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A composite presentation volume containing the following works, Twelve Progressive Lessons for the Harpsichord, Piano Forte or Organ, Composed for the Improvement of Young Practitioners by Sigr Giordani ; Storace, [Stephen], No song, no supper; Overture to Rosina, adapted as a Lesson for the Harpsichord or Piano Forte; A Set of progressive Lessons for the Harpsichord, or the Piano Forte expressly calculated for the ease of beginners. Composed by Samuel Arnold; The Haunted tower, a Comic Opera in three Acts,... the music ... by Stephen Storace (London, 1789). The volume was 'presented as a mark of respect to Mr D. Protheroe, Mus Bach, on leaving his home (Ystradgynlais) for Scranton, America, Sept. 4th 1891'. Signed by Howel Walters.

A file, labelled 'Library of the New York Welsh Choral Society', all the folios being loose, containing drafts and duplicate copies of original compositions and arrangements, mainly by Rhys Morgan, for the use of the Choral Society, under the conductorship of Rhys Morgan. Some items from the libraries of other choirs directed by Rhys Morgan are also included, and some of the following songs are also listed in MSS 19-21 (see 'Daniel Protheroe and Rhys Morgan Papers', 1983). The items are in duplicate form, unless otherwise stated. 45/1. 'Ar hyd y nos'. Pencil draft, soprano part. See also MS 19, ff. 9v-10r; MS 20, f. 53r-v; MS 21, f. 3r; MS 45/2-9, 61, 67, 93-4. 45/2. 'Ar hyd y nos'. Ink and pencil draft, alto part. Together with 'Gadlys'. Ink and pencil draft, alto part. See also MS 21, ff. 1v-2r and MS 45/34-5 for 'Y Gadlys'. 45/3. 'Ar hyd y nos'. Endorsed 'The Welsh Glee Club of New York'. Ink and pencil draft, tenor I part. Two copies. 45/4. 'Ar hyd y nos'. Ink and pencil draft, tenor II part. 45/5. 'Ar hyd y nos'. Bass I part. Two copies. 45/6. 'Ar hyd y nos'. Ink and pencil draft, bass II part. 45/7. 'Ar hyd y nos'. Four-part arrangement, copyright 1947. 45/8. 'Ar hyd y nos'. Four-part arrangement, with English translation in pencil. 45/9. 'Ar hyd y nos'. Four-part arrangement, with English translation in ink. 45/10. 'Blest are the departed'. Endorsed 'Property of the First Presbyterian Church of Newtown. Rhys Morgan. Director'. Four-part arrangement, revised edition. 45/11. 'Bugeilio'r Gwenith Gwyn'. Four-part arrangement. Four copies. See also MS 20, f. 32r-v; MS 45/12-14. 45/12. 'Bugeilio'r Gwenith Gwyn', with an English translation in pencil. 45/13. 'Bugeilio'r Gwenith Gwyn'. Soprano copy, with an English translation in ink and pencil. 45/14. 'Bugeilio'r Gwenith Gwyn'. Alto copy, with a phonetic spelling of the words in ink and pencil. 45/15. 'Y Bwthyn ar y bryn'. A typescript copy of the words only. 45/16. 'Cabden Morgan'. Ink draft, soprano part. See also MS 20, ff. 48r-50v; MS 45/17-19. 45/17. 'Captain Morgan's March'. Ink draft, alto part, with a phonetic spelling of the words in pencil. 45/18. 'Rhyfelgyrch Cadben Morgan'. Four-part arrangement. Seven copies and two incomplete copies. 45/19. Captain Morgan's March. Copyright, 1948. Thirteen copies. 45/20. Carol Gymreig. Words by John Howel, beginning 'Odlau tyner engyl o'r ffurfafen glir'. Four-part arrangement. Two copies. 45/21. Christmas Carol, [19]43, beginning 'There is naught in all the world so sweet as Christmas bells'. For soloist and choir. 45/22. 'Codiad yr Haul. Rising Sun', [19]34. Words by Ceiriog Hughes. Ink draft, tenor II part. Two copies. See also MS 20, ff. 56r-61r; MS 45/23-7. 45/23. 'Codiad yr Haul'. Ink draft, bass I and II parts. 45/24. 'Codiad yr Haul'. Ink draft, bass II part; together with 'Swing low, sweet chariot'; Negro spiritual. Pencil draft, bass I part. Two copies. 45/25. 'Codiad yr Haul'. Ink draft, bass II part; together with 'Swing low, sweet chariot'. Pencil draft, bass II part. 45/26. 'Codiad yr haul'. Pencil draft, bass II part. 45/27. 'Codiad yr Haul'. Four-part arrangement, [19]52. 45/28. 'Come Gracious Lord'. Words by Isaac Watts. Four-part arrangement. See also MS 20, ff. 12r-13r. 45/29. 'Croesau [sic] (Invitation)', with the opening words, 'Come and join the Cymric Choir'. Pencil draft of a four-part arrangement. 45/30. 'Cyfri'r Geifr. Counting the Goats'. Four-part arrangement, chorus only. Copyright, 1948. Six copies. See also MS 20, f. 46r-v; MS 45/31-3. 45/31. 'Cyfri'r Geifr. Counting the Goats'. Four-part arrangement, with a phonetic spelling of the words in pencil. 45/32. 'Cyfri'r Geifr. Counting the Goats'. Four-part arrangement, with a phonetic spelling of the words in pencil and ink. Soprano copy. 45/33. 'Cyfri'r Geifr. Counting the Goats'. Four-part arrangement, with a phonetic spelling of the words in ink. Alto copy. 45/34. Cymric Medley. Four-part arrangement of no. I, 'Y Gadlys', only, with a phonetic spelling of the words in pencil. Soprano copy. See also MS 21, ff. 1v-2r; MS 45/2, 35. 