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Includes letters from John Sergeant, Colin See-Paynton (5), Barry Jones (2), David Burnett (4), Meg Stevens (4), Anthony Green, Ivor Davies (2), R. S. Thomas, Eiluned Rees, David Carpanini, Alistair Crawford, John Elwyn, and Nicholas Edwards (3).

Some one hundred and sixty letters, 1938-1997, in English and Welsh, to John Elwyn from various correspondents (surnames L-N), both personal and work related.
The correspondents include Morland Lewis, 16 October 1939 (f. 15), Richard Macdonald, 1938-[?1939] (ff. 26-28), Ronald Maddox, 1995-1996 (ff. 96-98), Roland Mathias, 1957, 1992 (ff. 101-102), Robert Morgan, 1980-1993 (ff. 112-141), Prof. T. J. Morgan, [c. 1980] (f. 150), Carey Morris, 14 August 1944 (f. 153), James Nicholas, 20 February 1992 (f. 176), W. Rhys Nicholas, 7 January 1976 (f. 177), and Leslie Norris, 1972-1997 (ff. 178-201); there are also two letters on behalf of the actor Robert Morley, 1957 (ff. 151-152). Letters from Nicolas and Frances McDowall of the Old Stile Press, Llandogo, 1979, 1990-1997 (ff. 30-93), relate mainly to the volume Dafydd ap Gwilym, Houses of Leaves (Llandogo, [1993]), illustrated by John Elwyn; letters from Megan Ellis, National Library of Wales, 1959-1961 (ff. 157-173, 175), relate mostly to an exhibition at the Library in 1959 to which John Elwyn contributed. Also included are copies of poems by Robert Morgan (ff. 137, 139) and Leslie Norris (ff. 184, 186, 198), cards produced by Old Stile Press, 1979-1991 (ff. 33-34, 38-41, 53, 57), and an exhibition catalogue relating to Robert Morgan, [?1994] (ff. 142-147). The letters from Leslie Norris contain references to John Arlott (f. 180), R. S. Thomas (f. 180), John Petts (f. 183) and Robert Morgan (ff. 193, 194).

Thirteen letters, July 2005-April 2007, from Dr Raymond Garlick to Dr Jacques Wirz (ff. 1-13), together with fifteen corresponding letters, July 2005-June 2007, from Wirz to Garlick (ff. 14-23, 27-32).
The letters include references to Harri Webb (f. 1), Brenda Chamberlain (f. 7), John Petts (f. 7) and R. S. Thomas (f. 8). Also included is a typescript translation into English by Wirz of an article in German, by Daisy Reck, concerning Cader Idris (ff. 24-26).

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Draft score in ink with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in six parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 1 - 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; and Part 7, 'There is No Time' by Raymond Garlick, as a loose page draft pencil partial score, dated 24 January 1961. Part 6 is wanting.

Correspondence of John Pikoulis which bears no apparent direct relevance to his research into Alun Lewis but which was in his possession during his period of research, the correspondents comprising: Jennifer Rickard (1981), (?) possibly relating to literary editing; Anglo-Welsh poet R. S. Thomas (1998-1999 and undated), responding to Pikoulis's article in Poetry Wales magazine to mark Thomas's 80th birthday and expressing Thomas's views on the Nobel Prize and the Poet Laureateship.

Each envelope bears name of correspondent and date of correspondence.

General material collected by John Pikoulis in relation to his research into the life and work of Alun Lewis, including: Original and photocopied press cuttings of published work by Alun Lewis; original and photocopied press cuttings and articles relating to Alun Lewis; John Pikoulis's notes on Alun Lewis taken from published or broadcasted sources; John Pikoulis's notes on unpublished works by Alun Lewis (kept in marked envelope); biographical notes, mostly rough handwritten jottings, relating to Alun Lewis and to members of his family (notes on the Reverend Melchisedec Evans, father of Alun Lewis's mother Gwladys, and handwritten Lewis and Evans family trees drawn by John Pikoulis kept in marked envelopes); copy of Alun Lewis's birth certificate (kept in marked envelope); photocopied press articles noting the death of Alun Lewis (kept in marked envelope); notes made by John Pikoulis on letters of Alun Lewis (kept in marked envelope); material relating to events marking the centenary (in 2015) of Alun Lewis's birth, which includes letters to John Pikoulis, published poetry and prose by Alun Lewis (photocopies), minutes of meetings and details of a conference and a symposium (kept in marked folder); unsigned pencil portrait of Alun Lewis (kept in marked envelope); photocopy of The Heart's Assurance (1951), a song cycle by Sir Michael Tippett on poems by Alun Lewis and fellow Second World War poet Sidney Keyes (kept in marked envelope); copies of poems written in tribute to Alun Lewis by R. S. Thomas ('Alun Lewis'), John Tripp ('A Quest for Light') and Lovita J. R. Morang ('Lewis on Nilgiri Hills'); and rough notes taken by John Pikoulis during interviews with those who knew or were otherwise associated with Alun Lewis (see also interview notes under various categories elsewhere within the archive).
This section also includes a bound typescript thesis in two volumes by Keith Picton Evans titled 'Alun Lewis: The Development of a Writer', submitted as part of an MA degree at the University of Lancaster, September 1971.

