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'William Williams his Singing Book 1774 ...', being a copy of The Gamut, or Scale of Music, Very necessary to be learnt by Those, who would attain to the delightful Knowledge of Psalmody, to which psalms and anthems have been added in manuscript.

Welsh music, vocal and instrumental, including national airs, hymn-tunes, etc., collected by John Jenkins and much of it transcribed by him; Welsh airs collected by John Gwynne (Philomusus) and Aneurin; and psalm-tunes, many of them sent for competition at the Powys eisteddfod, 1824, by J. Davies (Glynceiriog), David Harris (Nantllymysten, afterwards of Carno), David Jenkin Morgan (Dewi Cynllo), Cadwaladr Jones (saer maen, Trawsfynydd), John Cain Jones, Robert Jones (Saer maen, Llanuwchllyn), James Lewis (Cwmscawen, Radnorshire), William Owen (Gwilym Glan Hafren), David Owens (Eglwysfach, Denbighshire), Pierce Pierce (Mold), and Roger Woodhouse (Newtown).

The tune book of Samuel Paigne, Waterford, 1799, containing psalm-tunes, hymn-tunes, anthems and choruses from The Messiah.

A collection of psalm-tunes, hymn-tunes and anthems by Jenkin Jenkins, Llwyndeiniol, David Harri[e]s and others.

The St. Asaph Tune Book, A musical companion to the St. George Hymn Book ..., Rhyl, 1876, with additional notes by David Lewis, including biographical notices of the Reverend T[homas] Williams, Llansantsior, the Reverend John David Edwards, Rhosymedre and W[illiam] J[ohn] Hughes, Rhyl; and tunes taken from John Playford: The Whole Book of Psalms, London, 1707, and Nathaniel Gawthorn: Harmonia Perfecta, London, 1730.

The Psalm Tune Book for the use of Congregations and Schools by Alexander Hume, with manuscript notes and additional tunes by David Lewis.

An early seventeenth century text of a metrical version of the Psalms by James Rhys Parry ('Eos Eyas', 'Eos Ewyas', fl. 1570? - 1625?), Ewyas Lacy, Herefordshire. The title reads 'Salmay Dafydd Broffwyd Gwedy gynhayddy mywn bryttaniaith gan Siams Parry o eyas'.

A book of psalm-tunes by J[ohn] D[avid] Edwards and others, with a march by David Lewis composed to the words 'Two and two and hand in hand' at the request of John Roberts.

Manuscript full score, photocopy of original short score of 'Salm 24' ('Y Brenin-orchfygwr'), for brass band, choir and baritone soloist; together with a manuscript chorus score, and brass band parts. Published Magor: Mansel Thomas Trust, Ref: MT078 [1998?].

A volume of psalm-tunes which belonged to Morgan Davies in 1817.

A copy, which belonged to John Jenkins, of Psalmo-Doxologia A New and Complete Collection of Psalm and Hymn Tunes ... (London, no date).

Ink full score, piano score, proof copy (in tonic sol-fa notation only) and instrumental parts.

A copy, which belonged to John Jenkins, of John Rippon : A Selection of Psalm and Hymn-Tunes ... adapted principally to Dr. Watt's Hymns and Psalms, and to Dr. Rippon's Selection of Hymns ... 4th ed. (London, [1800?]).

Manuscript score with copy (not in composer's hand) of 'Psalm 135' (Praise ye the Lord) for contralto (or mezzo soprano), male chorus and orchestra, composed Llandough, April 1959; together with a vocal score and orchestral parts. First performed, Llandaff Festival, June 1959. Version for male voices and organ published Magor: Mansel Thomas Trust, Ref: MT023 [1998?].

