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Autograph letter, 24 February 1981, from Kyffin Williams, Pwllfanogl, Llanfairpwll, to 'John', requesting his advice on how to acquire and prime new canvasses now that John has retired. The recipient may be John Reynolds of Highgate, supplier of materials to the artist.

Autograph letter, 2 February 1993, from Kyffin Williams, Pwllfanogl, Llanfairpwll, to Margaret [Toms], thanking her for a letter of appreciation for his autobiography A Wider Sky (Llandysul, 1991) (f. 86 recto-verso).
Williams and Toms, a former Royal Academy staff member, had a mutual friend in Sidney Hutchison, former Secretary of the Royal Academy, and Williams refers to their recent dinner together in Beaumaris (as recorded in Williams's journal, 14 September 1992, see NLW, Kyffin Williams Archive A2/3). Also included is a card with a printed portrait by WIlliams, inscribed 'Happy Christmas - Kyffin' (f. 87).

Letter, 15 November 1968, from Kyffin [Williams] in Gaiman, Patagonia, to his friend the painter Gwyn Brown and her husband Harry, Tegfryn [Art Gallery], Menai Bridge, Anglesey, containing observations on the scenery and people, the weather, the challenging conditions for painting and the difficulties of communicating in Welsh and Spanish.
Williams was in Patagonia from October 1968 to early 1969 on a Fellowship awarded by the Winston Churchill Memorial Trust. The letter was published in David Meredith and John Smith, Obsessed: The Biography of Sir Kyffin Williams (Llandysul, 2012), pp. 134-5.

A letter, 13 August 1987, from Kyffin Williams, Pwllfanogl, Llanfairpwll, to John Harry Fisher Evans, Cardiff, illustrated with a self-portrait sketch in ink of the artist holding a shotgun. Williams discusses his ability with a shotgun and the recent award of a life peerage to his friend Nicholas Edwards (subsequently Baron Crickhowell).

Two letters, 19 April 1981 and 21 May 1993, from the artist Kyffin Williams, Pwllfanogl, Llanfairpwll, to Elin [McGorran], who, as a student of Fine Art at University College of Wales, Aberystwyth, in 1981 was writing a dissertation on Williams.
Williams refers to McGorran's recent visit to interview him for the dissertation (f. 32) and discusses the antagonism of some members of the Welsh art establishment towards him (f. 33). Williams includes a self-portrait sketch in ink, depicting himself on horseback 'on a sheep station … in the Australian Outback' (f. 33 verso).