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Briefing paper, agenda and travel arrangements for a Commission visit to Belfast on 18-19 March 2013 to look at the Scottish model of devolution.

Briefing paper, agenda and travel arrangements for a Commission visit to Belfast on 26-28 March 2013 to look at the Northern Ireland model of devolution.

Document outlining areas which had been noted by the Commission in meetings with stakeholders but where further clarification was required.

A postcard image, 2017, of the prehistoric red deer antlers discovered at Borth; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

A photograph, 2016, of the antlers belonging to a 3,1000-3,300 year-old red deer stag that were discovered at Borth by visitors in the summer of 2016, seen here at Tan-y-bwlch, Aberystwyth, where they were drawn by contributors to the ‘Layers in the Landscape’ project; photograph by Erin Kavanagh.

A draft of chapter 8 of the Commission's second report on the powers of the National Assembly for Wales with tracked changes focussing on the relationships between The National Assembly for Wales and the UK Parliament.

Draft of chapter 7 of the Commission's second report on the powers of the National Assembly for Wales with tracked changes focussing on policing, justice; and other miscellaneous issues.

Draft of chapter 6 of the Commission's second report on the powers of the National Assembly for Wales, including tracked changes and concentrating on natural resource issues.

Draft of Chapter 5 of the Commission's second report on the powers of the National Assembly for Wales, including tracked changes, concentrating on economic and social powers.

Notes for a talk by Paul Silk to the Study of Parliament Group on the independent Commission on Devolution in Wales.

Draft of an address to the Scottish Study of Parliament Group by Paul Silk discussing Wales' constitutional history, devolution in Wales, the relationships between the constituent nations of the UK and the work of the Independent Commission on Devolution in Wales.

An address to the UK Changing Union Project by Sir Paul Silk looking back on the Independent Commission on Devolution in Wales and its recommendations.

‘The Bridge’ / ‘Y Bont’, 2016, a short film created as a ‘deep mapping’ experiment set in Cardigan Bay and which was the pilot for the ‘Layers in the Landscape’ project, having grown out of Erin Kavanagh’s Master’s dissertation at UWTSD; the contributors include Maria Hayes (artwork), Lynne Denman (song), Diarmuid Johnson (flute), Martin Bates (geoscience), Peter Stevenson (narration) and Erin Kavanagh (stills photography and artwork); each commissioned response was integrated into the film to show how an interdisciplinary approach to site specific representation could be achieved in a format that is equally accessible to all sides; filmed and edited by Jacob Whittaker, and produced and directed by Erin Kavanagh.

A copy, 2016, of a rendition by Diarmuid Johnson of the Middle Welsh poem in the Black Book of Carmarthen (ff. 53v-54) relating to Seithenhin and the legend of Cantre'r Gwaelod; this version of the poem was used in the project exhibitions alongside the Modern Welsh and English translations.

A copy, 2016, of an English translation by Diarmuid Johnson of the Middle Welsh poem in the Black Book of Carmarthen relating to Seithenhin and the legend of Cantre'r Gwaelod; this version of the poem was used in the project exhibitions alongside the Middle Welsh rendition and the Modern Welsh translation.

A copy, 2016, of a Modern Welsh translation by Diarmuid Johnson of the Middle Welsh poem in the Black Book of Carmarthen relating to Seithenhin and the legend of Cantre'r Gwaelod; this version of the poem was used in the project exhibitions alongside the Middle Welsh rendition and the English translation.

A postcard image, 2017, of ‘Sandstorm’, comprising a poem and a photograph of Borth beach, both by Erin Kavanagh; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

A photographic reel, January 2018, containing an account of a live performance entitled ‘Penrolio’ at the castle mound, UWTSD Lampeter, in which R.M. Parry delivered his sculpture, ‘Pen Bendigeidfran’, to the ‘Layers in Lampeter’ exhibition; the performance was inspired by ‘Branwen uerch Lyr’.

A photograph, 2017, of Valerie Price and her sculpture ‘Mammoth’, which was used in the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.

A photograph, 2017, of one side of a leaflet designed by Erin Kavanagh to raise public awareness of the ‘Layers in the Landscape’ project.