Dangos 305 canlyniad

Screenplay by Bethan Mair Davies titled Ymwelwyr.

Comedy screenplay by Terry Griffiths titled Wet Paint, together with covering letters, plot synopsis and brief critical evaluation.

Screenplay by David Sherwin and Lindsay Anderson titled When The Garden Gnomes Began To Bleed, together with critical evaluation.

Stage play script by Neil Titley titled Where Tawe Flows, based on Dylan Thomas' short stories and his radio play Return Journey.

Screenplay by John Francis titled Whiteface, together with author covering letter and letter of acknowledgement from Ffilm Cymru.

Studio play screenplay by Peter Jukes titled A Wing And A Prayer, together with covering letter.

Plot synopsis and critical evaluation relating to proposed adaptation of Monica Furlong's 1987 young people's novel Wise Child.

Feature length film proposal by Gideon Koppel, which includes plot synopsis, production notes, author resumé, photocopied photographs and photocopied press cutting; together with covering letter.

Overviews, plot synopses, critical evaluations and related material relating to various production proposals submitted together.

Letters, 1966-1967, 1975, to the author and playwright Emlyn Williams from David Smith, brother-in-law of infamous Moors murderer Myra Hindley. Williams spent time with David Smith and his wife Maureen in order to gain insight into the lives of Myra Hindley and her partner Ian Brady for his 1967 novel Beyond Belief: A Chronicle of Murder and its Detection, a semi-fictionalised account of the criminal activities of Brady and Hindley. The novel was published a year after Brady and Hindley were sentenced to life imprisonment for the murder of five children aged between ten and seventeen in and around Manchester between July 1963 and October 1965. David Smith, who witnessed at least one of the murders, was the chief prosecution witness at Brady and Hindley's trial.

Accounts and invoices detailing financial transactions, bills and expenses of Ffilm Cymru, with related correspondence.

Edited and annotated screenplay by Wayne Parker titled Adulation, together with plot synopses and brief critical evaluations. The storyline centres around a series of murders carried out in New York in the days preceding the death there in 1953 of poet Dylan Thomas.

Film screenplay by Derek Routledge titled Atsuo, Son, Rising, together with plot synopsis and covering letter from BBC Wales.

Screenplay by Robert Bolt titled Augustus, the plot based on the life of artist Augustus John.

Two copies of screenplays by Julian Richards titled Back In The USSR and an earlier copy under the previous title of A Call From Moscow.

Treatment for proposed film titled Back There. Author identified only as 'David'.

Plot synopsis of film comedy by Maurice Sellar and Lou Jones titled The Band Waggon, together with authors' covering note.

Plot synopsis/proposed treatment titled Beowulf or The End of the World.

Screenplay by Emlyn Williams titled Beyond Belief, based on a 1967 book of the same name by Williams, together with a later edited and revised version of the script by Emlyn Williams' son Brook Williams and the film's director Roy Ward Baker, both book and screenplay chronicling the events behind the infamous Moors Murders carried out in and around Manchester by Ian Brady and Myra Hindley between July 1963 and October 1965. Also included are a synopsis of the original events of the Moors Murders; letters from Brook Williams, Roy Ward Baker and producer Andrew Montgomery; critical evaluation of both book and screenplay; biographical details relating to Emlyn Williams, Roy Ward Baker and Andrew Montgomery; and details of expenses relating to the making of the film.

Screenplay titled Black Screen.