45/35. Cymric Medley. A typescript copy of the words of songs included in the medley. 45/36. 'Cymru Wen fy ngwlad'. Words by O. H. Jones (Cwm Myfyr), New York. A typescript copy of the words. 45/37. 'Dai Morgan'. An ink draft of a four-part arrangement by Joseph Patelson. 45/38. 'Dashing away with a smoothing iron'. Two copies. 45/39. 'Defaid William Morgan'. An ink copy of the words only. 45/40. 'Y Delyn aur'. An ink draft of an arrangement for soloist, harp and choir. 45/41. 'Dewi Sant'. A pencil draft of a four-part song. Melody only. 45/42. 'Dydd Gwyl Dewi'. A four-part arrangement. Nine copies. 45/43. 'Glyn Peris'. Words ?and music by Owen H. Jones (Cwm Myfyr). Four-part song. Two copies. 45/44. 'God bless the Prince of Wales'. Four-part arrangement. Twenty-two copies. See also MS 20, f. 37r; MS 21, f. 8r; MS 45/45-7. 45/45. 'God bless the Prince of Wales', with a phonetic spelling of the words in pencil. 45/46. 'God bless the Prince of Wales', with two verses in English in ink. Soprano copy. 45/47. 'God bless the Prince of Wales', with a phonetic spelling of the words in pencil. Alto copy. 45/48. 'Good King Wenceslas' and 'First Nowell'. Descant parts. Thirty-two copies. 45/49. 'Gweddi yr Orsedd'. Four-part arrangement. Thirty-six copies. 45/50. 'Gweddi yr Orsedd', with a phonetic spelling of the words in pencil. 45/51. 'Harlech'. Ink draft of bass part. English words. See also MS 3, ff. 27r, 28r-v; MS 20, ff. 33r-36v; MS 21, f. 13r; MS 45/52-61. 45/52. 'Harlech'. Four-part arrangement. Copyright, 1947. Thirteen copies and two incomplete copies. 45/53. 'Harlech'. Soprano copy. Two copies. 45/54. 'Harlech'. Soprano copy, with a phonetic spelling of the words of the second verse in pencil. 45/55. 'Harlech'. Alto copy, with a phonetic spelling of the words in ink. 45/56. 'Harlech'. Soprano part. 45/57. 'Harlech'. Tenor and alto parts. Two copies. 45/58. 'Harlech'. Bass part. 45/59. 'March of the Men of Harlech'. Four-part arrangement. Six copies. 45/60. 'Men of Harlech'. Typescript copy of the Welsh and English words. 45/61. 'March of the Men of Harlech'. Typescript of the English and Welsh words; and a typescript of the English and Welsh words of 'Ar hyd y nôs'. See also MS 19, ff. 9v-10r; MS 20, f. 53r-v; MS 21, f. 3r; MS 45/1-9, 67, 93-4 for 'Ar hyd y nos'. 45/62. 'Hen fenyw fach Kidwely' Four-part arrangement by Rhys Morgan, [19]55. Three copies. See also MS 20, ff. 51r-52r. 45/63. 'Hen Wlad fy Nhadau'. For soloist and choir. Two copies. 45/64. 'Herwaun [sic] Hirwaun Wrgant'. Four-part hymn-tune by Lewis Davies, Cymmer, to the words 'Fe welir Seion ...' [words by Morgan Rhys]. 45/65. 'Hob y Derry [sic] Dando'. Ink draft of a four-part arrangement, November [19]33. See also MS 45/66. 45/66. 'Hob y Derry [sic] Dando'. Typescript copy of the Welsh and English words. 45/67. Hymn 87. Pencil draft of the melody and words, beginning with 'O Lord, the Holy Innocents laid down'. Together with 'All through the night'; ink copy for soloist and choir (See also MS 19, ff. 9v-10r; MS 20, f. 53r-v; MS 21, f. 3r; MS 45/1-9, 61, 93-4 for 'Ar Hyd y Nos'); and Hymn 74; pencil draft of the melody and words, beginning with 'Of the Father's love begotten'; and a pencil draft of the melody and words of [Hymn] 86, beginning with 'O Thou who gav'st Thy servant grace'. 45/68. Introit. Music by Rhys Morgan; four-part. 45/69. 'Jesus with each morning ray'. Pencil draft of words only. 45/70. 'Llan-fair-pwll-gwyn-gyll-go-ger-y-chwyrn-dro-bwll-llan-disiliog-ogo-goch'. Four-part song by Rhys Morgan. Seventeen copies. See also MS 20, ff. 39r-40r; MS 21, ff. 14v-15r; MS 45/71. 45/71. 'Llan-fair-pwll-gwyn-gyll-go-ger-y-chwyrn-dro-bwll-llan-disiliog-ogo-goch'. Pencil draft of bass part. 45/72. 'Llwyn On [sic] (No. 3)'. Ink draft of soprano part, with some phonetic spelling. See also MS 21, ff. 4v-5r; MS 45/73. 45/73. 'Llwyn Onn'. Typescript copies (7) of Welsh and English words. 45/74. 'Long live America'. Music by Rhys Morgan; four-part arrangement. Copyright 1948. 45/75. 'The Lord's my shepherd'. Four-part arrangement, 1950, of Rouse's Version, 1642, of Psalm 23. Eighteen copies. See also MS 19, f. 24v; MS 20, f. 5r-v. 45/76. ['Lovely Jane'. Words and music by Leonard Lorian, Rhys Morgan and Allan Grant]. Ink draft of the words. See also MS 20, f. 60v; MS 45/77. 45/77. 'Lovely Jane'. Typescript copies (28) of the words. 45/78. 'Medda nhw'. Ink draft of words only, beginning with 'Daw aelodau Côr y Cymric...'. 45/79. 'Men of Cambria'. Words by Thomas E. Rees; music by H. Alexander Matthews, copyright 1952. Four-part. Three copies. 45/80. 'Y Mochyn Du'. Four-part arrangement, copyright 1947. Nineteen copies. See also MS 20, ff. 42r-43r; MS 45/81. 45/81. 'Mochyn Du (Lili Lon)'. Arrangement, 1948, for soloist and choir. Four copies. 45/82. 'Moliant Nef a Daear'. Words anon.

