Dangos 65 canlyniad

Personal correspondence, 2011 January-June, consisting of letters and cards, discussing mainly social and literary matters, including correspondence from Bruce Clunies Ross (17); Nigel Jenkins (5); Barry Butson (3); Knud Sørensen (2); Ian McDonald (1); Matthew Jarvis (2); Gerda Cook Bodegom, Kristin Cook Gailloud, & Edward Cook (2); Robert Minhinnick (3); Alan Barnie (1); Richard Poole (2); Jüri Talvet (6); Peter Lord (3); Lauri Pilter (1); Ralph Maud (1); Martin Leer (2); and Jason Walford Davies (2).

Personal correspondence, 2011 July-December, discussing mainly literary, social, and political matters, including letters from Pamela Stewart (as Jody Cothey) (1); Heather Phillips (1); Bruce Clunies Ross(16); Robert Minhinnick (3); Matthew Jarvis (2); David Lloyd (3); Nigel Jenkins (12); Anders Bune (2); Barry Butson (6); Ian McDonald (5); Emily Trahair (3); Jüri Talvet (6); Peter Lord (3); Colin Simpson (1); Jasmine Donahaye (1); Bill Welstead (1); Clare Morgan (1); Margaret Lloyd (1); and Huw Parri-Morgan (1). The file also contains copies of five book reports written by John Barnie (for Pete Marshall's 'Agog'; Anne Cluysenaar's 'Migrations'; Steve Griffiths' 'Surfacing'; Dewi Roberts' 'When Seasons Change'; and Cynan Jones' 'Everything I Found on the Beach'); and copies of a series of articles, 'Encounters with Genius', by Ian McDonald.

Personal correspondence, 2013, consisting of letters and cards, discussing mainly literary and social matters, including correspondence from John Barnie (1); Bruce Clunies Ross (34); Ian McDonald (2); David Lloyd (5); Robert Minhinnick (1); Peter Lord (4); Nigel Jenkins (9); Nicholas Murray (2); Jüri Talvet (4); Margaret Lloyd (2); Cilla Huggins (1); Martin Leer (5); Damian Walford Davies (1); John Harris (4); Anders Bune (1); Mike Parker (1); Knud Sørensen (2); Ceri Wyn Jones (1); Gwydion & Kunjana Thomas (2); Anna Marie Degn Nielsen (2); Roynon Collings (1); Stewart Brown (1); Mike Jenkins (1); Alan Barnie (1); Menna Elfyn (1); Stevie Davies (1); Helle Michelsen (1): Talfan Barnie (1); Geoff & Alan Barnie (1); and Calvin Forbes (1). The file also contains an order of service for the funeral of Gertrude Clancy.

Personal correspondence, 2014 January-June, consisting of a card and letters, discussing mainly academic, literary, and social matters, including correspondence from John Barnie (1); Bruce Clunies Ross (14); Damian Walford Davies (1); Richard Poole (5); Ralph Maud (1); Peter Lord (4); Talfan Barnie (1); Carol Jenkins (1); Nicholas Murray (1); Ian McDonald (3); Stewart Brown (1); Gail Ashton (1); Cilla Huggins (1); Zoë Skoulding (1); Menna Elfyn (5); Twm Morys (1); David Lloyd (3); Ned Thomas (1); Robert Minhinnick (2); Mike Parker (2); Margot Morgan (2); Stevie Davies (1); Mick Felton (1); Gabrielle Carey (1); Barry Butson (1); Margaret Lloyd (1); and Tony Brown (1). The file also contains an order of service for the funeral of Nigel Jenkins; and a pamphlet for the memorial service of Dorothy Gwenlan.

Personal correspondence, 2017, discussing mainly social and literary matters, including letters from Henry John Ferns (1); Vibeke Fenger-Petersen (1); Peter Lord (1); Calvin Forbes (7); Ian McDonald (2); Bruce Clunies Ross (2); John Holmes (1); and Nicholas Murray (1).

Letters and postcards, 1981-1989, to John Barnie from the Australian poet Leslie A. 'Les' Murray (1938- ).

