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The sub-series comprises bank statements, cheques and cheque book stubbs, income tax returns, and correspondence with Ethel Watts, his accountant.

The series comprises biographical material assembled by René Hague for Dai Greatcoat, including letters or copies of letters from David Jones to Stanley Honeyman, T. S. Eliot, W. H. Auden, René Hague, Jim Ede, Desmond Chute and Tom Burns; a transcript of an interview with David Jones, and letters to and from René Hague relating to the publication of the book.

The series comprises 13 files of artistic works by David Jones which were found amongst his papers. There are greeting and Christmas cards, dating from 1905, designed by David Jones and probably printed with the help of his father who was a printer's overseer. There are some original sketches, copies of frontispieces to his books, and copies of sketches, engravings, prints, and pictures.

The series comprises broadcast scripts, articles, plays, poems, lectures, and essays found amongst David Jones' papers. Many appear to have been sent to David Jones by the authors.

The series comprises manuscript, typescript or proof copies of articles written about David Jones by David Blamires, Harman Grisewood, Nicolette Gray, Aneirin Talfan Davies, Eric Gill and others.

The series comprises a typescript draft entitled 'Art in relation to war and our present situation', dated 'c. 1942' by David Jones on the first page, and dated '1942-3, 1946' in The Dying Gaul.

The series comprises letters from Clarissa Eden, T. S. Eliot, Nicolette Gray, Saunders Lewis, Morag [Mac Clennan], Lady Moray, Edith Sitwell, Janet Stone, Tony Stoneburner, Helen Sutherland and Valerie Wynne-Williams.

The series comprises manuscript drafts, typescript carbons, part of the 1964 press proof and related correspondence.

The series comprises three files of manuscript drafts.

The series consists of two manuscript drafts of the talk, with some sketches, mostly of women's faces, in both files.