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Notebook of Berta Ruck, March 1921-June 1924, containing diary entries, ideas for fiction, comments on the progress of her work and impressions of holidays in Vichy, Brittany and Haute Savoie, France; a few extracts were later incorporated in her autobiographical volume A Story-teller tells the Truth (London, 1935).
Letters and papers, 1921-1933, found loose inside have been filed separately (NLW MS 23569iiC).

Notebook of Berta Ruck, Aberdyfi, September-December 1939, containing journal entries and comments on the progress of the war. Press cuttings relating to contemporary events, photographs and some forty-six letters and postcards, mostly personal, to the author have been pasted in.
The correspondents include her son Arthur Oliver, October-[November] 1939 (ff. 13-14, 16, 33 recto-verso, 42-44), Ménie Muriel FitzGerald, 2 October 1939 (f. 12 verso), Michael Joseph, October-November 1939 (ff. 12 verso, 40, 59 verso), Anthony Thorne, [1939] (f. 34), Horace Horsnell, 28 November 1939 (f. 59), Harold Nicolson, 21 November 1939 (f. 59a), and Osbert Sitwell, 28 November 1939 (f. 60 verso). There are numerous references in journal and letters to the marriages of both her sons, Arthur and Bill, in October 1939. Among the photographs are one of Ruck (inside front cover) and two of Bill Oliver (inside front cover, f. 36 verso).

Notebook of Berta Ruck, 1907-1914, containing impressions of people and places, various ideas for fiction and sketches in ink or pencil (ff. 5, 9 verso-10, 17, 23, 29 verso-30, 33 verso, 38, 51 verso, 52 verso).
The volume includes descriptions of Équihen-Plage, France, July 1907 (ff. 1-3 verso), and Pennal, Merioneth, 8 June 1911 (f. 35, 45), and notes describing the lifestyle and duties of nurses (ff. 39 verso-44 verso).

Notebook of Berta Ruck, October 1931-August 1932, containing journal entries, including an account of her stay in Vienna, October-November 1931 (ff. 2-31), notes for fiction, verses and sketches by the author and a record of her dreams. Some twenty-seven letters, postcards and telegrams from family and friends, photographs, cuttings and other ephemera have been pasted in.
The correspondents include Oliver Onions, [October 1931] (f. 21), Doris Langley Moore, December 1931-February [1932] (ff. 53, 87), Marie Belloc-Lowndes, [1932] (f. 54 verso), Marda Vanne, [1932] (ff. 70 verso, 76a), and Ferdinand Deutelmoser, October 1931, April 1932 (ff. 73, 91). The volume also contains ink sketches (ff. 60, 70, 71, 81 verso) and verse (ff. 47 verso, 66, 68, 93 verso) by Ruck, and a German translation by Deutelmoser of another of her verses (f. 25 verso).

Notebook, December 1935-January 1936, of Berta Ruck containing diary entries, ideas for fiction, and pasted-in letters to her, including one, 1935, from Rudyard Kipling (f. ii). Also pasted in are press cuttings relating to contemporary events, including the death of Kipling and of King George V.

Notebook of Berta Ruck, January-June 1937, containing diary entries, ideas for fiction, comments on the progress of her writing, and pasted-in letters and cards to her, together with her typescript account of attending the trial at the Old Bailey of Saunders Lewis, Lewis Valentine and D. J. Williams, sketches of the defendants and related press cuttings and correspondence. Also pasted in are press cuttings relating to other contemporary events, including the coronation of George VI and the marriage of Edward, duke of Windsor.

Notebook of Berta Ruck, September 1943-January 1945, containing a few diary entries, mainly commenting on the war and on the progress of her writing, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra and Emlyn Williams (f. 38 verso). Also pasted in are press cuttings relating to contemporary events, especially the progress of the war, and a few programmes for concerts and plays performed at Aberdyfi, 1942-1944.

Notebook of Berta Ruck, September 1939, recording her move from London to Aberdyfi, Merionethshire, at the outbreak of war and commenting on contemporary events. Press cuttings relating to the war and thirty-five letters and postcards to the author, August-September 1939, mainly from family and friends, have been pasted in.
The correspondents include Oliver Onions, discussing his own move to Aberdyfi, September 1939 (ff. 16 verso, 45, 47, 53 verso, 59, 60, 64), and Tony Thorne, 17 September 1939 (f. 67 verso). She records the engagements of both her sons (ff. 51, 65).

