Rhagolwg argraffu Cau

Dangos 12833 canlyniad

Disgrifiad archifol
Llyfrgell Genedlaethol Cymru = The National Library of Wales Eitem Saesneg
Dewisiadau chwilio manwl

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yn
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Hidlo yn ôl ystod dyddiadau:

Defnyddiwch y dewisiadau hyn i bennu sut mae'r ystod dyddiadau yn dychwelyd canlyniadau. Mae "Union" yn golygu fod rhaid i ddyddiadau dechrau a diwedd disgrifiadau fod yn gyfangwbl o fewn yr ystod dyddiadau a gofnodir. Mae "Gorgyffwrdd" yn golygu y dychwelir unrhyw ddisgrifiadau sydd â'u dyddiadau dechrau neu ddiwedd yn cyffwrdd neu'n gorgyffwrdd yr ystod dyddiadau a dargedir.
Rhagolwg argraffu Gweld:
Esgynnol

4156 canlyniad gyda gwrthrychau digidol Dangos canlyniadau gyda gwrthrychau digidol

[Bare hillside]

[Bare hillside]

A steeply sloping hillside (dotted with boulders and small trees) running top left to bottom right.

Bargain and sale with feoffment by Hugh Councell,

  1. Hugh Councell of Harmondesworth, co. Middlesex, gent., and Robert Baker (‘Pistor’) of London, gent. 2. Michael Owen of London, gent. of the lake called Pimbremear alias Llyntegidd with its banks and fishing rights in co. Merioneth in the tenure of Hugh [Howell] Vaughan, esq., and all its lands, rents and annual profits. Recites letters patent by which Queen Elizabeth had granted the property to 1, dated at Westminster 4 Feb. 1569/70. Subscribed : ‘ix Junii 1600 Irr Coram Tho. Hanbury Audit’, note of contents (18 cent. hand), ‘No. 50’ and in pencil ‘No. 16’.

Bargain and sale with feoffment by Michael Owen,

  1. Michael Owen, gent. 2. Howell Vaughan otherwise Hugh Vaughan of Llanuyollin [Llanuwchllyn], co. Mer. of the lake called Pimbremear alias Llyntegid with its banks, fishing and customary rights in co. Merioneth late in the tenure of 2, and all its lands, rents and annual profits, with power of attorney to John Wyne ap Cadd’er of Reulas [Rhiwlas] co. Merioneth, esq., and John Mydelton of Gwaynennock [Gwaunynog], co. Denbigh, gent., to deliver seisin. Recites a bargain and sale made to 1 by Hugh Counsell of Harmondsworth, co. Middlesex, gent., and Robert Baker (‘Pistor’) of London, gent., of Llyntegid and its lands which Queen Elizabeth had granted to them by letters patent dated at Westminster 4 Feb. 1569/70. Consideration: £26.
[Barn & poplars]

[Barn & poplars]

A barn in the centre of the frame in the middle distance. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

[Barn and poplars]

[Barn and poplars]

This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia." See also slides 4689/210-211.

[Barn off Avenida John D Evans, Trevelin]

[Barn off Avenida John D Evans, Trevelin]

A closer view of a dilapidated barn near Trevelin.This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' (Gomer, 1991) on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

[Barn, Avenida John D Evans, Trevelin]

[Barn, Avenida John D Evans, Trevelin]

A bird flies over a desolate looking barn. This is the barn mentioned on page 194 of 'A Wider Sky' (Gomer, 1991) " ...one day I drew onto a canvas an old wooden barn that stood beside the Avenida John D Evans. I started to paint and as I did so the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

[Barn, fence and poplars]

[Barn, fence and poplars]

The photograph is dominated by a dilapidated barn in the centre of the frame viewed from across a field. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

Canlyniadau 781 i 800 o 12833