Correspondence, 1971-1989, regarding the commission and publication of literary works by John Barnie; including letters from Julian Shuckburgh (4); Eileen Wood (5); Rosalind Wade (1); Ian Robinson (1); Hamish Whyte (5); Penny Windsor (1); Alan Pater (2); Gladys Mary Coles (8); Kevin Thomas (1); Elin ap Hywel & Bob Cole (1); Peter Foss (1); David Dabydeen (1); Fiona Bowie (2); Neil Astley (1); and Gregory Stephenson (1). The file also contains a list of submissions with notes (1976-1987), written in the hand of John Barnie.

Typescript draft for John Barnie's 'The City'.

Typescript draft for John Barnie's 'Heroes'.

Typescript draft for John Barnie's 'The Wine Bird'.

Two black and white photographic prints, and one black and white photocopy, depicting various international cultural scenes.

Cover proofs for John Barnie's works 'Y Felan a Finnau', (1992), and 'Sea Lilies: Selected Poems 1984-2003', (2006).

Printed material and some correspondence relating to other international poetry festivals attended by John Barnie, 1995-2008, including Saskatchewan International Literary Festival (1995); John Barnie and Iwan Llwyd's New York poetry tour (including a copy of The Druid’s Call, the newsletter for the Green Mountain College Welsh Heritage Program, 2000); the North American Conference of Welsh Studies (2002); the Guyana Prize For Literature (2002), for which John Barnie was a member of the jury; the International Literary Festival Druskininkai Poetic Fall (2006); and correspondence and printed material related to John Barnie’s visit to Montréal and the Blue Metropolis International Literary Festival (2007). The file also contains a copy of 'Bülten', a Turkish arts magazine (2007); a colour print of John Barnie in New York (2000); and a colour print of John Barnie and group in Montréal (2007).

The file contains two letters (2005), from John Barnie (1) and David Lloyd (1); a promotional leaflet, and a booklet of performance material ([c.2005]), relating to the music and poetry group Llaeth Mwnci Madog (‘Madog’s Moonshine’), the members of which were John Barnie, Iwan Llwyd, and Nigel Jenkins, also performing with the poet David Lloyd.

Letters to John Barnie, 1970-1980, mainly discussing social and domestic matters, including letters from Etheridge Knight (1); Calvin Forbes (14); Ted Hughes (1); Booker J. Laury (1); Norman Dubie (3); and Judith Rodriguez and Thomas Shapcott (1).

Personal correspondence, [c.1985], discussing family and domestic matters and John Barnie's appointment to Planet magazine, including letters from Ned Thomas (1); Pamela Stewart (as Jody Cothey) (25); and Ede Barnie (1). The file also contains a typescript of poetry.

Personal correspondence, 1987, consisting of letters and postcards, mainly discussing social, domestic, and literary matters, including correspondence from R.S. Thomas (1); Pamela Stewart (as Jody Cothey) (24); and Martin Leer (1). The file also contains seven small ink wash drawings of rural scenes by an unidentified artist.

Personal correspondence, 1992, mainly discussing domestic and political matters, including letters from R.S. Thomas (2); Pamela Stewart (as Jody Cothey) (22); Ned Thomas (1); Dafydd Williams (1); and Dafydd Wigley (1). The file also includes press cuttings and a sample of feathers, included with letters from Pamela Stewart.

Personal correspondence, 1995-1996, consisting of letters and cards, discussing literary and domestic matters, including correspondence from Robert Minhinnick (2); Pamela Stewart (as Jody Cothey) (12); Peter Alexander (2); Bruce Clunies Ross (2); Anders Bune (1); Guy Vanderhaeghe (6); Anne Cluysenaar (1); Roynon Collings (1); Wyn Binding (3); Barry Butson (1); Christine Kinsey (1); and Richard Poole (2). The file also contains an album of colour photographs of the area surrounding Banc y Darren, Aberystwyth ([?1995]); and a sample of goat and llama hair included with a letter from Pamela Stewart.

Personal correspondence, 1997-1999, consisting of letters and cards, discussing literary, social, and domestic matters, including correspondence from Nigel Jenkins (1); Pamela Stewart (as Jody Cothey) (9), including four photographs of rural scenes and animals; Wyn Binding (2); Robert Cook (1); Guy Vanderhaeghe (5); Roynon Collings (1); Mary Binding (2); Barry Butson (1); Harriet Richards (1); and Calvin Forbes (1), including three photographs of John Barnie and others, and some press cuttings. The file also contains an order of service for the funeral of Francis Wyndham 'Wyn' Binding (1998); and a Penglais School presentation programme (1999).