, music by Rhys Morgan. Four-part. Two copies. 45/83. 'Mordraeth'. Hymn-tune, 1946, on the words of 'Teithio'r Anial' by Owen H. Jones (Cwm Myfyr). Two copies. 45/84. 'My dear little home in the mountains'. Typescript copy of the words by O. H. Jones (Cwm Myfyr), New York. 45/85. 'The Night has a thousand eyes'. Ink draft, TTBB arrangement. See also MS 38, ff. 52v-53r. 45/86. 'Now strike the harp gladly'. Arrangement for soloist and choir. Seventeen copies. See also MS 20, f. 47r-v. 45/87. 'O! Blessed Day of Glory'. Four-part carol, words by Geon? Carnout, music by Rhys Morgan, 1955. Seventeen copies. See also MS 20, f. 2r. 45/88. 'Responses after sermon'. Words by ?Battersley. Four-part arrangement. Together with 'Breathing exercises' compiled by Rhys Morgan. 45/89. 'Rhywun'. Arrangement of 'Nos Galan'; pencil and ink draft of words only. See also MS 20, f. 45r-v; MS 45/100. 45/90. 'Ring Out, Sweet Bells of Christmas'. Words by Clara J. Ricard. Four-part carol, 1951. Two copies. Printed. See also MS 20, f. 3r. 45/91. 'The Singing lesson', four-part song round. Together with 'Scale of "C" ', three-part song round. Ten copies. See also MS 20, ff. 25v-27v. 45/92. 'Sospan fach'. Four-part arrangement, copyright [19]47. Forty-eight copies. See also MS 20, f. 41r-v; MS 45/93-7. 45/93. 'Sospan fach'. Pencil draft of soprano part. Together with 'Ar hyd y nos'; pencil draft of soprano part. See also MS 19, ff. 9v-10r; MS. 20, f. 53r-v; MS 21, f. 3r; MS 45/1-9, 61, 67, 94 for 'Ar hyd y nos'. 45/94. 'Sospan fach'. Pencil draft of alto part. Together with 'Ar hyd y nos'; pencil draft of alto part. 45/95. 'Sospan fach'. Soprano part. Two copies. 45/96. 'Sospan fach'. Soprano copy. 45/97. 'Sospan fach'. Alto copy, with a phonetic spelling of the words. 45/98. 'Sunset and evening star'. Words by Alfred Tennyson. Four-part song, 1950. Three copies. See also MS 20, ff. 14r-18v; MS 45/99. 45/99. 'Sunset and evening star'. Dated 1954. 45/100. 'Tôn y Melinydd'. Four-part arrangement. Eleven copies, the last includes also a four-part arrangement of 'Nos Galan', 1935. See also MS 2, f. 13v, MS 20, f. 38r-v; MS 45/101-3; MS 45/89 ('Nos Galan'). 45/101. 'Tôn y Melinydd'. Four-part arrangement (chorus only), copyright [19]47. Forty-six copies. 45/102. 'Tôn y Melinydd'. Soprano copy. 45/103. 'Tôn y Melinydd'. Alto copy. 45/104. 'Twll bach y clo'. Pencil draft of arrangement for soloist and choir. See also MS 20, f. 44r-v; MS 45/105. 45/105. 'Twll bach y clo'. Arrangement for soloist and choir. Twenty-seven copies. 45/106. 'The Welsh Choral Society of New York (Welcome Song)'. Four part song, [19]55. See also MS 20, ff. 30r-31r. 45/107. 'Wynne'. Words by W. Williams, music by R. Arfryn Davis. Four-part arrangement of hymn-tune. 45/108. An unidentified four-part melody. Two copies.