Includes letters from Neville Masterman (12); Glyn Jones (13); Jeremy Hooker (8); Sam Adams (13); Elwyn Davies (3); Kyffin Williams (5, including a card with an original print of Patagonian rider, signed by him); Cecil Price (10); John Idris Jones (8); Alun Llewellyn (12); Gwynfor Evans (2); Tom Earley; Andrew McNeillie (2); Moira Dearnley (4); Saunders Lewis; Randal Jenkins (5); L. Alun Page (6); Roy Thomas (3); Jane McCormick (3); R. George Thomas (2); Dannie Abse (2); Dora Polk (6); H. P. Collins (4); John Stuart Williams (5); Annemarie Ewing (2); Raymond Garlick (7); Alun Talfan Davies; Ray Howard-Jones (4); Stephen L. I. Pettit (4); Alan Perry; Leslie Norris (7); A. G. Prys-Jones; John Petts (4); R. S. Thomas; John Ackerman (2); Nigel Jenkins (2); Alison Bileski (2); Robert Morgan (3); and Peter Finch (2).

Deunydd yn ymwneud â phenddelwau o enwogion Cymreig a gomisiynwyd oddi wrth ac a grewyd gan John Meirion Morris, y gwrthrychau'n cynnwys y chwaraewr rygbi Ray Gravell, y naturiaethwr, botanegydd, ieithydd, daearyddwr a'r hynafiaethydd Edward Lhuyd, yr addysgwr Ifor Owen, y mynach a'r offeiriad Sant John Roberts, y bardd, hynafiaethydd a'r casglwr Iolo Morganwg (Edward Williams), a'r beirdd Dafydd ap Gwilym, R. S. Thomas, Gwenallt (D. Gwenallt Jones) a Waldo Williams. Mae'r deunydd yn cynnwys gohebiaeth, drafft-ddarluniau, amcangyfrifon, ffotograffau a llungopïau o ddeunydd printiedig. Ymhlith y gohebwyr y mae'r gwleidydd a'r bargyfreithiwr Elfyn Llwyd, y caligraffydd, cerflunydd ac athro Ieuan Rees a'r ysgolhaig a'r gwleidydd cenedlaetholgar Edward (Tedi) Millward.
= Material relating to busts of famous Welsh people commissioned from and created by John Meirion Morris, the subjects including the rugby player Ray Gravell (1951-2007), the naturalist, botanist, linguist, geographer and antiquarian Edward Lhuyd (1660-1709), the educator Ifor Owen, the monk and priest Saint John Roberts, the poet, antiquarian and collector Iolo Morganwg (Edward Williams), and the poets Dafydd ap Gwilym, R. S. Thomas, Gwenallt (D. Gwenallt Jones) and Waldo Williams. The material includes correspondence, draft drawings, estimates, photographs and photocopies of printed matter. The correspondents include the politician and barrister Elfyn Llwyd, the calligrapher, sculptor and teacher Ieuan Rees, and the nationalist academic and politician Edward (Tedi) Millward.

Seventeen letters, mostly in Welsh, to Saunders Lewis from Lascelles Abercrombie (2) 1926 and n.d., W. R. P. George (1) 1978, David Howell ('Llawdden') (1) 1901, R. S. Thomas (1) ?1970s, and Lewis Valentine (12) 1972-83; together with three letters, 1936-7, to Margaret Lewis from P. Mansell Jones, J. E. Jones, and Siân Williams, written during Saunders Lewis's imprisonment.

