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Facsimile copy of ink score, dated 1995, and titled Opus 68: 'Dathlu ’95'. The file also includes a copy of the words by Meirion W. Jones. Commissioned to celebrate one hundred years of higher education in Fishguard.

Pencil score in five parts, [1995], titled Opus 65: 'Gitanjali Song Offerings: Six Poems of Rabindranath Tagore for Soprano & Chamber Orchestra'. Commissioned for the Llantilio Crossenny 31st Festival of Music and Drama in association with the Welsh Arts Council, and performed at the Festival by the Llantilio Festival Orchestra in June 1993 conducted by Charles Farncombe. The file also contains a programme for the Festival, 1993.

Original ink score, titled 'Opus 66: String Quartet No.3' and consisting of four separate parts for violin 1, violin 2, viola, and cello. Commissioned for the 1993 Lower Machen Festival in association with the Welsh Arts Council.

Ink score in three parts, dated 14 July 1993, and titled Opus 67: 'Three Songs for Tenor and Piano: Settings of Poems by Wilfred Owen'. The piece was originally composed to commemorate the centenary of Wilfred Owen's birth, and in memory of the composer's friend William Mathias. It was commissioned by the Fishguard Music Festival, 1993, in association with the Welsh Arts Council, and was first performed at the Fishguard Music Festival by Maldwyn Davies, tenor, and the composer.

Full original ink score, dated 1993 and titled 'Opus 66: String Quartet No.3'. The score is made up of nine parts: part 1, 'Prologue'; part 2, 'Sonata'; part 3, 'Fugue 1'; part 4, 'Roundelay'; part 5, 'Fugue 2'; part 6, 'Scherzo'; part 7, 'Fugue 3'; part 8, 'Capriccio'; and part 9, 'Epilogue'. Commissioned for the 1993 Lower Machen Festival in association with the Welsh Arts Council, and dedicated to Julia Chapple, Royston Havard and the Lower Machen Festival.

Facsimile copy of ink score, dated 1993, titled Opus 66: 'String Quartet No.3'.

Original ink score, dated 1993 and titled 'Opus 65: Gitanjali Song Offerings: Six Poems of Rabindranath Tagore for Soprano & Chamber Orchestra'. The score is in six parts: part 1, 'I am here to sing thee songs'; part 2, 'When thou commandest me to sing'; part 3, 'It is the pang of separation'; part 4, 'Is it beyond thee to be glad?'; part 5, 'I have received my invitation'; and part 6, 'In one salutation to thee'. Commissioned for the Llantilio Crossenny 31st Festival of Music and Drama in association with the Welsh Arts Council.
Dedicated to Rachel and Thomas.

Copy of published score for David Harries, 'Opus 64: Psalm 8: O Lord, Our Lord' (Cardigan: Samuel King, 1992). Originally commissioned by John Davies and the Pembrokeshire Youth Choir in association with the Welsh Arts Council.

Copy of published score for David Harries, 'Opus 35: Make Haste So To Live: Anthem for Chorus and Organ' (Cardigan: Samuel King, 1992). The score was originally commissioned by the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972.

Facsimile copy of ink score, titled 'Fanfare & Psalm for Male Chorus & Military Band', dated 1991. Setting for military band and fanfares by Lawrence Pendleton, with music from David Harries, Opus 63.

Facsimile copy of ink score, dated 1989, and titled Opus 61: ‘Winter World: The Last Three Sonnets of Gerard Manley Hopkins for Baritone & Piano'. The score was originally commissioned for the North Wales Music Festival, 1989, in association with the Welsh Arts Council.

Facsimile copy of ink score, titled ‘Dyma y Dydd (Salm 118): Anthem i Gôr Cymysg a Thelyn’, dated June-July 1988. Commissioned by the Dinas Powis Welsh Society Choir, with assistance from the Welsh Arts Council for the Royal National Eisteddfod, Newport, 1988. Dedicated to Bryn and Byron.

Ink score, dated 1987, and titled Opus 57: 'Antiphons for Cello and Piano: Meditations on the Antiphons for the Blessed Virgin Mary'. Originally commissioned by the Lower Machen Festival in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8) and Opus 58 (4/9 and 4/10).

Facsimile copy of ink score with typewritten notes and handwritten lyrics in the hand of the composer, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', dated 1987. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council, and first performed at St Germains Church, Cardiff, 4 December 1987 by the John Davies Singers, conducted by John Davies and with organ played by Huw Tregelles Williams. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8), Opus 57 (1/42) and Opus 58 (4/10).

Ink score, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', [1987]. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42), Opus 56 (4/8) and Opus 58 (4/9).

Facsimile copy of ink score, dated June 1986, and titled Opus 55: 'Piano Sonata No.2'.

Ink score, titled Opus 56: 'The Hymn to the Virgin: Canticle No.4 for Female Voices and Harp', and dated 1986. With words attributed to the 15th-century poet Ieuan ap Hywel Swrdwal. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42) and Opus 58 (4/9 and 4/10).

Facsimile copy of ink score, dated August 1985, and titled Opus 54: 'Carillons for Harp'. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and first performed by Caryl Thomas at St. Asaph Cathedral on 25 September 1985. Dedicated to Yvonne and William Mathias.

Facsimile copy of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra'. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Two facsimile copies of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra’. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.