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Richard Llewellyn Papers,
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A Night of Bright Stars (1979),

Comprises a typescript with autograph revision (14/1), a typescript with minor corrections (14/2), a galley proof (14/3), and a notebook, other notes, comments and questions concerning the novel typed by, and in the hand of Susan Llewellyn (14/4).

At Sunrise the Rough Music (1976),

Comprises a manuscript, 1974, with autograph revision (12/1), a typescript, 1975, with additional copies of many pages revised by Susan Llewellyn together with two documents and a letter relating to the publication (12/2), carbon typescript, 1975, with autograph corrections, together with duplicate copies of many pages, notes and comments by Susan Llewellyn (12/3), carbon typescript, 1975, with minor corrections (12/4), and galley proofs, 1975, with minor corrections (12/5).

Bride of Israel My Love (1973),

Comprisies an incomplete manuscript with autograph revision (9/1), an incomplete typescript with autograph revision together with four manuscript pages (9/2), and several typescript versions of the novel with revision by both Richard and Susan Llewellyn together with three manuscript pages (9/3).

'Cairo', a Time-Life Great Cities project, 1977-1978,

Comprises correspondence, 1976-1978, between representatives of Time-Life and Richard Llewellyn with notes, drafts and typescript carbon copies of replies by both Richard and Susan Llewellyn (21/1), and typescripts of inital chapters, outlines and fragments, numerous notes and comments by Susan Llewellyn together with documents relating to the project (21/2).

Correspondence,

Includes documents and royalty statements to Richard Llewellyn relating to his publications, together with several typewritten replies from both Richard and Susan Llewellyn.

'Ecçe!', a play in three acts,

Comprises a manuscript, 1972, with autograph revision (24/1), manuscript, 1974, in the hand of Susan Llewellyn, revised by the author (24/2), typescript with autograph revision, together with carbon copies of many pages incorporating the revision (24/3), carbon typescripts, 1974, with autograph revision (24/4-5), and various fragments in manuscript and typescript form, including an early typescript of the first and third acts, all with autograph revision (24/6).

General business letters,

Includes the American Broadcasting Company (4/1-6); Aquarius Literary Agency (4/7-17) [see also 2/83]; Curtis Brown Ltd (4/18-26); Do-It-Yourself Bestseller (4/27-39); Lena Wickman Publishers' Representative (4/40-42); Macmillan Publishing Co. (4/42-54); and "The Women's Press" (4/55-61).

Green, Green My Valley Now (1975),

Comprises a manuscript, 1974, with autograph revision (11/1), a typescript, 1974, with autograph corrections (11/2), page proofs, 1975, for the British edition with corrections and a carbon typescript amendment to the final paragraph with revision in the author's hand (11/3), and galley proofs, 1975, for the American edition (11/4).

I Stand On a Quiet Shore (1982),

Comprising a typescript with manuscript revision (16/1), a typescript with minor corrections in several hands (16/2), a typescript with minor corrections in the hand of Susan Llewellyn (16/3), and notes and comments relating to the novel by both Richard and Susan Llewellyn (16/4).

Irish Joys (1979),

Comprising a typescript of a short story for an anthology entitled Visitors Book (Dublin, 1979) with autograph revision (15/1), a typescript incorporating earlier revision [15/1] (15/2), and correspondence, 1978-1982, relating to the publication of Irish Joys (15/3-14).

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