Exercise Book (21 ff.), containing two addresses, namely Choir Building (12 ff.), and Hen Gymeriadau (6 ff.). Some Problems of Choir Conducting, article published in The Choir Leader and The Choir Herald [two cuttings].

'Augener's Manuscript Music Books No. 86' (10 ff.), with four loose sheets inside, containing mainly drafts of compositions and arrangements for male voices. F. 2r. Y Glowr a'r Chwarelwr by Mynyddog, typed copy of the words of a duet for male voices [see ff. 3r-4v, 5v, 6v-7r]. 3R-4v. [Y Glowr a'r Chwarelwr] duet for male voices, with accompaniment, on words by Mynyddog [see ff. 2r, 5v, 6v-7r]. 5R. Sketch for male chorus. 5V. [Y Glowr a'r Chwarelwr] [see ff. 2r, 3r-4v, 6v-7r]. 6R. Untitled solo, with accompaniment. 6V-7r. [Y Glowr a'r Chwarelwr] [see ff. 2r, 3r-4v, 5v]. 7V-9r. Untitled chorus for male voices beginning 'If I but knew how the lilies brew'. 9V. Cwm Rhondda, hymn-tune, arr. for male voices;. Chorus of a carol. 10V. Song of the American Marching Men. 11R-v. Ar y Mur, 24 Awst [19]29, hymn-tune?; two variations on Ar y Mur, one dated 25 Awst [19]29. 12V-13r. The Birds, part-song for mixed voices. 13V. Off to Market. 14R-v. Carol, 1929, two variations.

'Belwin Music Book' (1f.), containing draft of piano introduction to a duet from the children's cantata, Y Tymhorau [see MSS 1 and 2], the words begin 'Distawodd y gân yn y llwyni'.

'Belwin Music Book' (35 ff.), all the folios being loose, containing mainly drafts of sacred songs and hymn tunes, songs from Y Tymhorau, a children's cantata [see also MSS 1 and 5]. F. 1r. 'Thy name, O Lord, in sweet accord', sacred song for two voices. 1V. Orchestral composition, untitled and incomplete. 3R-v. Y Bwci Bo, song for four voices with piano accompaniment [see f. 22r; MS 4, ff. 8v-9r; MS 6, f. 44v]. 4R. Un rhyfedd iawn oedd Iesu Grist and Galw mae'r Bugail, two-part sacred songs with accompaniment, the name A. H. Rogers appearing above the first. 4V. 'Cymer fi, fy Iesu', two-part sacred song; Y mae afon, two-part anthem for ladies voices [see f. 11]. 5R. Y Tymhorau, with piano accompaniment. 6R. 'Be ye sure that the Lord he is God', four-part sacred song. 6V. Y Robin [see f. 7r]. 7R. Y Robin [see f. 6v];. Y Gwanwyn;. Henffych i'r Gaeaf [see f. 16v]. 8V. Untitled four-part song for male voices, the only words included being 'A'm'and 'Ei'. 9R-10v. Untitled songs from Y Tymhorau, with accompaniment. 11R-v. Y Mae Afon, two-part anthem for ladies voices [see f. 7v], with accompaniment. 12. Hymn [?] for SATB on the back of a programme of a piano recital given by Hattie Fischer at the Sherwood Music School, 4 April 1933. 13R. 'Pedolwn, pedolwn y sotlau tlws, tlws', children's song with accompaniment [see MS 6, f. 1v]. 13V. [Cân y Melinydd], piano arr. 14R-v. Dennis McPhane, old Irish ballad for voice and piano. 15R. 'I'm a pilgrim, I'm a stranger', Bass II arr. 16R. Cyngherdd yr Adar. 16V. Henffych i'r Gauaf [see f. 7r]. 17R. 'The shades of night were falling fast' [from the cantata Excelsior?, see also f. 25r-v; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 17V. 'Y Duw wnaeth y gauaf i ddod ar dro'. 18R-19v. Untitled songs from Y Tymhorau. 20R. Ar gefn yr Wydd children's song with accompaniment, words by Nantlais [see f. 21r]. 20V. Iesu, rho Dy Law i mi, children's hymn with accompaniment, words by Nantlais [see f. 21r]. 21R. [Ar gefn yr Wydd] and Iesu, rho Dy Law i mi, pencil copies [see f. 20r-v]. 22R. [Y Bwci Bo] song for four voices with accompaniment [see f. 3; MS 4, ff. 8v-9r; MS 6, f. 45]. 23R. Robin, with accompaniment [see MS 1, f. 6v];. 'Croeso, croeso Gymry llon', two-part song about the fair, with accompaniment. 23V. [Blodau'r Haf?] melody of song beginning with words 'A oes ardal yn debyg i Gymru?' with piano introduction. 24R-v. Dewch i lithro ar y llyn, with accompaniment. 25R-v. Pencil and ink drafts of the score of a choral and orchestral work, the only words being 'The hearts of all the list'ning crowd' and 'A gray old man, the third and last' [from the cantata Excelsior?, see also f. 17r; MS 3, ff. 54v-56v, 71r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v];. 'O am dynnu or (sic) anialwch', first two lines of a hymn [written in pencil on above score, f. 25v]. 26R-35r. 'Allegretto Graziozo' from Quartette in A minor, arr. 'For String Orchestral.

