Dangos 951 canlyniad

Full-length studio portrait of two lance corporals and a sergeant. The sergeant, the senior of the three is seated in the centre. He has a marksman skill-at-arms badge and is wearing two medals. One is the 1899 Queen's South Africa medal with one clasp (possibly Cape Colony), the other is the King's South Africa Medal with two clasps.On his left is the next most senior (in age) corporal who also wears a marksman skill-at-arms badge. To the sergeant's right is the youngest of the three. These could be three generations of the same family.

Studio portrait of a soldier sitting on a rustic bench. No insignia are visible but the photographer appears to be drawing attention to the sitters watch. The sitter is wearing a signet ring on the little finger of his left hand.

Two full length portraits of soldiers copied from the originals. One has a marksman skill-at-arms badge and a cap under his arm with what appears to be the cap badge of the Lancashire Fusiliers. The other is wearing the bandolier and spurs of a cavalryman.

Half-length portrait of a private in the Royal Field Artillery with three overseas service chevrons, a wound stripe, good conduct stripe and medal ribbon, possibly a 1914/15 star.

Studio portrait of a Lance Corporal wearing what appears to be a Territorial Force War Medal ribbon on his tunic. He is sitting next to a woman displaying what appear to be an engagement and wedding rings. Behind them are two older men in dark suits. Possibly a wedding photograph. The Territorial Force medal was not awarded until April 1920.

Three quarter-length studio portrait of a soldier wearing a greatcoat and holding a cigarette in his left hand. His cap badge may be that of the Labour Corps which was instigated in Jan 1917 for men no longer suitable for front line duties..

Studio portrait of a civilian and a seated private in the Kings Liverpool Regiment wearing a wound stripe.

Full-length studio portrait of a young soldier. His cap is on a plinth beside him and displays the cap badge of the Royal Welsh Fusiliers.

Half-length studio portrait of a young soldier in the Royal Field Artillery. His arms are resting on the back of a chair in order to display his good conduct stripe and three overseas service chevrons. See also DCH Mil 232. On his shoulder is a divisional patch depicting a thistle, that of the Ninth Division.

Studio portrait, full-length, of a private in the Pembroke Yeomanry wearing a bandolier and spurs with a cane under his arm.

Studio portrait, full-length, of a private in the Royal Welsh Fusiliers.

Half-length studio portrait of a young soldier. On his shoulder can be seen a patch on which, in DCH Mil 237, the letters 'FA' can be discerned, suggesting he may be in the Royal Field Artillery.

Half-length studio portrait of a private in the Welsh Regiment. This appears to be a partial enlargement of a pre-existing photograph.

Half-length seated, studio portrait of a young corporal. On his sleeve can be seen a patch on which the letters 'MG' within a wreath, showing his proficiency with a Machine Gun. The crossed swords on his upper sleeve denote that he is a physical training instructor.

Studio portrait, full-length, of a Lance Corporal in the Pembroke Yeomanry wearing a bandolier and spurs with a cane under his arm.

Full-length portrait of a private in the Royal Welsh Fusiliers. Note the absence of puttees.

Studio portrait, full-length, of a private in the Pembroke Yeomanry wearing a bandolier and spurs and holding a rifle.

Studio portrait, half-length, of two Sergeants, one in the Army Veterinary Corps, the other a Royal Engineer. The sergeant in the AVC is also in DCH Mil 263.

Soldiers in camp and on parade. The cap badge of the inspecting officer is that of the Pembroke Yeomanry suggesting this is an image from a Territorial Army camp from the years prior to the First World War.

Soldiers of the Pembroke Yeomanry photographed outside a tent with their wives and a man in civilian clothes. All the wives seem to be wearing their best hats.