- LP4/12
- File
- 1937
The file comprises a revise of part of No. 9, namely Notes parts 6 and 7 (pp. 219-[226]), with the addition of the errata on p. 225.
The file comprises a revise of part of No. 9, namely Notes parts 6 and 7 (pp. 219-[226]), with the addition of the errata on p. 225.
The file comprises another copy of four preliminary sections (i-xv) of the same revise as No. 9 only partly marked by David Jones.
The file comprises page proofs of pp. 1-9, 13-24 only with corrections by David Jones in pencil and red crayon. The pencil corrections are repeated in No. 2, but the red corrections are not incorporated until No. 5, presumably made after the return of proofs No. 2 to the printers.
The series comprises a copy of the articles for the printers, proofs, corrections, correspondence, publishers agreement and reviews.
The series comprises galleys, page proofs, revised page proofs and second revise page proofs.
Untitled
The file contains a set of uncorrected incomplete proofs of 'The Wall' and 'The Hunt', dated by David Jones 'c. 1960 incorporating passages written earlier'.
The file contains incomplete page proofs of 'The Wall' with the first page headed '2nd proof'.
The file comprises page proofs of The Tribune's Visitation (London, 1969) with a covering letter dated 23 April 1969. These proofs have not been corrected.
The series comprises part of an early proof probably printed in 1936, twelve sets of proofs printed in 1937, and an unbound edition of the 1961 edition of In Parenthesis. The proofs were printed by Hague and Gill Limited, High Wycombe.
The file comprises the contents of Epoch and Artist prepared by the editor, Harman Grisewood, for the printer (typescript and printed copy, with manuscript annotations, and a number of items missing including the whole of section IV).
The series comprises miscellaneous pamphlets and publications, maps, and press cuttings, including a copy of Eric Gill's Emblems, 1916.
The file comprises a press proof of a page of the Introduction for the 1964 publication, with a note from Will Carter.
Carter, Will, 1912-
The file comprises press cuttings mainly relating to In Parenthesis, The Anathemata and reviews of other publications and broadcasts by David Jones, and to his art exhibitions and work as an artist, with copies of some of his 'letters to the editor'. Some were collected by press cutting agencies such as Durrants and Woolgar and Roberts. It includes a copy of The Welsh Nationalist, July 1941 and miscellaneous items.
The file includes prescriptions for medicine, 1925-1935, eye prescription, receipts for David Jones' subscriptions to St Andrew's Hospital Dollis Hill, 1964, and x-ray of a tooth, 1931.
The file includes prescriptions for medicine, 1946-1948, and 1960-1962; a receipt from the army concerning David Jones' will, 1919; and a report by a graphologist.
The file comprises miscellaneous typescript material, including two pages of the author's preface to Epoch and Artist, an English translation of the Latin hymn 'Vexilla Regis', two essays concerning Christian theology (both incomplete) and a xerox copy of one page (numbered 9) of a writing concerning The Anathemata.
The file comprises a complete manuscript of David Jones' preface, with insertion, dated 26 August 1958 written in pencil, and a design for the dedication. Folio 3v has a pencil drawing of a young girl and a horse.
The file comprises one fragment of one sheet of the preface to The Anathemata; a typescript sheet of comments on The Anathemata possibly by Saunders Lewis, and miscellaneous notes on The Anathemata manuscripts and typescripts prepared by Harman Grisewood for his catalogue, 1975-1976.
Lewis, Saunders, 1893-1985
The file comprises a carbon copy of the final typescript of the Preface (LP3/5), pages 6-8 only, dated March 1st 1937. This draft includes some manuscript revisions by David Jones, which are repeated in the proofs.
The file comprises a typescript draft of the Preface, dated March 1st 1937, made from the carbon of the 1935 typescript (LP3/4). This draft includes some manuscript revisions by David Jones, and is marked off for printing and dated 24 March 1937 in another hand.