F. 2r-v. 'Behold the days come', for baritone solo and organ. No. 1, [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. Ff. 2v-4v. 'O Jerusalem, that bringest good tidings', for chorus and organ. No. 2 [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 5r. 'Er cof annwyl am David Protheroe'. 8 August 1925. Beginning, 'Mi lyna'n dawel wrth dy draed' [being the third verse of the hymn, 'O! Iesu mawr, rho d'anian bur', by David Charles]. F. 5v. 'Give to me the life I love' [A Song of the road. Part-song for men's voices by Daniel Protheroe. Words by Robert L. Stevenson]. Pencil sketch. Ff. 6r-7v. 'My soul doth magnify the Lord' [Magnificat], for soprano solo and accompaniment. No. 3 [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 8r. Part II: 'The coming of the King'. 'O Little town of Bethlehem', for women's chorus. No. 4 [King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 9r-v. Old Welsh Melody 'Over the storm' (beginning with the words, 'Have you heard of the blind Harper John'). F. 10v. 'The Sea Gulls', beginning with the words, 'The sea-gulls call for a storm tonight'. F. 12r. An untitled song, with the opening words, 'I want to go back to the desert ...'. F. 12v. 'Keep in the middle of the road' and 'Nelly was a lady'. Melodies only. F. 13r. 'What kind of shoes' and 'Noah's Ark'. Melodies only. F. 14r-v. Part III: 'At the manger cradle'. 'Cold on His cradle', for choir and organ. [No. 10, 'The Dewdrops are shining', King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 15r-v. 'The Little Lord Jesus laid down His sweet head'. A Cradle Song (Hymn from Martin Luther), for alto solo and accompaniment. [No. 9, 'The Little Lord Jesus', King of Kings, a Cantata for Christmastide (Chicago, 1924), by DP]. F. 16r. An untitled song, by Robert Hare, beginning with the words, 'Did you smile a sweet smile this morning?'. Also 'A Little Prayer'; melody only, with the opening words, 'If a little word of mine may make a life the brighter'. Ff. 16v-25v. 'The Spider and the Fly (a fable)', (words by Mary Howitt, 1799-1888). For SS, with piano accompaniment. See also MS 9, f. 32r-v. F. 32v. 'O Love divine'. Incomplete pencil sketch. Ff. 33r-40v. [A Screen of the Seasons in Four Panels], (words by Ella Wheeler Wilcox), for TTBB, with piano accompaniment ('for rehearsal only'). See also MS 7. Ff. 33r-34r. 'Spring'. Ff. 35r-36v. 'Summer'. Ff. 37r-38r. 'Autumn'. Ff. 39r-40v. 'Winter'. Ff. 41r-44r. 'The Pilgrim's Song' (words by J. H. Newman), for TTBB and piano ('for rehearsal only'). F. 45r-v. 'The Old Land' (words by Kate Forman), for voice and piano. See also MS 6, ff. 51r-52v. F. 46v. A pencil sketch of an untitled song consisting of two verses, beginning with the words, 'In the dark, in the dew ...'. Ff. 47r-48r. 'You and I' (lyric by Thomas S. Jones, Jr), with accompaniment. Ff. 49r and 50v. 'Jesus, Lover of my Soul' ([words by Charles Wesley], music by H. C. MacDougall), for voice and organ. Ff. 49v-50r. 'Cling to the Cross', for voice and piano. F. 51r. 'In the land where the Sandman dwells', beginning with the words, 'There are shady lanes and tinkling hills ...'. F. 51v. 'Just a little baby', with piano accompaniment. Ff. 52v-53r. 'The Night has a thousand eyes'. See also MS 45/85. F. 53r. 'There is no death', beginning with the words, 'I tell you they have not died ...'. Ff. 54v-55v. 'I will praise the Lord among the people'. F. 56r. A few bars of an untitled carol, beginning with the words, 'Mae golau ar fryniau Canaan ...'. Ff. 56r-57r. A pencil sketch of an untitled song, beginning with the words, 'I'll go with my father a-ploughing ...'. Ff. 58r-59r. An untitled sacred song beginning, 'They say that Mary treasured the gifts the wise men made ...', for voice and accompaniment. Ff. 59v-60r. Songs of the Fair (Caneuon y Ffair). No. 4: A love Song (Cân Serch), with accompaniment. [See also MS 3, 40r]. Ff. 60v-62r. 'Coming to the Fair' ('Dod i'r Ffair'), with accompaniment. 'On the Berengarin, Aug. 22, 1928'. See also MS 38, f. 69r. Ff. 62v-63r. Untitled pencil sketches. Ff. 63v-64r. 'Winifred', for SATB. See also MS 10, ff. 8v-9r, 10v-16v, 21r-31v, 36r; MS 38, f. 71r. Ff. 64v-66r. 'Be still and know'; ?together with other sketches. F. 66v. 'A Heart's desire'. A pencil sketch, beginning with the words, 'My God, accept my heart this day ...'. F. 68r-v. Untitled sacred song/anthem, beginning with the words, 'How goodly are thy tents, O Jacob'. F. 69r. ['Coming to the Fair' ('Dod i'r Ffair')]. See also MS 38, ff. 60v-62r. F. 70r. 'Tri pheth sydd hawdd ei siglo'. F. 70v. 'Music when sweet voices die'. F. 71r. [? 'Winifred'. See also MS 10, ff. 8v-9r, 10v-16v, 36r; MS 38, ff. 63v-4r].

