- A2/39.
- Ffeil
- 1970.
Two bound ink full scores (facsimiles, stamped Oxford University Press), dated February 1970, one marked 'B', the other 'C', both with annotations and amendments in pencil.
Two bound ink full scores (facsimiles, stamped Oxford University Press), dated February 1970, one marked 'B', the other 'C', both with annotations and amendments in pencil.
Bound ink full score, dated June 1955, bearing an Oxford University Press label and marked 'B'; together with five undated bound full scores (all facsimiles), two of which bear an Oxford University Press label and marked 'A' and 'C', containing occasional pencil markings. A few fragments of pencil sketches are included.
Bound ink full score, dated May 1962 and marked 'B'; a printed score (Copyright OUP, 1964), marked 'C', with pencil annotations; another five reprographic copies, one bound and marked 'A'. All scores bear the OUP label. Also a Sketchbook [1950s-62], [purchased September 2022], containing 28 sheets of music with printed staves and pencil notation by the composer. Some parts scribbled through and some small repairs. Comprising four sections of Symphony II. Bound out of order: (iv) Maestoso-Allegro-Maestoso-Presto, (i) Andante (not Adagio as in the finished work), (ii) Allegro, (iii) Molto adagio.
Two bound facsimiles (OUP) of full score, dated March 1978, and marked 'A' and 'C' respectively.
A vision of eternity : : symphony for soprano and orchestra, [op. 145],
Ink full score; photocopy of ink full score; photocopy of full score without woodwind and brass instruments (corrections in red ink); photocopy of ink reduced score; photocopy of reduced score (with corrections in red ink), with a letter from Alun Hoddinott to Gwyneth [Jones] and a list of 'adjustments' relating to the soprano part; and another copy of the reduced score (with corrections in red ink).
Symphony no. 10 : : [op. 172},
Original ink full score; and printed score (Oriana Publications), 1999.
The mists of time : : symphony no. 1,
Rhan oThe Tŷ Cerdd Archive,
Bound ink full score and manuscript reduction made at the time of composition.
Three bound ink full scores (facsimiles), dated June 1969: one marked 'A', with pencil amendments and annotations; one labelled OUP and marked 'C', with a few amendments; and an unmarked copy.
Four bound ink (facsimile) full scores, dated November 1969, marked 'A', 'B', 'C', and 'D' respectively. Scores 'A', 'B' and 'D' labelled 'Oxford University Press'.
Sinfonietta 4 : : op. 72, no. 3,
Four bound ink (facsimile) full scores, dated July 1971, comprising a score (OUP) marked 'A', with pencil annotations and amendments; a score (OUP) marked 'B'; an OUP hire copy (marked 'Control'); and another unmarked score; together with a hire copy of the Violin 1 part.
Rhan oThe Tŷ Cerdd Archive,
Photocopies of the manuscript (full score).
Two bound facsimiles (OUP) of ink full score, dated November 1968, one marked 'A' (Control) score, the other 'C', both with annotations in pencil.
Bound ink full score, dated February 1973; two bound facsimiles of ink full score (OUP), marked 'C' and 'D' respectively; and a pencil sketch.
Ink full score, dated June 1984; and a full score, June 1984, prepared for publication by University College Cardiff Press (1986).