- GE4/1.
- File
- [1980s].
Joiner images with a tracing overlay, made using Clifford McLucas' 'ghost' photographs.
Joiner images with a tracing overlay, made using Clifford McLucas' 'ghost' photographs.
A programme, postcards and information brochure relating to a performance of 'How Dear to Me the Hour When Daylight Dies' by a company called Goat Island, presumably kept because of Clifford McLucas' interest in the performance work of the company.
A copy of Golwg magazine containing an article relating to the Bible Banners project.
A print using the word 'Golygfa'.
An ink graphic with the word 'Golygfa' worked into it.
Rough and proof copies of the 'Golygfa'/Calendar graphic.
A print run of silkscreen prints of the 'Golygfa'/Calendar posters, each one representing a different month.
Papers relating to art organisations and information regarding grants, funds and fellowship sources.
Papers relating to Clifford McLucas’ graphic design and art work, comprising material collected in preparation and as research for his graphic work; examples of artwork, including unfinished and finished work, joiner artwork, publicity material, and images of finished artwork and work in progress; material relating to his time as artist in residence and to the Bible Banners project, including the original banners; together with material relating to his exhibitions at the Aberystwyth Arts Centre and the Barn Centre.
Draft and final copies of graphic work created during the Three Landscapes project, including draft and proof copies of the thirteen large graphics works, project publicity material and booklets; together with final copies of the large graphics works.
Grey ink-wash and/or paint graphics.
A programme for the lunchtime lectures of the Hafod production at the 1997 National Eisteddfod of Wales.
Research material relating to projects regarding Hafod, including National Library of Wales request slips, a copy of the booklet 'The Story so Far: Notes on Research', information about and relating to the Hafod Trust and the Friends of Hafod, a photocopy of the political tract 'Seren Tan Gwmwl' by John Jones (Jac Glan-y-Gors), together with information relating to the Hafod Estate and house.
Headed notepaper and compliment slip,
Project headed notepaper and compliment slip designed by Clifford McLucas.
Joiner artworks of a holiday in Tuscany, showing a quarry in Carrara, the holiday home, the interior and exterior of the duomo in Siena, the leaning tower of Pisa, and eating out at resturants.
A copy of the 'Hon' [proposal].
Papers relating to Clifford McLucas' intention to buy a house in Lampeter, including information relating to self-build mortgages, architectural drawings and plans, presumably of a site at the rear of 14, 15, & 16 High Street, Lampeter, estate agent information of houses for sale in Lampeter and correspondence regarding planning.
Papers relating to the purchase and renovation of a property in Mydroilyn, including mortgage information, property details, drawings and plans, and a breakdown of the cost of purchasing and renovating the property, which includes the cost of fixtures and furniture; together with printouts of product websites.
A plan for what appears to be high-rise housing at Stockport.
'How Green was my Valley' sketchbook,
A sketchbook containing research material, notes and sketches which were the first steps towards the creation of the 'Draw, Draw yn . .' site-specific work and which also contains notes relating to the Three Landscapes project. There are also some notes relating to 'The First Days' and 'A Stranger in her own Land', projects for the BBC Live Music Festival and to the performed lecture 'I am Here on False Pretences'.
Untitled