Bundle of loose and bound manuscript music (78 ff.), containing mainly drafts of sacred works. The back cover of the manuscript book is missing, and on the front cover is written 'Spasms Daniel Protheroe'. F. 1r. My Prayer, melody only, bearing name of Sam Roberts [in hand of ?]. 1V-2r. Come, ye Blessed, by Scott, melody only [in hand of ?]. 3R-v. Part of song for voice and piano ending with 'There was not one so sweet as my Joan' [in hand of ?]. 4R. Amen, arr. for church choir to be sung after the Blessing. 4V. The Trees and the Master, part of song for voice and piano [in key of F, not key of G as part-song arr. for mixed choir]. 5R. 'Ulysses was a rover', song for soloist and choir beginning with these words. 5V. The Youth's Companion by Anna M. Pratt. 6V. Untitled setting of words beginning with 'The snowflakes falling'. 7-20. Bound. 7R-v. Sacred work for soloist, choir and organ on words 'Thou wilt keep him in perfect peace', presented 'To William Beard & his choir'. 8R-9r. Trio from Cantata. 6th Word. 10R. Four-part sacred work on words 'Grace to reach the home on high'. 11R. The Snow, for piano or organ, 4 Feb. 1917. 11V. 'God of our Fathers known of old', four-part arr. 13R. 'Turn Thy face from my sins', four-part arr. 14R. 'More love to Thee, O Christ', four-part arr. 14V. Gloria, part of a sacred work. 15R-19r. Communion Service in A. 19V-20r. Untitled choral sacred work, the only words included being 'Raise the courage of the weak'. 20V. Untitled choral sacred work relating to Christ's resurrection, the first words included being 'He rose again according to the Scriptures'. 21R-26v. Untitled choral and orchestral work, words being a plea to the Wind of the West not to harm the singer's love. 27R. [Rhyfelgyrch Gwyr Harlech] incomplete four-part arr. [for male voices], ink copy [see f. 28r-v]. 28R. 'Return unto Thy rest, O my soul', melody only. 28R-v. [Rhyfelgyrch Gwyr Harlech] four-part arr. [for male voices], two pencil copies [see f. 27r]. 30R. Fair-Moun[t?]ebank, part of accompaniment. 31R. My God my Father, song for soprano, no words included. 31V. Psalm 20, words only. 33R. 'There is an island away in the deep', three-part song for SAB. 36-56. Bound. 36R. Yr Hen Wr Mwyn, Dacw, dacw fuwch and O Do, mi a glywais, four-part arr. of three Welsh airs. 36V. Daphne's Cheeks, four-part arr. [for male voices], words by Walter Besant. 37R. Ystrad Fair, for voice and piano. 38R. Puff of the Wind [see MS 4, ff. 17v-19r];. Dawn. 38V. 'The Melons in the Moonlight', four-part arr. of negro words by Frank L. Stanton. 39R. Four-part arrangement of the Beatitudes. 39V. A Cradle Song, three-part song with accompaniment, words by William Blake. 40R. A Love Song (Can Serch), for voice and piano. 41R. Untitled song for voice and piano beginning with 'I pipe & dance a bounding reel'. 42V. Untitled sacred work beginning with 'Lo, fainter now lie spread the shades of night', words being a translation by Edward Caswall of original by Gregory the Great. 43R. 'Thy way, not mine, O Lord', sacred song for SATB [see MS 6, f. 43r; MS 9, f. 1v]. 43V-55v. Parts of the cantata Olivet [see MS 6, f. 45r-v; MS 8, ff. 1r-2v]. 54V-56v. Parts of various songs [from the cantata Excelsior?, see f. 71r-v; MS 2, ff. 17r, 25r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 57R-58v. Y Gan Orchfygol, for voice and piano, words by J. T. Job. 59R. The Bright, Sweet Way, for voice and piano. 61R-66v. Un Yn Rhagor, duet for Soprano and Tenor, with orchestral score [being part of a larger work]. 67R-68v. Untitled orchestral scores. 69V-70v. Ar lan Iorddonen ddofn (Deep Jordan's banks), four-part arr. of hymn for male voices, words by Ieuan Glan Geirionydd (Welsh) and Dr William Howells (English). 71R-v. Excelsior, part of cantata for SAB beginning with 'The shades of night are falling fast' [see ff. 54v-56v; MS 2, ff. 17r, 25r-v; MS 4, ff. 23r-24v; MS 6, ff. 22r, 24v-25r, 27r; MS 8, ff. 3r-5v; MS 9, ff. 4r-5v, 33v, 34v]. 72R. Six bars of piano introduction to male voice arr. of Handel's Largo in G;. Two short verses relating to a small child refusing to sleep. 72V. Aberystwyth, four-part male voice arr. of the hymn-tune by Joseph Parry;. [Wrth fyn'd efo Deio i Dywyn] four-part male voice arr. 73R. Oriental Song, song for SSA. 74V. Untitled hymn-tune. 75R-76v. The Garden of my Soul, for voice and piano, words by Maude Hall Lyman, dedicated by Daniel Protheroe to his friend A. B. Dickson, Gary, Ind. [See MS 9, ff. 2r-3r]. 77V-78r. Quit you like men, for voice and piano.

