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Play, two unfinished typescripts, 1959, one with manuscript revision.

Gwyliwch y Paent by T. Rowland Hughes (Samuel French, 1935) being a translation into Welsh of The Late Christopher Bean, Emlyn Williams's adaptation of Prenez Garde à la Peinture by René Fauchois.

Two typescripts, 1928, one marked `new version', the other with manuscript revision.

Television play based on The Terror by Arthur Machen, two typescripts with manuscript revision, c.1960.

Typescript with manuscript revision, 1929.

Four volumes in the `Cyfres y Fil' series edited by O. M. Edwards: Drych y Prif Oesoedd (Caernarfon, 1898), Tro i'r De (Caernarfon, 1907), Brut y Tywysogion [1912], and Gwaith Emrys (Caernarfon, 1916).

Files of newspaper cuttings, reviews and papers, which had been arranged into annual bundles prior to their arrival at the Library. They concern the theatre, current affairs and occasionally overlap in subject matter with Class H. File I2/1 includes newspaper cuttings and photographs relating to the Burton/Taylor relationship and file I2/3 concerns material on the death of Miss Cooke.

Family letters principally between Alan and Brook Williams and their parents, but including two letters, 1942 (A7/1-2) from Emlyn Williams's parents, and a few undated letters.

Eight Women adapted from the French of Robert Thomas, typescript, 1963.

An adaptation of Dylan Thomas's autobiographical writings, performed between 1955-1986. Typescript, 1976-9, with manuscript revision stuck over the pages of a volume on European history; typescript, 1977-81, with manuscript revision, including adjustments for America; typescript marked `correct copy, 1977', and reviews, 1976-85.

Rewriting of Beth: four typescripts 1986, one marked `key copy'; together with related correspondence, 1985-6, including letters from Joan Plowright (D16/5); Michael Redington (D16/6-8, D16/14, D16/16, D16/18-23); Dorothy Tutin (D16/11) and Patricia Routledge (D16/13).

Correspondence principally addressed to Emlyn Williams, but including a few letters to Molly Williams. The correspondents include Florence Thomas (mother of Dylan, A8/1-5); Larry [Laurence Olivier], including some with Vivien Leigh (A8/6, A8/42, A8/56, A8/159); Lillian Gish (A8/11, A8/38, A8/96); Lynn [Fontanne], including some with Alfred [Lunt] (A8/13, A8/15, A8/49, A8/126, A8/144); Kate [Katherine] Hep[burn] (A8/14); Bob [Robert Bolt] (A8/19, A8/31); Compton Mackenzie (A8/26); Sybil [Thorndike], including some with Lewis [Casson] (A8/35, A8/92, A8/100-1, A8/114, A8/125, A8/141, A8/165); Richard [Burton], including some with Elizabeth [Taylor] (A8/41, A8/52, A8/69, A8/113, A8/130, A8/136, A8/145); John [Gielgud] (A8/43, A8/140, A8/151, A8/164, A8/179); Ingrid [Bergman] (A8/48, A8/53, A8/85); Noël [Coward] (A8/50, A8/158); Gladys [Cooper] (A8/55); Taylor Caldwell (A8/65); Glen [Byam Shaw] (A8/79, A8/83); Alan Bennett (A8/99, A8/122); and Aeronwy Thomas (A8/150).

Congratulatory letters and telegrams, June 1962, to Emlyn Williams on being awarded the CBE, with related correspondence, 1962-3, and newspaper cuttings.

Play, typescript, 1924.

Adaptations of stories by Dickens, performed between 1951-1986. Six volumes of European history, over the pages of which have been stuck the revised typescripts of the Dickens text; two typescripts, with manuscript revision, marked `only correct script, April 1981'; notebooks, 1951-75, 1951-85 and 1951-86, recording the number of Dickens, Dylan Thomas and Saki performances, (F1/9-10, F1/12); together with letters and papers, 1981-92, sent to Dr James Harding by John H. deLannoy, Emlyn Williams's manager, (F1/11-24), concerning the Dickens tour, and including letters from Emlyn Williams to John H. deLannoy; together with related papers, including stage and lighting instructions, (F1/25).

Unfinished comedy play, typescript with manuscript revision, 1934.