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Letters, agreements, accounts, statements, receipts, invoices, claims and notes concerning Gwyneth Lewis’s earnings, expenditure and tax returns as a writer (outside of her salaried work for the BBC) in collaboration with literary, educational, cultural, academic, publishing and broadcasting organisations and agents, with particular regard to her published volumes of poetry and prose, contributions to journals and academic works, research, readings, talks, conference and festival contributions, shows, media work, translation work and lyrics to be set to music, as well as her financial savings and investments.

Correspondence between Gwyneth Lewis and family, friends and colleagues concerning domestic, social and literary matters, including a poem written by her for Leighton Denver Davies during an illness, together with invitations to the openings of the National Assembly for Wales and the Wales Millennium Centre, a draft copy of a book by Alistair Peebles based on a project in which Gwyneth Lewis participated, programmes for literary and musical events and the opening of the National Assembly for Wales, publicity material from publishers and the Wales Millennium Centre, photographs, a copy of a published cartoon strip, and material sent to Leighton Denver Davies wishing him good health.

Typescript drafts of poems, with manuscript emendations, marked by Gwyneth Lewis as 'discarded' and not included in the volumes of her published collections, including one or more variants of 'In the Dead of Winter', 'The Bachelors of Balephuil', 'Elegy', 'Maenclochog', 'In the Snow Queen's Palace', 'Spring at the Leper House Allotments', 'First Haunting', 'Dalton's Geranium', 'The Cut of Women's Clothes', 'Leaving America', 'Consider the Crinoid', 'First Aid', 'A Welcome to East Oxford', 'Manhattan Night', 'Death and the Maiden', 'Take Care', 'In the Greenhouse', 'Cwm-hir Abbey', 'Homesick in Summer', 'The Glad-Grower's Daughter', 'The Muse of Morganwg', 'On the Air', 'Open Door', 'A Love Alphabet' and 'In Central Park'.

Papers relating to Gwyneth Lewis’s ‘A Hospital Odyssey’ (originally entitled ‘Hospital Fatale’), including: manuscript and typescript drafts and publisher’s proofs, with manuscript notes and corrections; typescript and manuscript notes; correspondence between Gwyneth Lewis, publishers and medical experts; and related documents including drafts of synopses and press releases. Also included are a few other poems by Gwyneth Lewis including ‘Monumental Body’ and ‘Ffyn’. Many of the drafts and notes are written on the reverse of other documents, including: a completed and annotated peer review form relating to an application for a Wellcome Trust arts award for the ‘Hospital Odyssey’ project; photocopies of articles relating to health matters; correspondence relating to Gwyneth Lewis’s work, including research, creative matters, invitations to events, copyright issues and royalties; copies of work by her and other writers; and a report and correspondence with insurers concerning repairs to her yacht 'Jameeleh'.

An education pack created by the Cardiff Millennium Centre for use in schools, containing leaflets and other teaching resources (including samples of stone, wood, steel and glass) relating to visual art, literacy and language, numeracy and mathematics, history, geography, design and technology, and science.

Manuscript drafts, and typescript drafts with manuscript annotations, of two plays by Gwyneth Lewis forming 'a new version of the Clytemnestra story', comprising ‘The Slaughterhouse : Play 1 of 2' (originally entitled ‘The Kill Floor’) and 'Deathbed : Play 2', inspired by the character of Clytemnestra in Aeschylus's Oresteia, together with manuscript notes.

Ephemera accumulated by Gwyneth Lewis relating to her academic life at Cambridge, Harvard, Stanford, Oxford and Cardiff, including college prospectuses, a press cutting of a job advertisement, a fellowship certificate, college and student event notifications and invitations (notably including literary presentations by Gwyneth Lewis and talks about her work), college menus and seating plans, programmes of student society events and a college symposium, a lecture list, information sheets and booklets about colleges and libraries, orders of service, membership forms, a grant application form, a college invoice, instructions for examination entries, instructions and programmes for degree ceremonies, annual and quarterly reports, a commemorative edition of a booklet on college etiquette, and postcards.

Notebooks compiled by Gwyneth Lewis as a college student and journalist in the United States, comprising notes on language and literature - notably significant literary works, literary theory, philosophical and psychological issues in literature, geology, the German language, musical instruments, exploration, and the whaling history of Nantucket - as well as personal and domestic matters, together with notes for a visit to the American South and for a subsequent report, and a diary of a trip to Israel with related leaflets and press cuttings.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and colleagues concerning personal, social, family and literary matters, including a typescript copy of a poem ('Flood') by Gillian Clarke, and also cards from Gwyneth Lewis to Leighton Denver Davies and cards to him from relatives, with related press cuttings..

Correspondence between Gwyneth Lewis and her family, friends and colleagues, covering personal, artistic, academic and other aspects of her life, together with related material.

Letters to Gwyneth Lewis from family, friends, literary associates, publishers and agents concerning personal, social, literary and academic matters, especially her published work including Zero Gravity, Parables and Faxes, Y Llofrudd Iaith and Sunbathing in the Rain, and the issues raised by them, notably depression and language, and also a proposed BBC documentary about Gwyneth Lewis, with typescript copies of poems from Zero Gravity (under its working title Coconut Postcards) including ‘A Goan honeymoon’ and ‘Red kites at Tregaron’, as well as ‘The Big Ask’ (dedicated and sent to the Wales rugby coach Graham Henry), together with the script of a BBC broadcast featuring poetry by Gwyneth Lewis (from Zero Gravity) and others, a draft typescript copy of a piece of prose sent by Zadie Smith, a typescript copy of an article on translation by Jenny Joseph, booklets on a residential contemporary writing centre in France and a collection of watercolours by Rose McKinley, and related press cuttings, photographs, flyers, certificates and event programmes.