An early nineteenth century music book of Charlotte Louisa Talbot [afterwards the wife of the Reverend John Montgomery Traherne, Coedriglan] ('the gift of Mama'). The volume contains songs, psalms, hymn-tunes, dances, etc., and the titles include 'Glamorganshire March', 'The Soldier's Joy', ' La Piedmontaise', 'O What a beau my Grannie was', 'Progressive Lesson' ('by Hulmandel', i.e., Nicolas Joseph Hullmandel), 'Duke of Gloucester's March', 'Easter Hymn', 'Hymn' by [Ignaz Joseph] Pleyel, 'The Highland Queen', 'Song in Rosina', 'Song in poor Soldier', 'The Complaint' by [? William] Jackson, 'Somebody' by Lady Cornwallis, 1776, 'Rock & wie pickle tow', 'Lady Priscilla Bertie's Minuet', 'In Airy Dreams', 'Egyptian Love Song', 'Babling Echo', 'Song', 'Down the Burn Davy', 'The Belfast Almanack ', 'Sir Watkins Delight', 'Black Mary' ('very old Galic air'), 'Barcarole ', 'Marlbroug', 'Aria' by [Wolfgang Amadeus] Mozart, 'Kate of Aberdeen', 'The Fields were green', 'Rest beauteous flow'r . . .' by Jackson, 'Thou soft flowing Avon. . .' by Dr. [Thomas Augustine] Arne, 'Valenciennes March', 'Waltz', 'Mrs. Brunels Waltz', 'Lord Wellington', 'Oh the Moment was sad' ('Irish'), 'Leipsic Waltz', '2d Waltz', '3d Waltz', '4th Waltz', 'Amour, cruel amour', 'Oh Nanny' by [Jan Ladislav] Dussek, 'Rondo', 'Kielmark's Romance', 'Chatley Waltz', ['La pipe de Tabac'] by [ ] Varnier, 'Thirty second Psalm', '34th Psalm', '42d Psalm', 'Mrs. Macdonald ', 'Rousseau's Dream', 'La Brillante', 'Austrian Waltz' by [John] Parry [ of Ruabon], 'Air' by [?P.M] Meyer, 'Barcarole', 'The Porteynon Whim' (1817 ), 'Vincennes Waltz', 'Miss Knight's Waltz', ['Waltz'] by [ ] Ferstein, 'She rose and let me in', 'La Paysanne', 'Folia d'Espagna', 'La pion pion d' Estelle', 'March' by [Robert Nicolas Charles] Bochsa, 'Waltz' by [Johann] Schenk, 'The Hyperbole' ('composed by Mrs. R. J.'), 'Waltz', 'Thema', 'The Queens Minuet', 'Psalm 34th', 'How long wilt thou forget me Lord . . .' by [ George Frederic] Handel, 'Part of the Service of the Greek Church as performed in Russia', 'Psalm VIII' ('Magdalen Evening hymn'), 'No t'was neither shape nor feature . . .' by [Johan Sebastian] Bach, 'The Inconstant's Waltz', [ ] by [ ] Pleyel, 'The Lass that was laden wi' care', 'Conway Castle' by [John] Parry, 'Emma's Reel', Welsh air ('Os ai dithau duwa y lech blaen nant ty . . .'), [ ] by [ ] Pleyel, Welsh air ('[Pan] own i ar foreudydd ...'), 'Toi!', 'Air by Lady Catherine Bligh', ‘'Jones's Hornpipe', 'Andante' by [P. J.] Meyer, senior, 'Where the bee sucks' by Ame, [ ] by [Girolamo] Crescentini, 'Rondo' by Bach, [ ] by Bach, 'Lochaber', 'Miss Johnson's Reel', 'Sonata' by [William] Corbett, 'Romance' by [Franz Joseph] Haydn, 'Air' by [Giovanni Battista] Viotti, 'La Montaguarde' by [ ] Trenisi, 'Waltz', 'March' by Handel, 'Arietta Romana', 'Wire a' Noddin', 'Indian Air', 'Sonata' by [?Johann Samuel] Schroeter, 'Rondo in 11 Barone di Terre forte' by [?Tommaso] Giordani, 'L'Été', 'La Foe', 'La Flora', 'La Matilde', 'Le Tancred', 'Zitti Zitti', 'La Limerick', 'La Nouvelle Fantaisie', etc. The greater part of the volume is indexed.

A music book of Mary Thereza Talbot, 1816. The titles include 'Cudyn Gwyn ', 'Diniweudrydd Colomen', 'Lesson' by [John] Parry [of Ruabon], 'Welsh Rondo', 'Lesson' by Parry, 'White January days' ('Welsh'), 'Old tooth Psalm', '139 Psalm', 'The Morning Hymn', 'Rhyfelgyrch Cadpen Morgan', 'Gorhoffedd Gwyr Harlech', 'Twll yn ei Boch', 'Breuddywd y Frenhines', 'Triban Gwyr Morgannwg', 'Plygaid y Bedol', 'Ar hyd y nos', 'Tlysig', 'Merch Megan', 'Mentra Gwen', 'Three Hundred Pounds' ('Welsh'), 'Conway Castle', 'Y Derien Du Pig Felin', 'Ferch o Bedlam', 'I heard the Cuckoo', 'Diddan Captain Morgan', 'Hoffedd Modryb Marged', 'Codiad yr Hedydd', 'A favourite Scotch Air' by [P. J.] Meyer, senior, 'The Queen's Minuet', 'The Spanish Patriots', 'The Anna Maria Waltz', 'A Waltz', 'Polonaise', 'Waltz der Tirol', 'The Atholl Highlander's March', 'German Air', 'Waltz', 'L'Anacreon', 'Le Jeune Honzard' (arranged for the harp), 'Russian Sauteuse', 'La Plaisanterie', 'An Air', 'Cawdor Fair', 'Austrian Waltz', 'Italian Air ', 'Bonnie Fanny', 'Neapolitan Waltz', 'Air in Psyche', 'A Madrigal', 'Barcarola', 'Minuet Lady Coventry's', 'Miss Wynnes Minuet', 'The Harriot', 'Waltz', 'Lord Sr. Orville', 'Put the gown upon the Bishop' ('very old'), 'The M. S. S. Waltz', 'Paddy Carey', 'Shelah O'Niel', 'A Chieftain to the Highlands', 'The Saxon Dance', 'Une Soirée d'été', 'Le garçon volage', 'The lass that was laden with care', 'Callar Herring' by N. Gow, 'Lord Beauchamp's March', 'Wetztein Waltz', 'From la Rosiere', 'The Guittar Dance in Telise', 'Swiss Allemande', 'Quadrille', 'A Spanish tune', 'Waltz',’ 'Allegretto Allemande', 'Mary's Favorite', 'Glamorganshire Rang des Vaches', 'There's nae Luck about the house', 'Dutch Minuetto', 'Le Cobourg ', 'Felton's Minuet', 'The land of the Leal', and 'O! Jenny'.

Hymn- and psalm-tunes, anthems, responses, etc., collected, and some of them composed by, Richard Ellis, parish clerk, Dolgelley, editor of Casgliad o Salmau, Hymnau, ac Anthemau Dewisedig... (Dolgelleu, 1810).

'The "Te Deum" arranged to be sung to 10 Double & 9 Single Chants-following each other, in order to avoid the monotony of singing the whole to one Chant', 'Jubilate', and hymns and psalm-tunes, most of them composed by John Orlando Parry when he was organist of St. Jude's Church, Southsea.

Unharmonised hymn-tunes, anthems, and psalm-tunes.