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Notebook of Berta Ruck, 1906, containing jottings in English and German, and pencil, ink and charcoal sketches, many made during a visit to Holland.
Notes, May 1906, relating to Holland are on ff. 34 verso-36 verso (inverted text).

Notebook of Berta Ruck, December 1934-July 1935, containing journal entries and notes for fiction and for her autobiography. Some thirty-seven letters and cards, November 1934-July 1935, as well as press cuttings, photographs, theatre programmes and other ephemera, have been pasted into the volume.
The correspondents include Gwen [Ffrangcon-Davies], [November 1934] (f. 1a verso), Marda Vanne, 24 November 1934 (f. 1g verso), Hermon Ould, [22] December 1934 (f. 13 verso), Alec Waugh, December 1934-[1935] (ff. 16 verso, 28 verso), Vita [Sackville West], 6 January 1935 (f. 20 verso), and A. A. Ruck, 6-16 June 1935 (f. 34 verso, 37). The volume includes accounts of a visit to the 'Flower Medium' (ff. 6 verso, 12-13 verso), a description of Gwen Ffrangcon-Davies and Marda Vanne's cottage in Essex (f. 21), and a brief description of meeting Amy [Johnson] and her husband (f. 44). Ink sketches by Ruck are on ff. 9, 22 verso-23; photographs of her and of family members are on ff. 16 and 34. Cuttings pasted into the volume include her short story 'Selling Rodney' (f. 26) and the obituary for her uncle, Major-General Sir R. M. Ruck, from The Times, 19 March 1935 (f. 27 verso). A call sheet, 28 March 1935, for the film Car of Dreams (1935) is on f. 31.

Notebook of Berta Ruck, May 1960-April 1961, including letters from Emyr Humphreys, February 1961, Hesketh Pearson, October 1960, and Vita Sackville-West, March 1961.

Notebook of Berta Ruck, April 1962-July 1964, including letters from Lord Toby Aldington, August 1962, Ursula Bloom, October 1963, Barbara Cartland, [n.d.], Harold B. Hewitt, October 1963, Heather Jenner, November 1963, Dyfnallt Morgan, October 1963, and Harold Nicolson, December 1962; and a memorial service card of her brother Oliver Laurence Ruck, Llanidloes Parish Church.

Notebook of Berta Ruck, April-October 1971, including a letter from Anthony Swerling, June 1971.

Notebook of Berta Ruck, August 1932-May 1933, containing journal entries, impressions of her stay in Vienna, October-November 1932 (ff. 12-54) and notes for fiction, short stories and articles. Some forty-four personal and family letters, cards and telegrams; press cuttings referring to her and to contemporary events; photographs; theatre, concert and film programmes (mostly German); and other ephemera, 1929-1930, 1932-1933, have been pasted in or are loose in the volume.
The correspondents include her husband Oliver Onions, November 1932 (ff. 42 verso, 84), Alec Waugh, [September] 1932 (f. 10 verso), Ivan Phillipowsky, [December 1932] (f. 64), Ménie Muriel FitzGerald (née Dowie), [1933] (ff. 72-73), and John van Druten, 27 October 1932 (ff. 85-86); a letter from Amy Mollison [i.e. Amy Johnson] to the Secretary of the London Airplane Club, 21 November 1932, is also included (f. 91). There are references to Maurice Bowra, whom she befriended in Vienna (ff. 22 verso, 24, 32, 37-38 verso) and Eric Maschwitz (ff. 52, 56, 66 verso, 75 verso, 84 verso), and references throughout to aviation and the exploits of famous aviators of her acquaintance. There are pen and ink drawings by Ruck on ff. 37 verso and 57.

Notebook of Berta Ruck, June 1918-September 1919, containing impressions of wartime life in North Wales and London and of her visit to the USA in 1919, later reworked and incorporated into chapters 16-25 of her autobiographical volume A Story-teller tells the Truth (London, 1935); also included are commonplace entries and extracts from letters received.

Notebook of Berta Ruck, September 1919-March 1920, containing impressions of her visit to the USA and comparing British and American life; a press cutting of a review of her novel The Immortal Girl (London, 1925) has been inserted on f. 57 verso.

Notebook of Berta Ruck, February-September 1939, containing diary entries, ideas for fiction, comments on the progress of her writing and on the threat of war, and pasted-in letters and cards to her, including one from J. B. Priestley (f. 23 verso). Also pasted in are press cuttings relating to contemporary events including the death of W. B. Yeats and the European political crisis.

