Dangos 147 canlyniad

Typescript copy, [1980x1982], (10 pp.), of Andrews Wanning's recollections of Dylan Thomas's visits to Cambridge in 1937 to address the Nashe Society entitled, 'Dylan Thomas at Cambridge'.

Untitled and unsigned manuscript, [1953], (3 ff.), by Harri Webb, published under the title 'Two-gunned Gabriel : a tribute to Dylan Thomas', in Promenade, no. 37, 14 November 1953; a copy of the magazine is also enclosed.

Proofs, [1995], containing manuscript corrections and amendments, of the catalogue, Dylan Thomas: word and image (Swansea, 1995), which accompanied an exhibition in Tŷ Llên, Swansea, in 1995; 'Letter to Loren' is listed among the exhibits. Also included is a typescript draft, 1995, of the introduction.

Papers, 1962-1966, relating to the publication of The colour of saying, ed. Ralph Maud and Aneirin Talfan Davies (London, 1963), mostly consisting of correspondence, including two letters from Aneirin Talfan Davies; together with related notes; a list of poems for inclusion in the volume; a memorandum of agreement, 1964, between the authors and publisher; and an agreement, 1966, between Ralph Maud and the University of Pittsburgh Press regarding a work entitled 'Entrances to Dylan Thomas' Poetry'.

Typescript, [1964x1965], of 'The early prose of Dylan Thomas' by Annis Pratt. This version appears to be a copy of her doctoral dissertation and differs slightly from the work published as Dylan Thomas's early prose: a study in creative mythology (Pittsburgh, 1970). In addition, the file contains four related letters, 1964-1965, three from Annis Pratt to Ralph Maud and a reply from the latter.

Papers, 1991-2003, of Gilbert Bennett, including correspondence; material concerning his dramatisation of 'The Majoda Incident Trial', and his adaptation of Dylan Thomas's unfinished radio script 'The Londoner'; together with various papers, 1977-2005, relating to the Dylan Thomas Society.

Papers, [1994]-2004, relating to Andrew Sinclair, including a photocopy of his book, In love and anger (London, 1994); page proofs of Dylan the bard (London, 1999); scripts of his proposed documentary 'Dylan the bard', [1999], the drama documentary 'Dylan on Dylan', [2002], and his stage adaptation of 'Adventures in the skin trade', 2003; together with correspondence, 1998-2004.

Photocopies, produced 1967-1968, of autograph letters, dated 1933-1937 (predominantly 1933-1934), from Dylan Thomas to Pamela Hansford Johnson; most are included in Constantine Fitzgibbon's, Selected letters of Dylan Thomas (London, 1967).

Letters, [1954x1958] and 1980-2004, from Aeronwy Thomas; among the recipients are Daniel and Irene Jones, Jeff Towns, Gilbert Bennett, and Llewelyn Thomas (copy). Also included are press cuttings, 1970-2007, relating to Aeronwy Thomas.

Six autograph letters (one photocopy), [1953]-1957, from Dylan Thomas's mother, Florence ('Florrie') Thomas, to various recipients including Daniel Jones, J. Oliver Stephens and Vernon Watkins. They mainly relate to her bereavement, to Dylan, Caitlin and the grandchildren, and her health.

Correspondence, 1954-1955, relating to the proposed publication of manuscript poems by Dylan Thomas in the notebooks held by the Lockwood Memorial Library, University of Buffalo, New York.

Pencil draft, [1945], in Dylan Thomas's hand, of part of the script for the wartime propaganda film, 'Our country'; inverted text on six of the preliminary pages of Daniel Jones's copy of Samuel Johnson, The lives of the English poets, vol. III (London, 1896). Also included is a typewritten transcript, [2000x2009], (6 pp.), of these notes.

Autograph ink draft, [1950x1953], (10 pp.), containing numerous amendments, of an introduction to a poetry reading by Dylan Thomas.

A copy of Contemporary poetry and prose, no. 4/5, (August/September, 1936), including the story 'The school for witches' by Dylan Thomas, pp. 95-100; the front cover inscribed by him in ink, "This contains The School For Witches", and the text of the story also including amendments in his hand.

Swansea Intermediate School exercise book belonging to Daniel Jones and labelled 'Ovid Translation. D. J. Jones VIA', [1928x1930], containing holograph school notes, poetry, and doodles, one of which may have been drawn by Dylan Thomas. The volume also contains some collaborative work, including a line in Dylan Thomas's hand, and a pencil draft of chapters of a story, possibly by both friends, written in the hand of Daniel Jones.

Small Swansea Intermediate School notebook, [1928x1932], inscribed 'D. J. Jones. Homework Notebook' on the front cover, mainly containing school notes by Daniel Jones, with additional notes by Dylan Thomas (ff. 27r, 27v, 28r, 30v, inside back cover), and an unpublished poem written in pencil in the latter's hand entitled 'The Nigger-Boy's Plaint' (f. 30r).

Worksheets, [1947x1951], (3 ff.), containing notes in pencil and biro on five pages (ff. 1r-3r, with f. 3v blank), produced by Dylan Thomas whilst composing the unfinished poem 'In Country Heaven'. They comprise a draft of the middle eighteen lines, beginning "Light and his tears glide down together" (f. 1r); a brief word list, the syllable and rhyme scheme, and a draft of two lines from the fifth stanza (f. 1v); a heavily annotated version of the first five stanzas with the syllable and rhyme scheme noted at the end of each line (f. 2r); drafts of the third and fourth stanzas (f. 2v, inverted); and further drafts of the first five stanzas (f. 3r). Also included are photocopies of articles and notes relating to the poem (ff. 4-10). Three stanzas are included in W. Davies and R. Maud ed., Collected poems 1934-1953 (London, 2000).

Early pencil draft, [1939], by Dylan Thomas of 'The House Maid's Poem', later published as 'Paper and sticks' in Seven (Autumn, 1939), and Deaths and entrances (London, 1946). The poem is written on the reverse of a fragment of a letter, dated 13 July [19]39, to Dylan Thomas by an unidentified author.

Holograph letter, dated 23 June 1946, by Dylan Thomas to Kay Dick, sent from Oxford, in which he accepts an offer to compile an Alphabet of Literary Prejudice for The Windmill. The letter has been pasted in the front of a copy of the Collected poems (London, 1953), a gift to the recipient of the letter from Kathleen [Farrell], Christmas 1953.