Dangos 268 canlyniad

Material mainly comprising details relating to Women in Jazz Board of Trustees meetings, with related correspondence.

Papers relating to input and expenditure of Women's Jazz Archive/Women in Jazz, including details of income from funding sources.

Women's Jazz Archive/Women in Jazz/Jazz Heritage Wales correspondence not directly addressed to or from Jen Wilson, the material including enquiries/requests from musicians, music students and others and discussion of insurance claim, 1993, relating to theft of items from the jazz archive.

Alphabetisised index cards listing contact details of individuals, organisations, venues, etc associated with the Women's Jazz Archive/Women in Jazz.

Material relating to Jen Wilson's studies on the MSc (Econ) Women's Studies course at University College of Wales, Swansea's Department of Adult Continuing Education, from which she graduated in 1996, comprising essay text, with tutor feedback; course outline; essay questions; and correspondence confirming Jen Wilson's acceptance of her place on the course.

Material relating to the DACE (Department of Adult Continuing Education) Big Band course run by Performing Arts tutors Jen Wilson, Cris Haines and others, together with material relating to Jen Wilson's nomination of Cris Haines for an Adult Tutor Award in 2003.

Material relating to the Rock School and DACE (Department of Adult Continuing Education) Swing Orchestra courses run by Jen Wilson in her capacity as one of the Performing Arts tutors within University College of Wales, Swansea's Department of Continuing Adult Education.

Material relating to a course titled Filming and Recording Swansea's History, run by Jen Wilson in her capacity as one of the Media Arts tutors within University College of Wales, Swansea's Department of Adult Continuing Education.

General material relating to Jen Wilson's rôle as tutor in Performing Arts and Media Arts within University College of Wales, Swansea's Department of Adult Continuing Education, together with general academic material, including annual reports, newsletter, prospectuses, tutor handbook and correspondence confirming Jen Wilson's appointment as Performing Arts and Media Arts tutor.

Material relating to a multi-media presentation titled Back to the Front Line: Women at Bridgend Munitions Factory, 1938-1946, given by Jen Wilson to Cwmdulais Historical Society at Canolfan, Seven Sisters, 10 March 1993, including events programme and booking form.

Letters relating to a talk given by Jen Wilson to the Kenfig Society, May 1994.

Letter and list of participants relating to talk titled Women's Rôle During The Second World War, given by Jen Wilson to Porthcawl Museum & Historical Society, October 1995.

Material relating to a Jazz Lecture Evening held at Butetown History & Arts Centre Gallery, Cardiff, 31 March 2000, at which Jen Wilson gave a multi-media presentation on the history of British jazz women, including poster; newsletter; and correspondence.

Material relating to the 8th Annual Leeds International Jazz Education Conference held at Leeds College of Music, 22-23 March 2002, comprising conference flyer and Jazz Archive news-sheet. There is no indication of whether or not Jen Wilson attended this conference.

Material relating to the North American Association for the Study of Welsh Culture and History's Fourth International Conference, held at Le Moyne College, Syracuse, New York, 20-22 June 2002, at which Jen Wilson presented a talk titled Spies, Traitors and Pacifists: Jessie Donaldson the Swansea Abolitionist, and the Cincinnati Trail, including text of Jen Wilson's paper, together with rough notes; press cutting and Musicians' Union press release relating to Jen Wilson's participation in the conference; conference schedules; details relating to airline travel, including Jen Wilson's airline ticket; information relating to Le Moyne College, including Spring 2002 edition of Le Moyne College magazine; and correspondence.

Material relating to Harlem Renaissance: A day of talks and events on the cultural revolution produced by black people during the Art Deco years, held at the Victoria & Albert Museum, London, 29 June 2003, comprising letter giving notice of the event and photocopied book cover of The Story of the Blues by jazz historian Paul Oliver. A handwritten note in Jen Wilson's hand records that she attended the conference and met Paul Oliver; however, there is no indication that she gave a formal presentation.

Material relating to the North American Association for the Study of Welsh Culture and History's International Conference held at West Virginia University, Morgantown, West Virginia, 15-17 July 2004, including call for papers; conference schedule; abstract of Jen Wilson's proposed talk titled Wales and Negro Minstrelsy: a socio-cultural interchange 1830-1910; funding application; details of flights and expenses; and correspondence. Due to the rejection of her funding application, Jen Wilson was unable to attend this conference.

Call for papers for the North American Association for the Study of Welsh Culture and History's International Conference, held at the University College of Wales, Swansea, 13-15 July 2006. There is no indication as to whether Jen Wilson either attended or gave a formal presentation at this conference.

Report on the Arts Strategy for Swansea conference which took place 28 March 2007 at the Liberty Stadium, Swansea, together with a bilingual leaflet titled A Policy for the Arts in Education for the City and County of Swansea. While the report suggests that Jen Wilson attended the conference, there is no indication that she gave a formal presentation.

Letter thanking Jen Wilson for her presentation to the University of the Third Age (U3A) titled Women in Jazz: How Black Music came to Wales.