Dangos 191 canlyniad

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Jeff Towns (Dylan Thomas) Collection
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Rosalind Wade,

Undated typescript, [?1966], (16 pp.), with autograph amendments, entitled 'The Parton Street poets' by Rosalind Wade, which includes references to Dylan Thomas; together with three letters, 1966, two from the author to Derek [Stanford], and another from John M. Bunting to Rosalind Wade, regarding a proposed book on the poets.

David Wilson and Mervyn Levy,

Typescript copy, [1991], of '"But he's nice", a play on the theme of Dylan Thomas' by David Wilson and Mervyn Levy, including a photocopy of a letter, 1991, from Levy to Wilson, and 'Swansea 1925. A remembrance by Mervyn Levy'. A later version of this play, 'Spitting into the sky', by David Wilson, in collaboration with Anne Aylor, was performed at the Dylan Thomas Festival, Swansea, in 2005. Also included is a cutting of Mervyn Levy's recollections of Dylan Thomas entitled 'A womb with a view', published in John O'London's Weekly, November 1962.

Ralph Maud research papers,

Research papers, 1961-1972, of Professor Ralph Maud, mainly consisting of typescripts, proofs, correspondence, notes and papers relating to his books, The colour of saying, The notebooks of Dylan Thomas, and Dylan Thomas in print; together with a typescript dissertation, [1964x1965], on 'The early prose of Dylan Thomas' by Annis Pratt.

Maud, Ralph

The notebooks of Dylan Thomas,

Papers, [1966x1967], relating to The notebooks of Dylan Thomas, ed. Ralph Maud (New York, 1967), including a typescript copy of the work and galley proofs, both containing autograph corrections and amendments.

Letters to Charles Fisher,

Seven autograph letters, one signed typescript letter, and a postcard, [1935]-1947, from Dylan Thomas to Charles Fisher, in which he mainly discusses personal news and his work, responds to CF's enquiry about his "theory of poetry" and explains his method of drafting and recording his work on paper (ff. 1-2), refers to the company at Blashford and his fondness for Swansea (f. 3), collaborating with CF on 'Murder of the King's Canary' [sic] (f. 4), his new poems and book, In the direction of the beginning (f. 7), the war and the 'Keidrych Rhyses' (f. 8), and a forthcoming stay in Italy with the family where he hopes to write poetry (f. 11).

Manuscript works,

Autograph drafts and notes, [1925x2009], of prose works by Dylan Thomas, including pencil drafts of an early untitled and unpublished short story, [1925x1929], and part of the script of the film 'Our country', [1945].

The burning baby,

A copy of Contemporary poetry and prose, no. 1, (May, 1936), including the story 'The burning baby' by Dylan Thomas, pp. 10-14; the front cover inscribed by him in ink, "This contains The Burning Baby", and the text of the story also including amendments in his hand.

School exercise book,

Swansea Intermediate School exercise book belonging to Dylan Thomas and labelled 'D. M. Thomas IV A Physics', [1929x1930], mostly containing school notes, with doodles and a rhyme beginning 'Sewer rats as household pets...'.

Recording contract,

Contract, 1949, between Columbia Records Inc. and Dylan Thomas, signed by both parties, regarding his contribution to the record issued in conjunction with Lloyd Frankenberg's anthology, Pleasure Dome (New York, 1949). Also included is an amendment to the original contract, 1960, signed by David Higham, together with a typescript letter, 1949, by Lloyd Frankenberg, papers relating to the recording of the album, and a copy of Pleasure Dome.

2010 group (Poetry Manuscripts),

Additional papers, [1928x2010], relating to Dylan Thomas known as the Dylan Thomas Poetry Manuscripts, mainly consisting of autograph drafts and worksheets, [1928x2010], of poems by Dylan Thomas, including unpublished juvenilia, 'Elegy', 'In Country Heaven', 'Poem on his Birthday', 'There was a saviour', and 'Letter to Loren'; typescript copies, [1937x1990], including two poems published in The map of love (London, 1939); printed proofs, [1939]-1953, of various poems; and manuscript and typescript poems, [1930x1950], mostly in Daniel Jones's hand, on which they both appear to have collaborated.

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