Bundle of loose and bound manuscript music (88 ff.), containing sacred and secular works, within the cover of a 'Manuscript Music Book'. F. 1r-3r. Ballade, solo with piano accompaniment, German words by Isabel Lowden, first four lines with English translation. 4R. Camping, song for four voices. 4V. Milwaukee, hymn-tune, words by Mary A. Blood. 5R-v. You & I, solo with accompaniment. 6R-v. Lullaby?. 7R-v. Setting of Psalm 57, verses 9-10 [see MS 9, f. 20r]. 8R-v. The Little Ghosts, for voice and piano. 8V. Winifred, part of a sacred chorus, Latin words [see ff. 9r, 10v-16v, 21r-31v, 36r]. 9-16 Bound. 9R. Winifred, part of a sacred chorus [see ff. bv, 10v-16v, 21r-31v, 36r]. 9V. Untitled sacred song, beginning 'The lord is my light'. 10R. 'The Rock-a-bye Lady from Hush-a-bye street', solo with accompaniment. 10V-16v. Untitled sacred works, some possibly being part of Winifred [see ff. 8v, 9r, 21r-31v, 36r]. 17-40. Bound, except f. 22 [loose]. 17R-19v. A Christmas Idyll, for soloist, choir and organ, name of 'Wm George' appearing at head of f. 18r. 19V. Untitled hymn-tune, 30 August 1920. 20R. Untitled sacred song for choir, 31 August 1920, beginning 'Christ the Lord is born today';. Setting of Psalm 115. 20V. Rock of ages, melody only;. Abercraf, hymn-tune. 21R-31v. Untitled sacred works, Latin and English words [some from Winifred?, see ff. 8v, 9r, 10v-16v, 36r]. 21V. Carol, beginning with the words, 'On a holy Christmas morn'. 32R. The Sound?, accompaniment of a song. 32V. Credo;. Lullaby of Mary, carol. 33R-35r. Titled and untitled sacred works, some words included. 33R. Sacred song beginning 'The Son of God goes forth to war'. 33V. Still with Thee, O My God;. Near the Cross. 34R. Softly now the light of day;. Come Thou Almighty fly. 35R. In the hour of trial;. Gloria. 35V. For a Welsh Folk Song. 36R. Parts of Winifred [see ff. 8v, 9r, 10v-16v, 21r-31v];. Untitled song, words included being 'Death never shall claim Caradog'. 36V. The Vagabond, melody only;. Carol beginning 'Sleep my Jesu, Saviour child In Thy manger bed'. 37R. Untitled solo with accompaniment. 37V. Two variations of a carol;. Untitled setting for two voices of words 'Oft my spirit speeds her free To the fame beneath the sea'. 38R. Untitled song, beginning with humming, followed by 'Midnight broodeth o'er the deep'. 39R. Sketches of school songs. 39V. Sacred song for two voices beginning 'Fy nagrau oedd fwyd i mi ddydd a nos'. 42R-47v. Untitled choral and orchestral work beginning 'Wind of the Norland snows' [first line of libretto missing], and ending 'And kiss the low mound where she lies'. 48R-49v. End of [pagination 9-12] a Christmas song for SATB, with accompaniment, last words being 'And even the Babe seemed to smile and rest'. 50R. Untitled chorus relating to Christ's resurrection, beginning 'The first day of the week cometh Mary Magdalen'. 51V-52r. Children's choruses. 53V. Untitled drafts of works for male voices. 54R. Untitled carol beginning 'The stable old was cold & chill';. Chorus for male voices. 55R. Easter Parade, copy of Tenor I arr. by Hans Hanke [see ff. 57v, 86r]. 55V. There's A Wideness In God's Mercy (Welsh Hymn Melody), Tenor II arr. by J. Arko Mendelsohn [in his hand, see ff. 56v-57r, also ff. 76-83, 84r-85r, 86v-87r]. 56R. Rangers Song, copy of Tenor II arr. by Hans Hanke [see ff. 85v, 87v]. 56V-57r. There's A Wideness In God's Mercy (Welsh Hymn Melody), Tenor I arr. by J. Arko Mendelsohn [in his hand, see ff. 55v, also ff. 76-83, 84r-85r, 86v-87r]. 57V. Easter Parade, copy of [Tenor II] arr. [by Hans Hanke, see ff. 55r, 86r]. 58R. Les Clartés De La Nuit, copy, music by C. Geoffray, words by A. Chevalier [was attached to ff. 59-75]. 59-75. The Girl Scout Leader, June 1954, opened on p. 26 which shows copy of A Poor and Carefree Stranger, three-part round for Girl Scouts. 76-83. Blow, Blow, Thou Winter Wind, instrumental scores, property of J. Arko Mendelsohn [see also ff. 55v, 56v-57r, 84r-85r, 86v-87r]. 84R-85r. O Captain, My Captain!, Bass part of song for male voices by J. Arko Mendelsohn [in his hand, see ff. 86v-87r, also ff. 55v, 56v-57r, 76-83]. 85V. Rangers Song, copy of Tenor I arr. by Hans Hanke [see ff. 56r, 87v]. 86R. Easter Parade, copy of Bass II arr. by Hans Hanke [see ff. 55r, 57v]. 86V-87r. O Captain, My Captain!, Tenor II part of song for male voices by J. Arko Mendelsohn [see ff. 84r-85r, also ff. 55v, 56v-57r, 76-83]. 87V. Rangers Song, copy of Bass II arr. by Hans Hanke [see ff. 56r, 85v]. 88R-v. Only waiting, arrangement for mixed choir of The Last Rose of Summer.

