Dangos 683 canlyniad

The file comprises letters to David Jones, from Alfred Longden, Lilian Somerville, Peter Orr and others from the British Council relating to exhibitions at the Tate Gallery and Paris (1945), Prague, (1946), Buffalo, USA (1946), Paris (1946), Cairo (1946), Europe (1947), South Africa (1947), Paris (1949), Brooklyn (1952), and also relating to an exhibition on 'painting since 1939' (1947), to a facsimile of 'Chapel in the park' and to sound recordings, 1964-1965.

The file comprises a letter to David Jones from the Royal Academy asking him to be an associate member, with draft copies of his refusal.

The file comprises two letters to David Jones from the 15th Battalion (1st London Welsh) of the Royal Welsh Fusiliers Association, with draft replies.

The file comprises a typescript copy of an article about David Jones, letters from the Ganymed Press, London, relating to the pictures 'Chapel in the park', and 'Four queens', with invoices and royalty statements.

The series comprises letters from various people relating to exhibitions, drawings, publications, radio broadcasts, and personal correspondence.

The file comprises letters to David Jones arranged alphabetically, C-D, including Kenneth Clarke, William Cookson, J. L. C. Cecil-Williams, Douglas Cleverdon, A. Closs, Alasdair Clayre, Louis G. Cowan, Christopher Dawson, Aneirin Talfan Davies (incomplete), Tudor David, J. I. Daniel and others.

The file comprises letters to David Jones arranged alphabetically, J-M, including from his parents, Glyn Jones, Gwyn Jones, Ben G. Jones, Dedwydd Jones, Nicholas Jacobs, Rex Nan Kivell, Anna Kallin, W. F. Jackson Knight, Barbara Moray and others.

The file comprises letters to David Jones arranged alphabetically, N-R, including Alun Oldfield-Davies, Peter Orr, Kerrison Preston, Mary Potter, Tristram Powell, Prudence Pelham (7), John Rothenstein, Kathleen Raine, Joan Roberts, Howard Roberts and others.

The file comprises letters to David Jones arranged alphabetically, W including Bernard [Wall], Vernon Watkins (2, 1 incomplete), Valerie Wynne-Williams, Ethel Watts, Harri Webb, and others. There are also some incomplete and unidentified letters arranged chronologically.

The file comprises postcards to David Jones from Jim Ede, Louis Bonnerot, Janet Stone, Harman Grisewood, Peter Levi, Douglas Cleverdon, Will Carter, Walter Shewring, Desmond Chute, Ben Nicholson, Prudence Pelham, Desirée Hirst, Lynette Roberts, Keidrych Rhys, Tom Burns, René Hague, Helen Sutherland and many other friends and family members, with also a Christmas card made by Ray Howard-Jones and a postcard from David Jones, 1915.

The file comprises Christmas cards to David Jones, including a Christmas card with a wood engraving by Eric Gill.

The file comprises manuscript drafts of writings relating to Wales, its history, language and literature. These drafts reflect David Jones's great interest in Welsh history and should be compared with the appendix to his 'Introduction to The Rime of the Ancient Mariner'. Most of these drafts appear to be of letters to private correspondents, and some can be seen from David Jones's pagination to be of writings of some length.

The file comprises manuscript drafts of letters to friends and acquaintances. The addressees are listed on the wrapper. Amongst the subjects discussed or referred to in these letters are Welsh and early Scottish history, 'The Viae' (1955; see Epoch and Artist, pp. 189-95) and 'The Dream of Private Clitus' (1963).

The file comprises manuscript drafts of letters from David Jones, most of which contain biographical information. The addressees are listed on the wrapper. Includes drafts of David Jones's first letter to Colin Hughes, 1969.

The file comprises manuscript drafts of letters from David Jones to some of his dearest friends: René Hague, Valerie Wynne Williams (and to her mother Mrs Price), Harman Grisewood, Helen Sutherland, Tom Burns, Jim Ede, Morag [McLennan], and Saunders Lewis.

The file comprises manuscript drafts of letters to The Tablet concerning the vernacularization of the Mass. Many of these drafts are of a letter comprising reflections by David Jones upon a report that the Catholics of Bangor, co. Caernarfon, had been preparing for the change from Latin to English of parts of Low Mass, 1964 (see LO1/7).

The file comprises manuscript drafts of letters to the press. These drafts concern matters as varied as the Duke of Windsor, The Anathemata, the bombing of towns, Christian art, errors in the text of In Parenthesis, 'Welshness in Wales' (see Epoch and Artist, pp. 51-3), the broadcasting of parts of Piers Plowman, the establishment of a Jewish state in Palestine, Christianity and poetry, proposed development schemes in Wales, the first mention of the stirrup, Stonehenge, Liverpool cathedral, the crucial dilemma affecting the practice of all the arts 'during our present civilizational phase', the early history of the Welsh language, 'Shakespeare and the Jewish Liturgy', the engraved illustrations of the 1860s and the profession of arms. Very few of these drafts comprise complete letters. The earliest of the few dates that occur amongst these drafts is 1942 and the latest 1961.

The file comprises manuscript drafts of a letter to The Listener concerning 'the 'divorce' between 'the arts' and 'life' which necessarily characterizes our mass-civilization.'

The file comprises a press cutting of a letter from David Jones to the editor of The Times criticising the decision to cut the Third Programme by a third.

The file comprises photocopies of twelve letters from David Jones to Stanley Honeyman, who was a fellow lodger at Northwick Lodge, Harrow.