Letters to Sam Adams from John Ormond (4) concerning personal matters, together with copies of two poems by Ormond, and a copy of a BBC transcript of his interview with R.S. Thomas, with a manuscript review of the broadcast interview in the hand of Adams.

Papers of Raymond Garlick, 1944-2005, comprising poetry, 1951-1999; letters, 1944-2003, from Elwyn Davies, Jonah Jones, Brenda Chamberlain, Cledwyn Hughes, A. G. Prys-Jones and others; and diaries and travel journals, 1950, 1956-1957, 1987-1998, 2000-2001. The diaries contain frequent references to his family, including his children Iestyn and Angharad, and to friends such as John Cowper Powys, Jon Dressel, R. S. Thomas and Roland Mathias.

Over a hundred and fifty letters, 1961-88 in English, Welsh and French, from various correspondents (surnames Jones-W). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Glyn Jones (36, and three poems) 1967-86, Gwyn Jones (6) 1967-87, Saunders Lewis (1) 1974, Roland Mathias (17) 1961-86, Leslie Norris (32, and one poem) 1967-86, Eigra Lewis Roberts (2) 1970-3, R. S. Thomas (1) 1975, John Tripp (8) 1968-78, Harri Webb (14) 1967-79, and Kyffin Williams (8) 1970-1.

Twenty-one letters and cards, July 1999-June 2001, from Raymond Garlick to Dr Jacques Wirz (ff. 1-3, 5-6 verso, 8-27 verso), together with twenty-five corresponding letters and a card, August 1999-June 2001, from Dr Wirz (ff. 28-75 verso).
The letters contain references to John Cowper Powys (ff. 10, 48-51 passim), R. S. Thomas (ff. 15, 21-23 passim, 25 verso, 62 verso), Brenda Chamberlain (ff. 14-15) and Roland Mathias (f. 18). Also included is a photocopy, [?2001], of a letter from Garlick to Daisy [Reck], dated 2 December 1999 (f. 7), three limericks by Garlick (f. 9) and translations into English by Wirz of excerpts from Peter Sager's German language book, Wales (Cologne, 1985) (ff. 33-44); a letter fragment (f. 4) is part of a letter, dated 21 September 1997, now NLW MS 23784D, f. 3.

Fifteen letters, July 1997-June 1999, from Raymond Garlick to Jacques Wirz (ff. 1-18), together with nineteen corresponding letters, August 1997-July 1999, from Dr Wirz (ff. 19-52).
The letters contain references to the referendum on devolution in Wales (ff. 3, 4 verso), the death of Diana, Princess of Wales (ff. 3, 5 verso), Brenda Chamberlain (ff. 5, 25 verso-26), Jon Dressel (ff. 6-12 passim), R. S. Thomas (ff. 8 recto-verso, 11 verso, 12), John Cowper Powys (ff. 11, 36) and Andrew Sachs (f. 14). Garlick's letter dated 21 September 1997 (f. 3) is incomplete; the missing part is now NLW MS 23845D, f. 4.

Includes letters from Alistair Crawford (7), Bernard Dunstan (5), Mike Tooby, Cledwyn Hughes, Eleri Mills (2), Bernard Mitchell (including a photograph of Will Roberts), Eiluned Rees, Colin See-Paynton (2), Paul Manousso, Toby Ward (includes watercolour sketches), R. S. Thomas (2), John Ward (4), Micky Burn (including holograph poem 'What I see'), John Meirion Morris, Denis Lowson, Derec Llwyd Morgan, Jonah Jones, Barry Morgan, and David Backhouse.

Various papers, 1988-2002, relating to contributions to the New Welsh Review and items published in the journal. Included are images, poems and short stories submitted to the Review; poetry reports; the Reviews Editor's file; papers relating to an article on Shakespeare's Welsh connection; the campaign supporting R. S. Thomas's nomination for the Nobel Prize for Literature 1996; a poem by Nigel Jenkins on George Thomas, Viscount Tonypandy; and a series of articles entitled 'Welsh greats of the century'.

Over one hundred and seventy-five letters, 1951-[1970s], from Timothy Hanley to her son, Liam P. Hanley, containing mainly personal news and comments on the progress of her husband's writing as well as her own literary and artistic work. Also included are letters to James Hanley from other relatives and friends, notably R. S. Thomas (5) 1959-[1984], and from the artist Gladys Vasey to the writer Reginald Graham Moore (1) 1949, both the latter being friends of the Hanleys.