Dangos 713 canlyniad

Slide images of the venue, set, screen graphics and performance, together with some slides of individuals underwater, possibly to be used in publicity material.

A plan of the [video graphics and footage to be shown during the production]; together with a memo outlining the work done on video editing and sketches regarding [camera placement].

Correspondence, including a letter requesting permission to use short extracts from the film 'The Last Days of Dolwyn' in the production and a letter of thanks following a reaction to the production and enquiring as to the possibility of performing a work at the National Eisteddfod of Wales.

A final draft copy of the production script.

A notebook containing research notes and material, draft scripts and script notes, ideas and notes on structure.

Slide images of the Llais Cynan production.

Research, preparation and devising material, including photocopies and research notes, synthesis notes, and draft texts and scripts; together with some scenographic designs and photocopies of photographs/stills.

Photocopies of photographs of a baby and two old people which were used in publicity material, possibly for this production and others; together with a still of test colours which was used on a screen during the performance.

Draft copies of production texts and scripts, together with research material, a copy of the production programme and a flyer, correspondence relating to Clifford McLucas' resignation from Brith Gof, and a copy of Clifford McLucas' 'Some Notes on Research' booklet for the Hafod production.

Papers relating to research and preparation for the production, including photocopies of documents and photographs relating to Operation Mincemeat, draft scenographic designs, a draft production [score], draft text for publicity material and a production programme.

Draft copies of production texts and scripts, notes that appear to be stage and filming directions, notes detailing first ideas, notes on camera positions and draft production [scores]; together with a master copy of the programme, a photocopy of an image of 'Major William Martin' and a page of Clifford McLucas' graphic work: 'I Am Here on False Pretences'.

Production flyers, together with a design copy of a 'How Green Was My Valley' flyer.

A work calendar noting tasks.

Papers relating to research, some of which appear to relate to Hafod, including an access guide booklet to the Imperial War Museum collection, research contacts and contact details, and a list of Hafod research.

A letter of thanks to Clifford McLucas for participating in a programme about arts funding, 'Under the Skin'.

Mock-ups of sections for the proposed 'The Host and the Ghost' publication.

Publicity for the From Memory I production, including an invitation to the premiere performance, a newspaper preview, and an information leaflet.

Letters of invitation to the presentation of a work-in-progress performance and to the premiere of the In Black and White production, together with production flyers.

Performance and action directions, together with a production scenario, notes on ideas, and production plan; and also including an invitation to the performance premiere, a letter regarding funding and images of the CNDRLL performance at the Aberystwyth Arts Centre.