Notebook of Berta Ruck, May 1942-February 1943, containing notes for fiction, notably for the novels Bread and Grease Paint (London, 1943) (ff. 34-35 verso, 36 verso, 37 verso, 48 verso) and Shining Chance (London, 1944) (ff. 20-25, 28 recto-verso, 33 recto-verso, 37, 38, 39 verso, 40 verso-41 verso, 43-45), and journal entries and comments on the progress of the war (ff. 4-5, 6, 12-19 verso, 38 verso-39). Press cuttings relating to contemporary events and thirty-four letters, cards and telegrams to the author, April 1942-February 1943, have been pasted in.
The correspondents include William Lyon Phelps, 15 September 1942 (f. 5 verso), Osbert Sitwell, [December 1942?] (f. 9), Gwen Ffrangcon-Davies, [December 1942] (f. 9 verso), Edith Heal, [December 1942] (f. 11), Anthony Thorne, January-February [1943] (ff. 20a, 27, 51 verso), and Marie Stopes, [December] 1942 (f. 42 verso). There are numerous references to Oliver Onions' illness and hospitalization, January-February 1943 (ff. 12-19 verso). The volume includes a number of pen drawings by the author (ff. 19, 33, 36, 39 verso, 40 verso, 41 verso, 51). Some folios are stubs, containing fragments of text (ff. 26, 27, 29-32, 49-50, 52-53).

Notebook of Berta Ruck, September-November 1927, containing a journal mainly of her visits to Le Portel, near Boulogne (ff. 1 verso-14 verso), the Côte d'Azur (ff. 31 verso-58 verso), and Paris (ff. 59-68 verso), France, and notes for fiction. Some twelve letters from family and friends, playbills and other ephemera have been pasted in.
The correspondents include Ivor Nicholson, 28 September 1927 (f. 23 verso), and S[alomon] Reinach, 1 October 1927 (f. 24). There are references to Norman Haire (f. 15 verso), the death of Isadora Duncan (f. 9), and Sir Ray Lankester's ill health (ff. 25 verso-26 verso, 31, 34 verso, 47 verso). Also included are ink, pencil and watercolour sketches by Ruck (inside the front cover and on ff. i recto-verso, 3, 4 verso, 7, 8, 10 verso, 28, 40, 57, 65) and photographs of her (ff. 13 recto-verso, 14 verso), and her family (f. 22 verso). The photograph on f. 13 was published in A Story-Teller Tells the Truth (London, 1935), facing p. 276.

Notebook of Berta Ruck, September 1937-June 1938, containing journal entries including comments on contemporary events, notes for fiction and articles. Some forty-eight letters, cards and telegrams, mostly from family and friends, cuttings, photographs and other ephemera have been pasted in.
The correspondents include A. A. Ruck, September 1937-April 1938 (inside front cover, ff. 73, 91), Alec Waugh, October-[December] 1937 (ff. 13, 44), Norman Haire, 29 October 1937 (f. 18), Oliver Onions, 1937 (f. 19 verso), Nathaniel Gubbins, 19 November 1937 (f. 27), Alys Meirion, [1937] (f. 29 verso), Naomi Jacob, 19 December 1937 (f. 36), and Peter Wykeham Barnes, [December 1937] (f. 36 verso). The volume also contains ink sketches and drawings by Ruck (ff. 54, 57, 59 verso-60, 63, 69 recto-verso) and a photograph of her, [1938] (f. 51). The press cuttings include articles by Ruck (ff. 59, 79, 80 verso) and an article from the Daily Express, 12 November 1937, about her son, Arthur Oliver (ff. 26 verso-27). Various press cuttings and letters from Austrian friends (ff. 49 verso-58 verso passim, 80a) discuss the Anschluss in March 1938.

Notebook of Berta Ruck, July 1964-[August] 1965, including letters from William Condry, September 1965, Dyfnallt Morgan, December 1964, and Raleigh Trevelyan, February-March 1965.

Notebook of Berta Ruck, August 1968-October 1969, including letters from Glyn Tegai Hughes, August 1968, and Nancy Mitford, December 1968; and notes relating to her novel Ancestral Voices (London, 1972).

Notebook of Berta Ruck, July 1972-January 1973, including letters from Rupert Croft-Cooke, July 1972, Elaine Morgan, [n.d.], and Gwyn Thomas, December 1971; and sketches for 'The Wild Elopement' (see also NLW MS 23745D for 'The Reckless Elopement'), and 'The Wishful Thought'.