Bundle of loose and bound music (21 ff.), containing manuscript (ff. 1-11) and printed (ff. 12-21) copies of tenor solos [sung by Rhys Morgan]. F. 1r-2v. Tell Me O Swan, by Morten J. Suvaas, words by Rabindarath Tagare. 3R-6r. I dreamt a dream, duet for Soprano and Tenor [by ?], German and English words. 6V. 'There's a little door opened in Heaven', melody and words [of a Negro Spiritual song?]. 7R. [When Your (sic) Away] typed copy of words of song [see ff. 8r-v], copyright 1928. 8R-v. When Your (sic) Away, by Frank Henry Dellobile, words by Francis J. Schippers, dedicated to R.S. [for typed copy of words see f. 7r]. 9R-v. Già il sole dal Gange by Scarlatti, incomplete. 10-21. Bound. 10R-11v. Oh, Let Me Dream, by Mortimer B[?], words by Warwick F. Williams. 12R-15r. Onéguine, by P. Tschaïkowsky, French words by Michel Delines, English words added in manuscript. 16R-19r. Princess of the Morning, by Harriet Ware, words by J. I. C. Clarke. 20R-21r. A Fairy Story by the Fire, by Oscar Merikanto, words by Angela Campbell Mc. Innes.

Bundle of printed personal Christmas cards of Daniel Protheroe, containing carols composed by him, 1913-16, 1921, 1923, 1928, 1932 [see MS 4, ff. 9r, 16v, for The Angels' Story, carol for 1932; MS 9, f. 16r for carol dated 1932, different melody]. See also NLW Facs 593.

Bundle of programmes of concerts and religious services with which Daniel Protheroe was connected, including programme of first concert given by the Chicago Welsh Male Choir under his conductorship, 19 May 1926 (17/1 ).

Bundle of programmes of performances by Rhys Morgan [removed from the bound volume mentioned under MS 31] [see also MS 33].

Bundle of tickets to recital given by Rhys Morgan, 7 May 1923.

Correspondence of Daniel Protheroe, 1911-35, dealing mainly with copyright, publishing, and royalty agreements relating to his compositions; royalty certificates, 1893-8; bills, etc.

Correspondence, 1924-8 (19 lrs), 1930-1 (53 lrs), 1933-5 (14 lrs), 1937 (1 lr), and undated (15 lrs), including a personal Christmas card, 1927 (25/18) [see MS 13], and a postcard from Holland, 10 July 1928 (25/19), from Daniel Protheroe. The correspondence deals mainly with arrangements relating to Rhys Morgan's performances, and audience appreciation.

Cymric Medley', file (14 ff.), with one loose sheet, containing duplicate copies of SATB arrangements of Welsh airs. The owner of the file was Mrs May Jones, 4915 Broadway, New York, member of The New Welsh Choral Society, of which the conductor was Rhys Morgan. F. 1v-2r. Gadlys. 3R. Ar Hyd Y Nos, words of three verses, two in Welsh, one in English [see MS 19, ff. 9v-10r]. 4V-5r. Llwyn On (sic). 6V-7r. Clychau Aberdovey [see MS 20, f. 55r]. 8R. [God Bless The Prince of Wales] words of two verses, one in Welsh, one in English [see MS 20, f. 37r]. 9V-10r. Cadair Idris, [19]51. 11V-12r. Y Crythor Crwydrol, [19]51. 13R. March of the Men of Harlech, words of two verses, one in English, one in Welsh [see MS 20, ff. 33r-36v]. 14V-15r. Llanfair P.G., by Rhys Morgan, music score only [see MS 20, ff. 39r-40r].

Papers of Daniel Protheroe including drafts of manuscript music, 1917-1954; manuscript music books containing drafts of compositions and arrangements for male voices; printed personal Christmas cards containing personal composed carols, 1913-1932; correspondence, 1911-1935, dealing with copyright, publishing and royalty agreements; royalty certificates, 1893-1898; programmes of concerts and religious services; and papers of Rhys Morgan including drafts of manuscript, duplicate and printed copies of music; correspondence, 1924-1928; memorabilia relating to his career and family photographs.