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- File
- [1935x1991]
Part of John Haydn Davies Papers
The file comprises miscellaneous papers, [1935x1991], including material for religious services and miscellaneous notes and extracts.
Part of John Haydn Davies Papers
The file comprises miscellaneous papers, [1935x1991], including material for religious services and miscellaneous notes and extracts.
Press cuttings and transcripts
Part of John Haydn Davies Papers
The file consists of a scrapbook containing press cuttings and transcripts from newspapers, [?1966]-1987, relating mainly to religion, theology and music.
Speeches and miscellaneous papers
Part of John Haydn Davies Papers
The file comprises speeches, radio scripts and press cuttings reflecting the life, work and interests of John Davies.
Part of John Haydn Davies Papers
The file comprises speeches and radio scripts, [?1960]-[?1973], relating mainly to his life and work.
Part of John Haydn Davies Papers
The file comprises miscellaneous notes and extracts of lectures by others, [1935x1980], covering various aspects of the study of music.
Part of John Haydn Davies Papers
The file comprises miscellaneous notes, [1935x1978], relating to music in worship.
Part of John Haydn Davies Papers
The file comprises a digest of lectures on a variety of musical subjects, including congregational singing, conducting, speech and voice training, choral and orchestral training, musicianship and adjudicating. Most were delivered by lecturers at summer schools, 1935-1967.
Part of John Haydn Davies Papers
The file comprises notes, [1935x1977], relating to the history of Tonic Sol-fa, together with miscellaneous exercises and scales in Sol-fa.
Part of John Haydn Davies Papers
The file comprises miscellaneous papers, 1922-[?1975], on various topics relating to the history of the Rhondda.
Part of John Haydn Davies Papers
The series comprises papers, [1935x1980], reflecting John Davies's interest in music, especially Tonic Sol-fa.
Part of John Haydn Davies Papers
The file comprises a typescript copy of the history of Libanus Baptist Chapel, Treherbert, by D. Pryse Williams, which was published as Canmlwyddiant Libanus Treherbert. Braslun o'r hanes (1949). Additional typescript notes are also included.
Part of John Haydn Davies Papers
The file comprises a transcript of the log book, March 1863-May 1878, of Treherbert (Ystradyfodwg) National School and a list of staff, 1882-1937, of Blaenycwm School, together with extracts from the school's log book, 1882-1883.
Part of John Haydn Davies Papers
The file comprises papers, [1930x1979], relating mainly to the flood at Tynewydd Colliery in 1877 and to Winston Churchill's involvement in the Tonypandy Riots, 1910.
Part of John Haydn Davies Papers
The series comprises papers, 1922-[?1979], relating to various aspects of the history of the Rhondda, including education, industry and religion.
Rhondda choral music in Victorian times
Part of John Haydn Davies Papers
The file comprises a typescript draft of an article by John Davies, 'Rhondda choral music in Victorian times', which was published in Rhondda past and future (1975).
Part of John Haydn Davies Papers
The file comprises miscellaneous papers, [1930x1975], relating to the musical tradition of the Rhondda, including a typescript copy of a lecture on the subject, delivered by John Davies in 1972.
Part of John Haydn Davies Papers
The file comprises a brief typescript history, 1973, of the Cory Band, Pentre, Rhondda.
Part of John Haydn Davies Papers
The file comprises typescript copies of newspaper accounts of the Rhondda Royal Glee Society's performance at Windsor Castle before Queen Victoria in 1898, under the conductorship of Tom Stephens.
Part of John Haydn Davies Papers
The file comprises papers, [1930x1975], relating to the South Wales Choral Union's performances at the Crystal Palace, London, 1872 and 1873, together with biographical notes relating to the choir's conductor, 'Caradog' (Griffith Rhys Jones).
Part of John Haydn Davies Papers
The series comprises papers, [1930x1975], relating to the musical tradition of the Rhondda, especially its choral tradition.