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A scrap-album compiled, [c. 1957], by Leila Mégane, containing correspondence, press cuttings and other papers, 1919-1957, relating to her career, family and friends, and including her engagement contract with the Opéra Comique, Paris, 1919 (f. ii), notes by her on the Delsarte method of acting (ff. iv-v), and a letter from the composer Reynaldo Hahn (1874-1947) to Jean de Reszke, [early 20 cent.] (f. vii), with notes by Leila Mégane.

Manuscript and printed copies, 1905, 1948, of anthems, hymn-tunes and songs, composed or arranged by T. Osborne Roberts, including 'Berceuse' (ff. 8-10), 'I Loved a Lass' (ff. 32-35) and 'A Lullaby' (ff. 53-55), words by George Withers; 'Britain', words by John Ceiriog Hughes (Ceiriog) (ff. 16-17 verso); 'Seren fechan, Seren dlos' (f. 21 recto-verso) and 'Seren fechan yn y nos' (ff. 22-23 verso), words by Thomas Jones, Cerrigellgwm; 'Hiraeth' (ff. 30 recto-verso, 107 verso-108) and 'Y Mynydd' (ff. 78-81), words by Robert Williams Parry; 'The Kingfisher', words by William Henry Davies (ff. 38-40), and 'Y Lloer', words by W. H. Davies with a Welsh translation by R. Williams Parry (ff. 64-65); 'Medi' (ff. 58-61) and 'Y Wlad Annwyl Hon' (f. 133 recto-verso), words by Eliseus Williams (Eifion Wyn); 'Morfudd fy Mûn', words by Gerald Griffin translated into Welsh by Caradog Prichard (ff. 66-71 verso); 'Nefoedd', words by John Roberts (Ieuan Gwyllt) (ff. 82-90 verso); 'Stars of the Summer Night', words by Henry Wadsworth Longfellow (ff. 131-132 verso); and 'Ymson', words by Heinrich Heine translated into Welsh by Sir John Morris-Jones (ff. 134-141 verso).
Notes are added in the hand of Leila Mégane on ff. 138, 143, 150-158.

A volume containing the vocal and orchestral score with separate instrumental parts, 1908, of a setting for solo voice and orchestra by T. Osborne Roberts of 'The Good Shepherd', words by Henry Wadsworth Longfellow.

The full choral and orchestral score with separate instrumental parts, 1910, of 'The Battle of the Baltic', a setting for male voice chorus and orchestra by T. Osborne Roberts of the words by Thomas Campbell, composed for competition at the National Eisteddfod of Wales, Colwyn Bay, 1910, together with printed copies of the work in reduced score and of the choral parts in tonic sol-fa notation.

A scrap-album compiled, [c. 1958], by Leila Mégane, containing correspondence, press cuttings and other papers, 1911-1945, relating to her career, family and friends, including letters from Frances Louise Stevenson (afterwards Countess Lloyd George of Dwyfor) (1), 1934, Dame Margaret Lloyd George (4), 1919-1935, Dame Helen 'Nellie' Melba (1), 1919, Robert David Rowland (Anthropos) (1), 1934, and Dame Sybil Thorndike (1), [mid 20 cent.], with notes by Leila Mégane.

Letters to Leila Mégane, in French, from Jean de Reszke, tenor (44), 1914-1923, and, in English, from his wife Marie de Reszke (1), 1930, relating to business and personal matters, with notes added, 1956-1958, by Leila Mégane.

A volume containing brief notes by Leila Mégane on buildings in Rome written after her second visit to Rome in 1918 (ff. 1-4 verso); and lists in her hand, 1951-1956, of gifts she made after the death of her husband, T. Osborne Roberts (ff. 5-9 verso, 10 verso-11 verso), and of items given to her early in her singing career (f. 27).

A scrap-album compiled by Leila Mégane, [c. 1958], containing photographs, postcards, press cuttings and notes relating to her career, family and friends, 1916-1958, and including a card from William Evans (Wil Ifan), 1958 (f. 3), the receipt for the first hundred guineas paid to Jean de Reszke for her tuition, 1920 (f. 30), and papers relating to the Leila Mégane Scholarship Trust Fund (ff. 7 verso-10, 15).

