A programme, postcards and information brochure relating to a performance of 'How Dear to Me the Hour When Daylight Dies' by a company called Goat Island, presumably kept because of Clifford McLucas' interest in the performance work of the company.
Photocopies of printed items relating to archaeology and hand written notes relating to a book by Mike Pearson.
Two photocopied articles relating to changes to the Arts and Crafts exhibition at the 1992 National Eisteddfod at Aberystwyth, of which Clifford McLucas was one of the adjudicators.
Financial and healthcare papers; together with correspondence and information regarding moving house, shipping his car from America and the San Quentin Codex. Many of these papers relate to the period of McLucas' illness.
Music programmes, including programmes for performances of music by the Philip Glass Ensemble, Laurie Anderson at the ICA (Institute of Contemporary Arts) and Steve Reich.
Examples of joiner artwork designed and created by Clifford McLucas.
Joiner artworks of a holiday in Tuscany, showing a quarry in Carrara, the holiday home, the interior and exterior of the duomo in Siena, the leaning tower of Pisa, and eating out at resturants.
I am Here on False Pretences (Part III),
Design papers relating to the 'I am Here on False Pretences' (Part III) ‘9 Maps’ graphic work, including notes, sketches and designs of a podium, presumably based on the performed lecture of this text and used in the background of the graphic work, layout designs and design/proof copies of parts of the publication.
Heb deitl
Examples of publicity material designed by Clifford McLucas, including proof copies of designs for a Prosiect Ecs flyer and a finished version, proof copies of some of the pages of the Brith Gof reviews booklet, a programme for Hafod at the Bala National Eisteddfod of Wales, and proof copies of the Three Landscapes project [booklet].
Ink 'squares in rectangle' graphic,
Artwork based on the 'Pax' production, created as part of the visual diary inspired by Brith Gof productions.
Graphic works using crayon and pencil on maps, one is covered in a number of patterns, with imprints of items such as a record, slides and the word 'Golygfa'; the other bundle is covered in patterns and the word 'Golygfa' has been cut out or worked into the graphic.
Primary colour 'Chips' graphic,
A print run of a [linocut] version of the 'Chips' graphic in primary colours.
Pencil sketches on transparent paper.
Watercolour graphics using the square, circle and triangle symbols.
Material relating to the Bible Banners project, including design materials and notes for the banners and the project publication; correspondence and papers relating to the publication of the booklet; publicity for the project, such as articles for various publications; images of the performance, banners and exhibitions; correspondence and papers relating to financial assistance and funding; and the original banners and booklet created for the project.
Heb deitl
Designs and instructions for the project booklet, including illustration designs and a mock-up of the publication; together with slides showing some of the banners and the work on the banners.
Touring exhibition information relating mainly to venues and dates and including a copy of the exhibition information leaflet; together with papers relating to arrangements for installation and to Clifford McLucas' payment.
Papers relating to the locations and arrangements for the touring exhibition, including information regarding the locations, sketch plans of the installations, tour dates information, correspondence, and work schedules; together with some exhibition leaflets and background information.