Notebook of Berta Ruck, December 1939-May 1940, containing journal entries, comments on the progress of the war and notes for fiction. Press cuttings relating to contemporary events, other ephemera and some sixty-nine letters, postcards and Christmas cards, mostly to the author, have been pasted in.
The correspondents include Oliver Onions, 25 December 1939 (f. 20), Arthur Oliver, December 1939-May 1940 (ff. 2b, 20 verso, 51, 57, 63-65 verso), Vicki Baum, 25 November 1939 (f. 2), Edith Heal, [December 1939] (ff. 2a, 20 verso), Anthony Thorne, December 1939, March 1940 (ff. 7 verso, 56 verso), Osbert Sitwell, Christmas [1939] (f. 19 verso), Ménie Muriel FitzGerald, [1939] (f. 22 verso), Naomi Jacob, [December 1939] (f. 26 verso), Alys Meirion, 29 December [1939] (f. 27), Lieut-Cmdr Bradwell T. Turner, [February 1940] (f. 47 verso), Alec Waugh, [December 1939] (f. 51 verso), Sir Kenneth Barnes, 4 April 1940 (f. 57 verso), and Horace Horsnell, 2 April 1940 (f. 58). One letter from 'Effie', [January 1940], discusses the state of Ménie Muriel FitzGerald's health (f. 35 verso). The press cuttings include several political cartoons relating to the war (ff. 39 verso, 52-53 verso).

Notebook of Berta Ruck, July 1941-April 1942, containing ideas for fiction, journal entries and comments on the progress of the war. Press cuttings relating to contemporary events and some sixty-six letters, cards, postcards and telegrams to the author, May 1940-April 1942, have been pasted in.
The correspondents include Anthony Thorne, July 1941-January 1942 (ff. 1 verso, 15 verso, 17 verso, 24, 39a), Hermon Ould, 25 July 1941 (f. 1 verso), Emlyn Williams, [1941] (f. 4 verso), Baron Atkin of Aberdovey, 20 November 1941 (f. 18 verso), Edith Heal, [Christmas 1941] (f. 33), Able Seaman E. J. Smith, HMS Cossack, 2 May 1940 (f. 36 verso), Alice Williams, 2 March [1942] (f. 38 verso), and Alec Waugh, 19 February 1942 (f. 47 verso). The journal includes a description of a visit to her sister's house in Llanfachreth, Merioneth, October 1941 (ff. 5, 6, 7, 8, 9).

Notebook of Berta Ruck, October 1926-September 1927, containing a journal, mainly of her visits to Le Portel, near Boulogne, October 1926 (ff. 1-6), August-September 1927 (ff. 19-70 verso), and notes for fiction. Some sixteen letters, playbills and other ephemera have been pasted in.
The correspondents include Sir E. Ray Lankester, November [1926]-August [1927] (ff. 9, 64 verso), Edgar Wallace, 8 February 1927 (f. 18 verso), and Rebecca West, [8] July 1927 (f. 58). There are references to Rebecca West (f. 12 verso) and the late E. Nesbit (f. 23), and descriptions of a travelling French theatre company at Le Portel (ff. 30-31 verso, 33 recto-verso, 35, 45 verso-47 verso, 52-53 verso, 56-57 verso, 65), and of a visit to Paris (ff. 24 verso-28). Ink, pencil and watercolour sketches by the author are on ff. 4 verso, 32, 36 verso-37, 38 verso, and a photograph of her is on f. 55 verso. A ticket for a lecture in Pantperthog, 26 February 1895, is on f. 15.

