Dangos 533 canlyniad

A collection of magazines relating to art, culture, and graphic design.

Two Chinese calendars, presumably kept due to his interest in fonts.

A programme, postcards and information brochure relating to a performance of 'How Dear to Me the Hour When Daylight Dies' by a company called Goat Island, presumably kept because of Clifford McLucas' interest in the performance work of the company.

Photocopies of printed items relating to archaeology and hand written notes relating to a book by Mike Pearson.

Two photocopied articles relating to changes to the Arts and Crafts exhibition at the 1992 National Eisteddfod at Aberystwyth, of which Clifford McLucas was one of the adjudicators.

Financial and healthcare papers; together with correspondence and information regarding moving house, shipping his car from America and the San Quentin Codex. Many of these papers relate to the period of McLucas' illness.

Music programmes, including programmes for performances of music by the Philip Glass Ensemble, Laurie Anderson at the ICA (Institute of Contemporary Arts) and Steve Reich.

Artwork based on the 'Pax' production, created as part of the visual diary inspired by Brith Gof productions.

Graphic works using crayon and pencil on maps, one is covered in a number of patterns, with imprints of items such as a record, slides and the word 'Golygfa'; the other bundle is covered in patterns and the word 'Golygfa' has been cut out or worked into the graphic.

A print run of a [linocut] version of the 'Chips' graphic in primary colours.

Pencil sketches on transparent paper.

Watercolour graphics using the square, circle and triangle symbols.

Material relating to the Bible Banners project, including design materials and notes for the banners and the project publication; correspondence and papers relating to the publication of the booklet; publicity for the project, such as articles for various publications; images of the performance, banners and exhibitions; correspondence and papers relating to financial assistance and funding; and the original banners and booklet created for the project.

Designs and instructions for the project booklet, including illustration designs and a mock-up of the publication; together with slides showing some of the banners and the work on the banners.

Touring exhibition information relating mainly to venues and dates and including a copy of the exhibition information leaflet; together with papers relating to arrangements for installation and to Clifford McLucas' payment.

Papers relating to the locations and arrangements for the touring exhibition, including information regarding the locations, sketch plans of the installations, tour dates information, correspondence, and work schedules; together with some exhibition leaflets and background information.

Correspondence and papers relating mainly to arrangements for the Bible Banners exhibitions at various venues and to the assistance received from the Welsh Arts Council exhibition services; together with some correspondence relating to the financial assistance offered by the Welsh Arts Council.

Correspondence and papers relating to the Committee of the Fourhundreth Anniversary of the Welsh Bible, regarding funding matters, the exhibition tour and booklet and including a calendar of events for the anniversary; together with other correspondence relating to the sale of the booklet and requests for copies and to exhibition arrangements.