Correspondence between Gwyneth Lewis and her friends, literary associates and family (notably her aunt Megan, her cousins, and the extended Tanner family in the USA), covering personal, artistic, academic and other aspects of her life, together with related material.

Letters and cards to Gwyneth Lewis from university and school friends and teaching staff, from her family, from literary and media contacts, and from public officials and private companies, and also a few draft letters written by Gwyneth Lewis herself, concerning personal, social, literary, intellectual, academic, political and family matters, including her published work and her editorial work with Poetry Wales, during her time at Cambridge and in the United States; included in a letter to her parents are typescript copies of three of her poems ('Santes y Ffrog Goch', 'A Dirge for Mrs Davies' and 'Awen Morgannwg') with manuscript annotations.

Letters and cards to Gwyneth Lewis from friends, family, writers, agents, academics, publishers and other literary contacts, with related photographs and ephemera, concerning social, personal, literary, family, domestic and academic matters, including the publication of her poetry and her receipt of an Eric Gregory Award; also included are draft copies of letters from Gwyneth Lewis to agents and publishers, as well as typescript copies of poems by Marcus Cumberlege, Jane Oliensis and Andrew Motion.

Letters and cards to Gwyneth Lewis from friends, family, writers and universities concerning personal, social, family, literary, artistic, medical and academic matters, including her published work and her fellowships at Harvard and Girton College, Cambridge, as well as projects in which she took part, together with a proof copy; also included are cards from Gwyneth Lewis to Leighton Denver Davies and a letter to her parents from friends concerning her ordination into Gorsedd y Beirdd, with related photographs.

Correspondence between Gwyneth Lewis and family, friends, teachers, literary associates, education officials, editors, and representatives of the Urdd concerning personal, social, educational and literary matters, and in particular her success at the Urdd eisteddfod in Barry and her prose and poetry contributions to printed media, together with related notes, forms, postcards, eisteddfod texts, event programmes, music scores, drawings, press cuttings and other ephemera.

Correspondence between Gwyneth Lewis and family, friends, literary associates, banks, and representatives of the Urdd and Gwyneth Lewis’s school and university college concerning personal, social, literary, school, university and domestic matters, notably her success at the Urdd eisteddfod at Llanelwedd, her life at Girton College, Cambridge, and time she spent in Brittany, together with a letter to Cymdeithas y Mabinogi, Cambridge, from the language centre at Nant Gwrtheyrn, and press cuttings, certificates, leaflets, postcards, photographs and other ephemera.

Correspondence between Gwyneth Lewis, her sister, Marian, her parents and their relatives, the Tanner family, concerning family news during Gwyneth Lewis's stay with the Tanners in Illinois in 1976; also included are letters from friends concerning social matters, and a letter from Gwyneth Lewis to an aunt in Cardiff.

Letters and cards to Gwyneth Lewis from friends, family, agents, writers and colleagues concerning personal, social, family, domestic and literary matters, including Gwyneth Lewis's career and her work on 'Zero gravity', with copies of typescript and email replies from her to Elizabeth Grossman, and a letter from Liverpool Crown Court concerning her appearance as a witness in a trial, as well as related photographs and press cuttings, and notes by Gwyneth Lewis relating to a trip to Mexico.

Letters, cards and email correspondence between Gwyneth Lewis, friends, publishers, agents, colleagues, academics, family, universities, government agencies, funding bodies, event organisers, artists and readers of her work concerning literary, social, personal and broadcasting matters, including the creation, publication, performance, translation, sales and impact of her literary work, her research, her literary collaborations and appearances, depression and illness, her inscription for the Wales Millennium Centre, her tributes to other writers, family news, fellowships at Girton College, Cambridge, and the Radcliffe Institute for Advanced Study at Harvard, and the potential purchase of her archival papers, together with draft letters from Gwyneth Lewis, a typescript draft of the introduction to her verbal presentation on ‘The Health of Poetry’ and manuscript notes and memoranda relating to her work, and manuscript notes by her on typescript poems by George Szirtes, as well as related press cuttings, forms, booklets and event schedules, and also email printouts of family photographs, a short typescript essay by an unidentified author on Welsh attitudes to Ireland, a funeral address relating to her uncle in the United States, and a draft letter from Leighton Denver Davies to the Mountain Ash Golf Club. The paper on which some of the emails are printed comprises: letters and documents concerning listing agreements, insurance and radio licensing, 2001-2007, relating to Gwyneth Lewis’s yacht ‘Jameeleh’; a copy of parts of her CV; printouts of parts of 'A Hospital Odyssey'; copies of work sent to her by Tom Bullough and C. K. Williams; a proof copy of part of Byron Rogers, The man who went into the West: the life of R.S. Thomas (Aurum : London, 2007); a completed form relating to a submission for the Arts and Business Cymru Awards on behalf of a youth arts project; and other literary miscellanea, as well as part of a typescript report on the use of the Welsh language, reports and statistics concerning the media in Wales, and an equipment list relating to a trip to Lundy.