Dangos 348 canlyniad

Joy kneeling in sand dunes, her right hand holding an SLR camera, her left hand arranging seashells.

A poorly processed print of a middle aged Ifor & Joy Thomas. The camera has focussed on Joy using a narrow depth of field throwing Ifor, who is nearer the camera, out of focus.

Joy, her back to the camera, walking along a boardwalk wearing a striped two piece suit and hat with fake leopard skin. Location unknown

A woman, probably Joy Thomas, in a bathing suit standing up to her ankles in water photographing the breaking waves.

A partly solarised print of Joy Thomas adjusting the lens on a bellows camera

Joy wearing a bathing costume, up to her ankles in water, holding a camera

A shadow cast diagonally across ripples in wet sand, a figure atthe top.

Underexposed image of Joy with an ornate fan decorated with feathers.

A variety of negative formats, all except three (6260316/235-237) being film negatives. As well as being in different formats some are on safety film, others on nitrate stock.

A variety of photographic prints acquired by Ifor & Joy Thomas. Although they are assumed to be the creators of these prints most are anonymous and cannot be definitely attributed.These arrived in NLW in three containers, a large black portfolio, a smaller brown portfolio and a large shoe box.

Five sailors at work on the deck of a merchant vessel. One is attending to chains, the others are involved in coiling a rope. Land and white clouds are visible behind them.

A makeshift stall selling various fruits including breadfruits. A shopping basket is propped up on the breadfruits on the right of the picture.

A young woman in the dress of a domestic servant sitting on the ground washing dishes in a bucket of water. Behind her is the sea.

Four seamen, one only partially visible, coiling a rope. Their headgear is suggestive of a tropical climate. Probably taken aboard the 'Eros' on which Joy Thomas sailed to Jamaica in 1937.

View from the interior of a cottage looking towards a leaded window partially obscured by diaphanous curtains.

A bedrom scene with a garment strung across two hooks on the left of the picture, on the right is a narrow dressing table on which is a lit candle in a holder.

Corner of a window photographed from the interior in which a framed photograph, an aspidistra and a vase are visible.

A three-quarter portrait of a a stubbly William Morgan, photographed from a low viewpoint and in strong sunlight.

A three-quarter portrait of a young woman with dark hair, looking pensively towards the left.

View from a high vantage point (probably the Liver Building) showing the entrance to Prince's Dock South-West, Liverpool. Also visible are the offices of the Belfast Steamship Company, and two vessels berthed on the quayside one identified as being 'Drottningholm' belonging to the Swedish American Line. The vessel is marked with distinctive stipes on her hull and the wording "Freight Protected Drottingholm Sverige" suggesting that this was taken during or shortly after WW2 when the vessel was chartered as an exchange ship. Bomb damage to a nearby warehouse also suggests that this photo was taken during or after the war years. The vessel moored behind her is Mauretania II painted in battleship grey and used as a troopship during WW2. Censorship regulations would probably not permitted such an image WW2 was ongoing.