Over one hundred and fifty letters, 1916-1959, to Leila Mégane relating mainly to her singing career and including letters from Sir Granville Bantock (2), 1934, Lilian Baylis (1), 1935, Benjamin Grey Davies (2), 1923-1936, Edward Tegla Davies (1), 1953, Walter Johnstone-Douglas (5), 1921-1956, Benno Elkan (2), 1945, Franklin Engelmann (1), 1955, Frances Louise Lloyd George, Countess Lloyd George of Dwyfor (14), 1945-1948, Lady Megan Arfon Lloyd George (2), 1945-1946, Otto Hermann Kahn (3), 1923-1933, Count John McCormack (1), 1937, Robert Owen, Croesor (1), 1954, Robert Williams Parry (5), 1948-1949, Nansi Richards (Telynores Maldwyn) (1), 1959, Sir Landon Ronald (1), 1934, Richie Thomas, Penmachno (1), 1953, Emlyn Williams (10), 1951-1956, Thomas Nefyn Williams (2), 1958, and Sir Henry Joseph Wood (1), 1934, with notes and comments concerning the correspondents added by Leila Mégane on many of the letters. Letters, 1920-1960, to other individuals relating to Leila Mégane include four to T. Osborne Roberts and one to Frances Louise Lloyd George, Countess Lloyd George of Dwyfor (ff. 226-241 verso).

Thirty-four letters, 1917-1922, mostly in French, from admirers in France to Leila Mégane following her performances at the Opéra Comique, Paris, including one, 1920, from Jean de Reszke (f. 14), with notes added in the hand of Leila Mégane.

Two notebooks, 1919-1943 and 1922-1943, containing hymn-tunes composed by T. Osborne Roberts, including settings of 'Wedi gadael gwlad yr wylo' (f. 1 recto-verso) and 'Gwlad y cystudd, gwlad yr wylo' (ff. 17 verso-18), words by Evan Rees (Dyfed), and of 'O Tyred, f'Anwylyd, fy Arglwydd yn ddyn' (ff. 2 verso-3), words by William Williams, Pantycelyn, with notes added, 1950, by Leila Mégane.

Twenty-four letters of sympathy, 1948, to Leila Mégane on the death of her husband, T. Osborne Roberts (ff. 1-32), together with letters and testimonials to T. Osborne Roberts, 1930-1948 (ff. 33-41), letters to Effie Isaura Osborne Hughes, daughter of Leila Mégane, relating to her mother (6), 1960-1968 (ff. 42-47 verso), and miscellaneous correspondence (5), 1919-1966 (ff. 48-54).

A scrap-album compiled, 1919-1929, by Leila Mégane, containing correspondence, press cuttings and other papers, 1917-1929, relating to her career, including letters and telegrams from Walter Johnstone-Douglas (1), 1919, David Lloyd George (1), 1919, Adelina Patti (1), 1919, and Jean de Reszke (8), 1919, with notes by Leila Mégane.

Thirty-seven letters, 1923-1930, from children in Wales to Leila Mégane, with a note in her hand (f. 27).

The vocal and instrumental parts, [c. 1925], of a setting by T. Osborne Roberts for solo voice and orchestra of 'Cymru Annwyl, Cymru Hardd', words by Lewis Davies Jones (Llew Tegid), together with a printed copy, 1925, of the work reduced for solo voice and key-board accompaniment.

The vocal and instrumental parts, [c. 1926], of a setting for solo voice and orchestra by T. Osborne Roberts of 'Min y Môr', words by Robert John Rowlands (Meuryn).

Manuscript and printed copies, [c. 1926]-1948, of Welsh airs and songs, arranged or composed by T. Osborne Roberts, including 'Acen y Glomen', words by Richard Davies (Mynyddog) (ff. 1-4 verso), 'Y Bwthyn Bach Tô Gwellt' (ff. 5-6 verso), 'Dafydd y Garreg Wen' (ff. 9-12), 'Melin Trefin', words by William Crwys Williams (Crwys) (ff. 13-14 verso), 'Hobed o Hilion', words by John Ceiriog Hughes (Ceiriog) (f. 22 recto-verso), 'Hwb i'r Galon' (ff. 28-29), 'Mae Nghariad i'n Fenws' (ff. 30-31), 'Pistyll y Llan' (ff. 36-39), 'Suo-Gân', words by Robert Bryan (ff. 40-44), and 'Trymder', words by Robert Davies (Bardd Nantglyn) (ff. 45-48).
Notes in the hand of Leila Mégane are added on ff. 32, 44 recto-verso.

Eight letters of introduction, 1924, written by Marion Morgan Kemp in Rome on behalf of Leila Mégane in connection with her visit to the United States of America.

A scrap-album compiled by Leila Mégane containing press cuttings, 1925, 1955-1956, relating to her life and singing career, in particular a series of articles about her from the Caernarvon & Denbigh Herald & North Wales Observer, November 1955-April 1956 (ff. 1 verso-23 verso).

Letters and papers, 1933-1959, concerning Jean de Reszke in connection with the proposed publication of Leila Mégane's autobiography. They include letters to Leila Mégane from Walter Johnstone-Douglas (4), 1956-1958, permits from members of the de Reszke family to publish the correspondence of Jean and Edouard de Reszke (4), 1956-1957, a review of Clara Leiser, Jean de Reszke and the Great Days of Opera (London, 1933), and miscellaneous notes, 1958-1959, by Leila Mégane.