Notebook of Berta Ruck, May 1930-March 1931, containing journal entries, including accounts of her visits to Sweden, July 1930 (ff. 14-22), Germany, July, November 1930 (ff. 22 verso-28 verso, 69 verso-81 verso), Vienna, Austria, July-August, November-December 1930 (ff. 28 verso-42 verso, 82-91), and the French Riviera, August-September 1930 (ff. 44-61), and notes for fiction. Some fifty-two letters, cards and telegrams from family and friends, photographs, cuttings, programmes and other ephemera have been pasted in.
The correspondents include Marda Vanne, June-[December] 1930 (ff. 4, 62, 91), Oliver Onions, July-[August] 1930 (ff. 13, 30, 53), Alec Waugh, 22 June 1930 (f. 38), Hermon Ould, 30 September 1930 (f. 65 verso), Vicki Baum, 4 November 1930 (f. 78), Gwen Ffrangcon-Davies, [December] 1930 (f. 91), Norman Haire, [December] 1930 (f. 114 verso), Vita Sackville-West, 3 November 1930 (f. 121), and Cynthia Stockley, [December] 1930 (f. 129). The volume contains sketches and drawings (ff. 2 verso, 28 verso-29, 48-49, 87, 92 verso, 109, 123 verso) and poetry (ff. 67 verso, 73a-b, 88, 91-92 verso, 94 verso, 101 verso) by Ruck. The photographs include three of her with her sons (inside front cover, ff. 54, 60; the latter was published in A Story-Teller Tells the Truth (London, 1935), facing p. 166). Among the friends and acquaintances referred to in the volume are Ernst Hanfstaengl (79 verso, 80 verso-81 verso) and the writers Rebecca West (ff. 45 verso, 50 verso -51), Geoffrey Moss (ff. 49 verso-50, 54 verso, 57 verso), Vicky Baum (f. 71 verso) and Otto Friedländer (ff. 82 verso, 83, 84).

Notebook of Berta Ruck, Aberdyfi, May 1945-December 1946, containing journal entries including comments on the end of the Second World War and its aftermath and notes for fiction, especially the novel Surprise Engagement (London, 1946) (here called 'They are engaged', ff. 27-73 passim). Some one hundred and forty-six letters, cards and telegrams, mostly from family and friends, January 1945-September 1946, cuttings and other ephemera have been pasted in.
The correspondents include Tony Thorne, January 1945-March 1946 (ff. 4 verso, 12 verso, 17a, 26 verso, 44, 56 verso, 65 verso, 73verso-74 verso, 75 verso, 79 verso), Miriam L. Rothschild, 4 January 1945 (f. 6), Ronald Staples, May-June 1945 (ff. 6, 10 verso), J[oseph] P[eter] T[horp], 6 June 1945 (f. 10 verso), Alec Waugh, July 1945-April [1946] (ff. 22, 75 verso, 80), Vicki Baum, 20 August 1945 (f. 24 verso), Bernard Darwin, 28 August 1945 (f. 26a), Oliver Onions, September-December 1945 (ff. 34, 35, 59 verso), A. E. Chesterton, 26 October 1945 (f. 41), Nancy Rodd [ie. Mitford], 12 January 1946 (f. 43 verso), Gwen Ffrangcon-Davies, [11 November 1945] (f. 52 recto-verso), Marda Vanne, 11 November 1945 (f. 53), Osbert Sitwell, November-December 1945 (ff. 54 verso, 58 verso), Maurice Bowra, 22 December [1945] (f. 60 verso), Hermon Ould, 11 March 1946 (f. 74), Esmond Knight, [1946] (f. 75 verso), Ivor Brown, 20 August 1946 (f. 83 verso), Ambrose Heal, 16 September 1946 (f. 87), and C. A. Lejeune, 24 May [1946] (f. 89 verso). The volume contains references to the deaths of her friends Ménie Muriel FitzGerald (f. 1) and Edith Heal (f. 87), and conditions in London after VE Day (ff. 7, 8); also verse (f. 46) and an ink sketch (f. 51 verso) by Ruck. Pasted into the volume are 1945 General Election leaflets for Merioneth (ff. 17, 20 verso, 22), and photographs of Gwen Ffrangcon-Davies and Marda Vanne (f. 86).

Notebook of Berta Ruck, 1951-1956, including letters from Gwen Ffrangcon-Davies, May 1953, and Emlyn Williams, July 1955; notes for her novels Fantastic Holiday (London, 1953) and The Men in Her Life (London, 1954); and a copy of Dock Leaves, 3.9 (Winter 1952).

Notebook of Berta Ruck, January-August 1967, including letters from George Mackay Brown, March 1967, Heather Jenner, February 1966-March 1967; and Glyn Jones, May 1967.