Notebook of Berta Ruck, July 1940-June 1941, containing journal entries and comments on the progress of the war. Press cuttings relating to contemporary events, other ephemera and seventy-three letters, postcards and telegrams, May 1940-March 1941, mostly to the author, have been pasted in.
The correspondents include Michael Joseph, 12 July 1940 (f. 2), Harold Nicolson, 3 June 1940 (f. 2 verso), Helen Rees ('Jane Oliver'), 16 August 1940 (f. 10 verso), Robert Owen Morris, 19 August 1940 (f. 12 verso), Maurice Bowra, December 1940-February 1941 (ff. 26, 66 verso), Tony Thorne, August-September 1940 (ff. 32 verso, 35), Dolf Wyllarde, 27 November 1940 (f. 34 verso), Peter Wykeham-Barnes, [December 1940] (f. 35 verso), Alys Meirion, October-December 1940 (ff. 36 verso, 45 verso), Angela Thirkell, 8 November 1940 (f. 45), Edith Heal, 18 December 1940 (f. 47), Marda Vanne, November-December 1940 (ff. 50 verso-51), Bradwell T. Turner, 12 May 1940 (f. 53 verso), and Alec Waugh, 8 January 1941 (f. 54a-b). A photograph of Ruck is on f. 5 verso and there are pen drawings by her on ff. 10, 23. Press cuttings include political cartoons by David Low, from the Evening Standard (ff. 2 verso, 29 verso, 30 verso, 33 verso, 41, 46, 64 verso-65), and items relating to the deaths of John Llewelyn Rees (ff. 8 verso, 11, 68) and Amy Johnson (ff. 51 verso, 63 verso). Programmes for Christmas events in Aberdyfi and Tywyn, December 1940, are on ff. 38 verso and 48.

Miscellaneous papers of Berta Ruck, 1902-[early 1970s], including autograph and typescript drafts of verse, [1920s]-[1930s], many in multiple copies (ff. 1-123); lecture notes, [c. 1935]-[c. 1945] (ff. 124-224); a short story, 'April Folly', [c. 1935], apparently related to her novel Half Past Kissing Time (London, 1936) (ff. 225-248); and some thirteen letters to the author in English and German, [1903x1904]-1971 (ff. 264-283).
The correspondents include Clement Scott, [1903x1904] (f. 264), Marda Vanne, 9 October 1936 (f. 280), Harold Nicolson, 14 June 1962 (f. 281, on the death of his wife, Vita Sackville-West), and Quentin Bell, September 1971 (ff. 282-283, concerning his biography of Virginia Woolf); there are also three letters, 1929, from 'Harry', her Austrian lover (ff. 265-272, mostly in German). Also included are two leaves from Ruck's journal, June 1930 (ff. 249-250); reminiscences, [early 1970s], of Lydia Lopokova (ff. 251-259) with a photograph of her, [?1920s] (f. 260); press cuttings of an article by Ruck, September 1936 (f. 261), and of two articles relating to Virginia Woolf, 1972 (ff. 262-263); W. R. Oliver's school report at Shrewsbury School, 1929 (f. 284); programme for 'My Lady Molly' at the Lyceum Theatre, Edinburgh, 1902 (ff. 285-286); and page proofs for Chapter 8 of A Smile for the Past (London, 1935) (ff. 287-292).

Letters and papers of Berta Ruck, 1921-1933, found loose inside her 1921-1924 notebook (NLW MS 23569iB).
The correspondents include her father, A. A. Ruck, [1933] (f. 7), and Gerald Gould, 1933 (f. 8).

Forty-six manuscript and typescript letters, [c. 1890]-[c. 1934], from Berta Ruck, mostly to her father, Col Arthur Ashley Ruck, [1920s]-[c. 1934], containing mainly personal and family news.
Also included are two letters to her grandmother Mary Anne Ruck, [c. 1890] (ff. 1-4), and a carbon copy letter to her sister-in-law, Georgina Ruck, 15 July 1932 (ff. 86-91). Most of the letters were written either from home or while on holiday in Austria, France, Germany and Sweden. There are references to Oliver Onions (ff. 6-100 passim), Geoffrey Moss (f. 6), Sir Ray Lankester (ff. 9 verso, 10 verso-11, 12, 31, 32, 66), Ménie Muriel FitzGerald (ff. 13-17, 18, 29, 46-47, 56, 59), Alec Waugh (ff. 26, 35-36) and Vita Sackville West (f. 46); she also describes her car accident on 14 July 1932 (ff. 88-91). There are ink drawings by Ruck on f. 2 recto-verso.

Notebook, July-August 1939, compiled by Berta Ruck in memory of her late father, Colonel Arthur Ashley Ruck (d. 12 July 1939), including reminiscences; twenty-three letters, telegrams and postcards from family and friends, 1935-1939, being mainly letters of condolence; and other items, [1920s]-1939.
The correspondents include Alys Meirion, [17 July 1939] (f. 5), A. Bodvel Roberts, 13 July 1939 (f. 104 verso), Paul Bland, 18 July 1939 (f. 112a verso), Ménie Muriel FitzGerald, 17 July 1939 (f. 113 verso), and Bernard Darwin, 13 July 1939 (f. 114); there are also two letters from A. A. Ruck to Berta Ruck, 25 February 1935, 26 March 1939 (ff. 3 verso, 37). Also included are newspaper obituaries of A. A. Ruck, [July 1939] (f. 1 verso), and of his brother, Col. Oliver Edwal Ruck, [July 1934] (ff. 16 verso-17), and two group photographs, one a family group, [1920s], both including A. A. Ruck (ff. 4, 44 verso).