Dangos 683 canlyniad

The file comprises manuscript drafts of writings relating to religion, principally to the form and significance of the Liturgy. Very many of these writings appear to have been inspired by David Jones' increasing disquiet at liturgical change in the Roman Catholic church from the mid 1950s onwards. Some of the drafts are of letters to The Tablet (and possibly also to other periodicals) and others appear to be of letters to private correspondents. A few drafts can be identified as being of part of 'A Christmas Message 1960' (The Dying Gaul, pp. 167-76). One draft has on its dorse a pencil sketch of a female head in profile.

The file comprises manuscript drafts, most of which appear to be of a letter to an unnamed periodical concerning 'the contribution which the Welsh mind and tradition has made to the common tradition of the Island'. One of these drafts is dated 8 September 1948. There are also two drafts of what appear to be part of a letter (to The Tablet?) about the Roman Catholic church in Wales. There is a note by Harman Grisewood on the wrapper concerning 'the top half dozen or so books which played a formative part in forming his outlook.'

The file comprises manuscript drafts of a letter, apparently to The Times, arising from a leading article entitled 'At King Arthur's Court' concerning the excavations at South Cadbury.

The file comprises manuscript drafts of four letters to The Times, one being a contribution to a correspondence on 'The Fate of Rome' (1944) and the others concerning the Welsh language (1962, 1963).

The file comprises a manuscript letter from A. S. Hartrick to David Jones dated 29 January 1944 (an invitation to lunch), together with a draft letter from David Jones to the editor of The Times concerning A. S. Hartrick, a note concerning Hartrick in David Jones's hand and one page of a typescript writing with a brief footnote also apparently concerning Hartrick.

The group comprises material collected by René Hague while editing Dai Greatcoat : a self-portrait of David Jones in his letters, (London : Faber and Faber, 1980), a collection of letters to H. S. (Jim) Ede, Harman Grisewood, T. F. (Tom) Burns, and René Hague. There are copies of letters from David Jones to them and others, and also biographical material, setting copies, and other material relating to the publication. They have been arranged into two groups and listed by Harman Grisewood.

The series comprises biographical material assembled by René Hague for Dai Greatcoat, including letters or copies of letters from David Jones to Stanley Honeyman, T. S. Eliot, W. H. Auden, René Hague, Jim Ede, Desmond Chute and Tom Burns; a transcript of an interview with David Jones, and letters to and from René Hague relating to the publication of the book.

The file comprises twenty five letters from Philip Hagreen to René Hague discussing David Jones, with a copy of a letter from Philip Hagreen to Stella Wright (David Jones' niece). The file contains a chronological list of letters between Philip Hagreen and René Hague which are at the National Library of Wales and Cambridge University Library. Philip Hagreen was also an apprentice of Eric Gill.

The file comprises typescript copies of some of the letters in CD1/2: sixteen letters from Philip Hagreen to René Hague discussing David Jones, and one letter from Philip Hagreen to Stella Wright.

The file comprises xerox copies of eleven typescript letters from René Hague to Philip Hagreen (the originals are at Cambridge University Library), and a xerox copy of a letter from Philip Hagreen to Stella Wright.

The file comprises letters to and from René Hague, mainly 1979-1980, relating to the publication of Dai Greatcoat and matters arising from allusions in the text. There are also letters to and from Rosemary Goad and Catharine Carver of Faber and Faber, Peter Kelly, Nicolete Gray, Walter Shewring, Stella Wright, five letters from Robert Buhler (husband of Prudence Pelham), and three typescript copies of letters from Fr. John O' Connor to David Jones, 1921.

The file comprises a transcript of a commentary by David Jones on some of his pictures and engravings recorded by Peter Orr for the British Council, 1973, and a transcript of an interview in which Stanley Honeyman speaks to Peter Orr about David Jones.

The file comprises manuscript draft letters from David Jones to Peter du Sautoy, Mr Davies, Jonathan Smith, Mr Schorfield, the editor of The Listener, Professor Ifor Williams, Charles Crisp, Michael Korda, Mr Johnston and Mr Bergonzi, 1937-1963 and undated, mainly relating to The Anathemata, In Parenthesis, The Dying Gaul, and to the First World War.

The file comprises manuscript draft letters by David Jones to W. H. Auden relating to The Anathemata, 1954, and to T. S. Eliot relating to his illustration of 'The cultivation of Christmas Trees', 1953, with a manuscript letter (and typescript copy) from Jim Ede to David Jones, 1928, and a typescript copy of a 'Description of project' submitted by David Jones to the Bollingen foundation, c. 1960.

The file comprises original letters and postcards from Jim Ede and his wife, Helen Ede to David Jones, from Kettle's Yard, Cambridge; Les Charlottières, Chailles, France; Cardiff; Tangier, Morocco, and other addresses.

The file comprises typescript copies (with duplicates) of letters from David Jones to Desmond Chute (numbered 1-58, 1-58), with one manuscript letter, 1953.

The file includes five letters to David Jones from his father, James Jones, 1938-1939, a copy of his obituary, a letter about the will of Mary Jane Jones, 1950, and a bill for the funeral of Mr Ebenezer Bradshaw, 1891.

The file includes papers relating to the death of James Jones, October 1943, and papers relating to his estate, with letters of condolence to David Jones from Mary Gill, Petra Gill, and others.

The file comprises manuscript notes by Eric Gill entitled 'David Jones' and dated 7 Sept. 1928. These notes form an introduction to his work as an artist and this item is described in a note by Harman Grisewood as being 'an important appreciation for those interested in the Gill/Jones association.'

The file comprises scripts of three broadcasts concerning David Jones and his work: a review of an exhibition of his paintings in Edinburgh, 21 November 1954; a review of The Anathemata, 19 December 1952; and a talks feature entitled 'David Jones', compiled and introduced by Goronwy Rees and with contributions by T. S. Eliot, Saunders Lewis, Nicolette Gray and Gwyn Williams, 29 Oct. 1954, produced by Aneirin Talfan (two copies of the script, one corrected by David Jones).