Notebook of Berta Ruck, October 1971-June 1972, including letters from Cyril Connolly, [n.d.], and Brocard Sewell, February 1972.

Notebook of Berta Ruck, January-May 1936, containing diary entries, ideas for fiction, comments on the progress of her writing and on contemporary events, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra (f. 37) and Rebecca West (f. 15). Also pasted in are press cuttings, mainly relating to the European political crisis but also including articles on the death of Rudyard Kipling, George V and A. E. Housman.

Notebook of Berta Ruck, 1914-[1922], containing draft passages of fiction, including passages from The Wrong Mr Right (London, 1922) (ff. 8-26 verso, 35 verso, 62 verso), together with notes and journal entries giving impressions of life in wartime in both Britain and France, March 1914-November 1915.
There are extensive notes concerning a journey to Paris and Bordeaux, apparently in the company of Menié Muriel Dowie, October-November 1915 (ff. 43 verso-48, 50-55, 56 verso-62, 63-64, 66 verso-67); as well as visits to aircraft works, 1914 (ff. 29 verso-32, 64 verso-66); and to Aberystwyth and the family home at Esgair, 1914-1915 (ff. 2, 3, 35, 41 verso-42). There are a number of pen and ink drawings by Ruck (notably ff. 24-25, 59 verso, 61).

Notebook of Berta Ruck, August 1932-May 1933, containing journal entries, impressions of her stay in Vienna, October-November 1932 (ff. 12-54) and notes for fiction, short stories and articles. Some forty-four personal and family letters, cards and telegrams; press cuttings referring to her and to contemporary events; photographs; theatre, concert and film programmes (mostly German); and other ephemera, 1929-1930, 1932-1933, have been pasted in or are loose in the volume.
The correspondents include her husband Oliver Onions, November 1932 (ff. 42 verso, 84), Alec Waugh, [September] 1932 (f. 10 verso), Ivan Phillipowsky, [December 1932] (f. 64), Ménie Muriel FitzGerald (née Dowie), [1933] (ff. 72-73), and John van Druten, 27 October 1932 (ff. 85-86); a letter from Amy Mollison [i.e. Amy Johnson] to the Secretary of the London Airplane Club, 21 November 1932, is also included (f. 91). There are references to Maurice Bowra, whom she befriended in Vienna (ff. 22 verso, 24, 32, 37-38 verso) and Eric Maschwitz (ff. 52, 56, 66 verso, 75 verso, 84 verso), and references throughout to aviation and the exploits of famous aviators of her acquaintance. There are pen and ink drawings by Ruck on ff. 37 verso and 57.

Notebook of Berta Ruck, May 1933-May 1934, containing journal entries, including impressions of stays in Vienna, July, September 1933 (ff. 9 verso-10, 71-75, 84 verso-85), and the Tyrol, July-September 1933 (ff. 11-71), and brief notes for fiction. Some forty-nine mainly personal and family letters, cards and telegrams, press cuttings of articles by her, photographs, theatre programmes and other ephemera have been pasted in or are loose in the volume.
The correspondents include Marda Vanne, [June] 1933 (f. 8), Oliver Onions, February-August 1933 (ff. 38 verso, 91, 132, 136 recto-verso), Margaret Storm Jameson, 17 May 1933 (f. 88), A. M. Low, May-November 1933 (ff. 89, 92, 97 verso, 134 verso, 137 verso), James Agate, 25 January 1934 (f. 118), Louis Marlow, 20 March 1934 (f. 119 verso), and Ménie Muriel FitzGerald, April 1934 (ff. 123 verso-124). Her Tyrol journal includes a detailed account of location filming for the Basil Dean directed films The Constant Nymph (1933) (ff. 19 verso-51) and Autumn Crocus (1934) (ff. 52-71), her son Arthur being part of the film crew. Photographs in the volume include Ruck (ff. 36, 42 verso, 56), the actress Victoria Hopper (ff. 40 verso, 56) and other film crew (ff. 32-42 verso), on location, and Alys Meirion (f. 100). There are pen and pencil sketches by Ruck on ff. 21 verso, 75, 96 recto-verso, 114, 127 verso, 128 verso. On f. 91 is Oliver Onions' description, 26 February 1923 [recte 1933], of the funeral of Robin Anwyl, Llugwy.