higham to Caitlin Thomas, 30 June 1953 (f. 13). There are miscellaneous notes by Dylan Thomas on ff. 1 verso, 4 verso, 8 and 11 verso. The contracts relate to the proposed publications 'American Journal', 19 December 1951 (ff. 20-21), 'Welsh Fairy Tales and Legends', 23 February 1953 (ff. 22-24), and 'Under Milk Wood', 24 July 1953 (ff. 27-28), and to a recording session for Caedmon Publishers, 17 May 1953 (ff. 25-26). Also included is a bank statement, 22 June 1953 (f. 29), and his Temporary Entry Permit into the USA, 20 October 1953 (f. 30).

Letters, 1933-1953, to Idris Davies from over forty correspondents including T. S. Eliot, 1944-1949 (ff. 30, 39, 60), Dylan Thomas, 1949-1953 (ff. 53, 77), Vernon Watkins, 1950 (ff. 62-65 verso, 83), and W. B. Yeats, 1936 (f. 11).

One page of untitled holograph notes by Dylan Thomas, 1953, written whilst composing his last poem, the unfinished 'Elegy' to his father, David John (D.J.) Thomas, who died on 16 December 1952.
The work first appeared in print, as a 'previously unpublished poem', in Encounter, 6/2 (February 1956), and was included by Vernon Watkins as an appendix to the Collected Poems after 1956. For a copy of the poem as completed by Vernon Watkins, see NLW MS 22552E.

Autograph and typescript drafts, 1948-1967, of published poetry and published and unpublished prose by Vernon Watkins, mostly composed following the death of Dylan Thomas in 1953, including drafts of Vernon Watkins's poem 'Elegy for the Latest Dead', 1954, and two unfinished poems by Dylan Thomas, 'Elegy' and 'In Country Heaven', completed by Vernon Watkins; and radio scripts, lecture notes, draft reviews and articles by him relating to Dylan Thomas and his work.

Miscellaneous personal items belonging to Dylan Thomas, 1948-1953.
They include his used cheque book (item 1), three envelopes (items 5-7) and a betting memo (item 8), all with notes, mainly racing tips, by Thomas, [1953]; his final airline ticket, issued 29 September 1953 (item 2); his National Insurance cards for 1948-49 and 1949-50 (items 3-4); and photographs of a boy in a cub scout type uniform (item 10) and an unidentified woman (item 11). Also included is his red leather travel wallet (item 14), containing a brief note (item 12) and a bus ticket (item 13).

A page from an autograph album containing an original poem of two stanzas signed by Dylan M[arlais] Thomas and written at Hendre Farm, St. Dogmaels, co. Pembroke, in 1930.

Letter, dated 23 August 1939, from Dylan Thomas to Thomas Taig, enclosing a selection of poems intended 'for some kind of dramatic presentation' (f. 1). The writer encloses holograph fair copies of two of his poems: 'Find meat on bones that soon have none ...' (ff. 2-4) and 'Ears in the turrets hear ...' (ff. 5-6). He also encloses his own transcripts of George Woodcock's poem 'Landore' (f. 7), and Alan Pryce-Jones's 'Voyage' (ff. 8-9), together with three published issues of Keidrych Rhys's periodical Wales, 1937-8 (ff. 10-69), one of which bears Dylan's signature, and notes (f. 69 verso).
Thomas Taig was active in the Swansea Little Theatre, and intended to present poems by Welshmen writing in English at a London theatre at the end of September 1939; see further Dylan Thomas, The Collected Letters, ed. by Paul Ferris (London, 2000), pp. 438 and 452n.