Showing 132 results

1 ink score, and 7 facsimile copies, with differing pencil annotations, for the part of Violin 2 in Opus 48: 'Princes of Gwynedd' (1979).

1 ink score and 5 facsimile copies with differing pencil annotations, for the part of Violin 1 in Opus 48: 'Princes of Gwynedd' (1979).

1 ink score and 3 facsimile copies, with differing pencil annotations, for the Viola part in Opus 48: 'Princes of Gwynedd' (1979).

1 ink score with pencil annotations, for the part of Trumpet 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score with pencil annotations, for the part of Trumpet 1 in Opus 48: 'Princes of Gwynedd'. Dated 6 August 1979.

Ink score with pencil annotations, for the part of Trombone 3 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Trombone 2 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Trombone 1 in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of ink score with some annotations in blue biro ink, dated December 1961 and titled 'Toccata alla Danza for Piano'. Composed by William Mathias and originally commissioned by the Welsh Committee of the Arts Council.

1 ink score with pencil annotations, for the part of Timpani in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of ink score with pencil annotations, dated 24th September 1955 and titled ‘Suite for Children’. Composed for piano by William Mathias.

Ink score, for all instrument parts for Opus 48: 'Princes of Gwynedd' (1979). Includes parts for flutes, oboes, clarinets, bassoon, horns, trumpets, trombones, timpani, percussion, harp, violins 1 and 2, viola, violoncello, bass, and cello. Dedicated to Roy Bohana.
The file also includes a typewritten note (unsigned).

1 ink score, and 1 facsimile copy witha note in pencil, for the part of Percussion in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of rough score in ink, dated July 1956 - March 1959, titled Opus 9: 'Sinfonia da Camera (Horae Canonicae) for Chamber Ensemble', incorporating flute, clarinet, bass clarinet, oboe, cor anglais, bassoon, trumpet, horn, trombone, violin, viola, and violoncello. Dedicated to Professor and Mrs Ian Parrott.

Bound facsimile copy of a rough score, dated July 1956-March 1959, titled Opus 9: 'Sinfonia da Camera (Horae Canonicae) For Chamber Ensemble' and including a typewritten note (unsigned). The rough score incorporates parts for flute, clarinet, bass clarinet, oboe, cor anglais, bassoon, trumpet, horn, trombone, violin, viola, and violoncello. Dedicated to Professor and Mrs Ian Parrott.

Published copy of David Harries' Opus 8, 'Three Stanzas for Harp Solo' (London: Stainer & Bell, 1973). The piece was first composed May-June 1956.

Ink score, dated February 1959, titled Opus 8 No.2: 'Three Stanzas for Violin and Violoncello'. First composed May-June 1956, with this copy transcribed in February 1959.

Draft score in ink and pencil, titled 'Opus 7: Epithalalium for Two Violins' and consisting of three parts: part 1, 'Fanfare and Wedding March' dated 1956; part 2, 'Hymn' dated 7 January 1961; and part 3, 'Dance' dated 11 January 1961. The manuscript also includes a typewritten biographical note (undated).

Facsimile copy of ink score, dated 1995, and titled Opus 68: 'Dathlu ’95'. The file also includes a copy of the words by Meirion W. Jones. Commissioned to celebrate one hundred years of higher education in Fishguard.

Ink score in three parts, dated 14 July 1993, and titled Opus 67: 'Three Songs for Tenor and Piano: Settings of Poems by Wilfred Owen'. The piece was originally composed to commemorate the centenary of Wilfred Owen's birth, and in memory of the composer's friend William Mathias. It was commissioned by the Fishguard Music Festival, 1993, in association with the Welsh Arts Council, and was first performed at the Fishguard Music Festival by Maldwyn Davies, tenor, and the composer.