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Slide images of the venue, set, screen graphics and performance, together with some slides of individuals underwater, possibly to be used in publicity material.

Slide images of the Llais Cynan production.

Slides of the construction of the set for the Cardiff production of Gododdin, together with some slides of the performance.

Slides of various street performances, presumably by Brith Gof, and which were possibly used in lectures.

Slides images, possibly of the street performance of Pedole Arian in Poland.

Photographs of the Du a Gwyn (Black and White) touring production, with negatives, some of which appear to be of the Disasters of War: Part2/Hiroshima production.

Slides and photographs of the In Black and White production, including performance and publicity photographs; together with photographs of the Blodeuwedd and Gernika productions.

Slide images and photographs of production publications, joiner artwork, publicity material, graphics and images used in publications, scenographic designs, pages of the production scenario, production [score] and scene plans.

A catalogue of slides taken during Brith Gof's 1986 visits to Patagonia.

A sketch on acetate relating to the production on which the location of television cameras has been noted.

Correspondence and papers relating to an intended performance by Brith Gof at the Sitges Teatre Internacional (Salmos), but which was cancelled because of the festival’s financial constraints, regarding matters such as arrangements and including also text for the programme, estimates of cost, budgets, details of technical requirements, and a proposal for 'Gwelais hyn' - A Dramatic Cantata.

A plan of the production set.

Design copies of the [banners] that were used on the Hafod set at the Bala National Eisteddfod of Wales.

A copy of a seminar on site-specific theatre given by Mike Pearson at the Oerol Festival, Terschelling.

Versions of the production script, including a script for the site-specific production, with notes regarding stage and vt directions and a script for the studio production; together with notes regarding Clifford McLucas, Brith Gof and their work.

Copies of production texts and scripts, some of which are in handwritten form; together with photocopies of material, some of which were possibly used in the texts and scripts; together with request slips for material at the National Library of Wales.

Draft copies of production texts and scripts, together with research material, a copy of the production programme and a flyer, correspondence relating to Clifford McLucas' resignation from Brith Gof, and a copy of Clifford McLucas' 'Some Notes on Research' booklet for the Hafod production.

Draft copies of production texts and scripts, notes that appear to be stage and filming directions, notes detailing first ideas, notes on camera positions and draft production [scores]; together with a master copy of the programme, a photocopy of an image of 'Major William Martin' and a page of Clifford McLucas' graphic work: 'I Am Here on False Pretences'.

Draft and final copies of production scripts and texts.

A copy of the script for Hafod - A Life in Eight Great Suites, together with scenography designs with stage directions, soundtrack and technical notes.