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Articles, photographs and publicity material relating to other theatrical companies.

Correspondence and papers relating to the Brith Gof archive, including the safekeeping of the archive and details of the contents of the archive.

Company publications and proposals, including discussion papers and company prospectuses, regarding training and pedagogy, digital media developments, television and theatre projects, and an installation.

Correspondence and papers relating to various lectures, presentations, conferences and seminars attended by or given by members of Brith Gof, including copies of lectures and presentations, regarding subjects such as site-specific theatre, Brith Gof’s work and productions, theatre and archaeology, experimental theatre, theatre and media work, and theatre practice and theory in Wales; together with slides possibly for use in a lecture.

Handwritten notes that appear to be notes on actions and also texts and ideas.

Publicity material including programmes and pamphlets for a number of productions and for Chapter Arts Centre; master and design copies of pages of various company/production portfolios, proposals, prospectuses and marketing packs; proof and master copies of artwork and images used for visuals in production publicity material and publications; and draft copies of the text for production prospectuses.

Company information papers including a review of work and a copy of an interview with Mike Pearson and Clifford McLucas.

Various articles, reviews, publications and essays relating mainly to the work of Brith Gof, the company, site-specific theatre and theatre in Wales, including previews and reviews for various productions between 1981 and 1988; interviews with company members; and articles and chapters by Mike Pearson and Clifford McLucas; together with an article regarding Clifford McLucas' visual diary artwork.

Miscellaneous papers and items including lecture notes and copies of lectures, photographs and memorabilia.

Papers relating to company business and information including a variety of company information papers, finance papers and papers relating to activities with other companies/groups.

Administrative correspondence and papers relating to the Pax production by Brith Gof and a number of their other productions and also the company's involvement with a number of festivals.

Correspondence and papers relating to the Y Pen Bas/Y Pen Dwfn production including research material and notes; devising notes; draft and final copies of the production storyboard and script; a work timetable; copies of production texts and scripts; draft copies of production scenarios and [scores]; copies of images and graphics; press reports; scenographic designs; design and final copies of the production booklet; a scenes list; venue plans; draft, design, master and final copies of production publications; slides and photographs; production flyers; together with correspondence and papers relating to the development, administration, arrangement and filming of the production.

Papers relating to the television production of Patagonia - Enactment/Autopsy, including draft and master copies of the production storyboard and script, with a proposal, some background notes and a summary, a production script, preparatory papers, research material, scenographic sketches, and master and final copies of an outline proposal for the television commission of Patagonia; together with correspondence and papers relating to the development, funding and commissioning of the television production.

Papers relating to the A Oes Heddwch production including photographs, photocopies of video stills and a cassette cover.

Papers relating to the I Wlad Dda a Helaeth television production by Brith Gof including, a catalogue of slides of Patagonia, production texts and scripts, a first draft of a screenplay, oral history transcripts, a promotional postcard and preparatory papers.

Preparation and research papers comprising mainly a variety of sources relating to Patagonia, papers relating to the possible creation of a production based on La Ronde by Arthur Schnitzer, a book of production songs and a prop.

Scenographic designs and sketches for various productions, including Haearn, Gododdin, Pax, Patagonia and Second Coming.

Photographs, negatives, slides, contact sheet images and copies of photographs of a number of productions by Brith Gof; together with some slides of work possibly by other companies including Odin Teatret, Cardiff Laboratory Theatre and RAT Theatre.

Lis Hughes Jones’ papers relating to her solo productions and the work of Brith Gof, including workbooks, scenarios with texts, a score, research sources and production texts; together with papers regarding various Brith Gof productions collected for symposiums, an article by Lis Hughes Jones, publications relating to Brith Gof and a paper by Mike Pearson.

Papers relating to a number of Mike Pearson's productions and also his pedagogical work including slides and photographs, invitations, reviews, performance and action directions, various production notes, research material, information leaflets, production booklets and leaflets, [workshop notes], and publicity material; together with organisational and administrative correspondence and papers.